A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística
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2017-03-30
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Universidade Federal de Goiás
Resumo
The present work aims to analyze and present a brief biographical account and
the work of Brazilian women composers, with an analysis of the works made in the 1970s.
As secondary objectives we search for the contribution to the national repertoire, in the
sense of giving visibility to works not much known and played, and to highlight the
participation of women in the scenario of Brazilian musical composition, turning the
attention to the production of guitar music. To find the works, various search engines were
used, such as: catalogs of works, books, as well as interviews conducted during the
research. The composers found here are: Lina Pires de Campos, Adelaide Pereira da Silva,
Eunice Katunda, Esther Scliar and Maria Helena da Costa. Of the diverse works found, we
selected only one piece of each composer, representing their languages and stylistic aspects.
The main reference used for the analysis was the book by John White (1976), The Analysis
of Music. We also include the precepts of Schoenberg (1996) and Kostka (1999). The
results found were some stylistic similarity between some works analyzed here, as well as
features that dialogue with the stylistic aspects of the analyzed period.
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AMARAL, M. A mulher compositora e o violão na década de 1970: vertentes analíticas e contextualização histórico-estilística. 2017. 176 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2017.