Por que palhaperformances? Performances de grupos de palhaços e palhaças que atuam em hospitais de Goiânia
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2021-06-26
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Universidade Federal de Goiás
Resumo
This work analyzes the volunteers’ groups, under the light of cultural performances. These
groups visit Goiânia’s hospitals; and appropriate to the clown figure. The work intention is to
understand who is the figure of the clown, the trickster archetype and how they act in
palhaperformance. It used the cartography methodology to identify the thorough attention
variety who are the groups that act in Goiás’ hospitals. The first type of attention variety is
polling (tracking). The second is the sensibility and subjectivity points (touch). Third is the
concentration of attention (landing), it’s in-depth monitoring of groups. At last, the path
followed by clowns (deep recognition). Thus, we see: the more visited places by volunteers’
clowns and which image is associated with the places. And I call they: pain places. We have for
methodological cut three groups (Trupcando em Sonhos, Semeadores da Alegria e Condutores
do Riso). I followed them up in hospital performances and I had an interview. The collective
movement of volunteers’ groups brings new experiences to the area and different tensions and
relationships. In addition, it institutes an unprecedented and original path for the contemporary
clowns.
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SILVA, R. M. Por que palhaperformances? Performances de grupos de palhaços e palhaças que atuam em hospitais de Goiânia. 2021. 220 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2021.