As performances de Odorico Paraguaçu em "O bem amado" (1973): uma sátira à política brasileira no século XX
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2020-03-02
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Universidade Federal de Goiás
Resumo
The work aims at the representations of the fictional politician and colonel Odorico
Paraguaçu of the soap opera O Bem-amado, in 1973. Designed by Dias Gomes, the soap
opera challenged the political and historical period of that moment, the Brazilian military
dictatorship. In the regime's view, the author was a subversive, but Dias Gomes, as a
popular national playwright, did not allow himself to be intimidated and transformed
Odorico into the portrait of several individuals who followed a unique, predictable and
almost unchanging, even among political opponents. Odorico became a criticism that
turned the real-life tragedy caused by most politicians into comedy. In order to understand
the game of Odorico's representation, it was identified that the questions were
transdisciplinary and could be encompassed by the studies of cultural performances,
mainly as understood by Erving Goffman and Richard Bauman, thus, the communicative
resources used by the author and the actor, Paulo Gracindo that interpreted Odorico, they
were analyzed as cultural performances. Therefore, the character Odorico Paraguaçu
performed through social frames as a moralist, colonel and populist, and during the
telenovela, his actions become part of this character's personal and scenic facades, which
revolve around his effort as a politician to please the population of the fictional city of
Sucupira and inaugurate its campaign promise to the city hall: a cemetery, testing the
efficiency of its representation. The comparison between the frames of the character
Odorico and the politicians previous and contemporary to him, took place through
bibliographic research mainly in digital collections of documents of the time. The
performatically related data showed that Odorico's way of acting did not differ in the total
forms of representations employed by politicians that existed in the Brazilian reality, most
of the time with similar intentionality.
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VILELA, Anne Araujo. As performances de Odorico Paraguaçu em "O bem amado" (1973): uma sátira à política brasileira no século XX. 2020. 173 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2020.