O mercado de arte goiano e o artista como ser social
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2015-04-14
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Universidade Federal de Goiás
Resumo
The present paper “The art market from Goiânia and the artist as a social being”
aims at presenting the tecniques and concepts that bring the artist closer and
closer to the viewer. Artistic concepts developed mostly in the 60’s and earlier
made it possible for the public to become closer to art, the object being observed
and the observer sharing an intelectual harmony that enabled art to exist. The
paper presents the piece “Prancha 6 com cocar Kraô” by Carlos Sena as a
differential element in this process of reestructuring the arts which took place in
Goiânia. It enabled us to understand the art market as a determining element of
the intimate social ties. The prices attributed to works of art thus become a
symbolic element, creating a disruption in the power the artist and his means of
production had in qualitatively predicting the value of a piece. Finally, we show
that the resource of intimate social ties, foreseen by Olav Velthius and
excessively reorganized by electronic mean, gives rise to a new form of art which
works as a disturbance of these very social relations.
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COELHO, Armando de Aguiar Guedes. O mercado de arte goiano e o artista como ser social. 2015. 239 f. Tese (Doutorado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2015.