O estilo composicional de Marco Pereira presente na obra Samba Urbano . Uma abordagem a partir de suas principais influências: a música popular brasileira, o jazz e a música erudita
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2012-03-30
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Universidade Federal de Goiás
Resumo
This paper regards Contemporary Brazilian Popular Music and it aims to present the
compositional style of Marco Pereira based on a case study of its work Samba Urbano ,
composed for solo guitar, in 1980. Marco Pereira presents elements of jazz, classical music,
and Brazilian popular music, as well as idiomatic features of guitar, as his main references.
The use of Parallelism , influenced by Villa-Lobos and Leo Brouwer, is found in Samba
Urbano . As far as the rhythmic and harmonic aspects, it is possible to find the influence of
Garoto, Radamés, Gnattali and Baden Powell. It can be seen in Samba Urbano aspects of
jazz, such as the improvisation character, the use of modal harmonies and the changing of
scales. Lastly, the influence of French impressionist music, by Debussy and Ravel, such as the
use of harmonies over whole tones scales and chords of fourth.
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LEMOS, Julio Cesar Moreira. The composicional style of Marco Pereira on the music "Samba Urbano". An view by his principals influences: the popular brazilian music, the jazz and the scholar music. 2012. 62 f. Dissertação (Mestrado em Linguística, Letras e Artes) - Universidade Federal de Goiás, Goiânia, 2012.