A obra para violão de Pedro Cameron: características idiomáticas e estilísticas
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2007-04-30
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Universidade Federal de Goiás
Resumo
The proposal of this research is to investigate the process of creation of the Brazilian
composer Pedro Cameron, mainly through the survey and analysis of his work, pointing out
specific stylistic characteristics, his perception of the classical guitar idiomatism, and its
influence on compositional solutions. In the beginning of the twentieth century, there was a
significant growth in the number of works written for the classical guitar by composers of
diverse musical backgrounds. These works consolidated a more reorganization both in the
writing and the idiomatic absorption of the instrument. The musical works for classical guitar
by Pedro Cameron is part of this context, creating an important investigative link for the
Brazilian contemporary repertoire. The first part of this master thesis contextualizes this
moment, presenting information about the classical guitar in Brazil and the world, and a brief
biography of the composer. The second part presents an analytical inquiry of some Cameron's
pieces, encompassing the period between the decade of 1970 and the present days. The
theoretical framework is based on authors such as Spencer & Temko (1988), Hanslick (1992),
Dudeque (1996), Schoenberg (1996), Oliveira (1998), Menezes (2002) e Zuben (2004). The
last part evaluates the procedures of the composer through what was observed in the analyses,
presenting compositional solutions and techniques he creatively used to incorporate
significant elements of the classical guitar idiomatism, influencing the process of writing and
his compositional style.
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PEROTTO, Leonardo Luigi. A obra para violão de Pedro Cameron: características idiomáticas e estilísticas. 2007. 479 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2007.