Três estudos de concerto para violão de Radamés Gnattali peculiaridades estilísticas e suas implicações com processos de circularidade cultural
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Data
2014-04-25
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Universidade Federal de Goiás
Resumo
This research aimed to investigate the technical characteristics/stylistic
involved with the Three Studies of Concert for guitar the songwriter gaucho Radamés
Gnattali, in its interaction with the processes of circularity and cultural hybridization.
Tried to reach, especially, to the peculiarities of the work of this composer, related to
the inseparability between stylistic characteristics /idiomatismo/Technical/cultural
interaction, emphasizing always transit that has been established between the
specificities of different fields of musical production (Bourdieu, 2003). Chartier
(1990), Hall (2005), Bourdieu (2003) and Canclini offered (2003), allowed for a
theoretical foundation that took on important representational reference, referring to
the possibilities raised by practical knowledge and daily involved with identitary
processes, that is the objective and becomes evident in verbal formulations, practices
and cultural works. This reasoning pointed as the methodological approach, in
addition to the bibliographic research, referring to the removal of scenarios sociohistorical
and cultural and the elements of the path of life and musical Gnattali, the
analysis and interpretation of works that integrate the Three Studies of Concert for
guitar. In this context, the analysis and interpretation of scores were performed in
interaction with the analysis and interpretation of works recorded on CDs and with
data collected in the research literature. Thus, it was possible to confirm the
assumption that the works of Radamés Gnatalli Gnattali that integrate Three studies
of Concert for guitar, were able to prove the specificity of his work as a composer, a
composer who transitioned so fluidic flip by different cultural dimensions; who
worked in the most peculiar way a musical language hybrid, indicative of stylistic
peculiarities that demonstrate not only his transit cultural, but also their interaction
with the sound features, technicians of the instrument.
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Citação
Silva, Valdemar Alves - Três estudos de concerto para violão de Radamés Gnattali peculiaridades estilísticas e suas implicações com processos de circularidade cultural - 2014 - 133 f. - Dissertação - Programa de Pós-graduação em Musica (EMAC) - Universidade Federal de Goiás - Goiânia - Goiás - Brasil.