Café bordado: saberes tradicionais na busca por poéticas compartilhadas
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Data
2024-07-12
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Universidade Federal de Goiás
Resumo
La presente tesis doctoral es el resultado de la investigación sobre los
procesos de producción artística en los que la materialidad de la obra
es la propia acción vivida en una experiencia compartida, en la que se
propone un desplazamiento de la idea de autoría individual hacia una co lectividad. Más específicamente, se abordan las experiencias vividas en
la comunidad Kalunga, de los municipios de Teresina y Cavalcante, en
el estado de Goiás, y también la interlocución con mujeres bordadoras,
tanto del quilombo como de otras localidades del centro-oeste. Para la
realización de este estudio, se toma como base una trayectoria de inves tigación y participación con las artes plásticas, que abarca la actuación
docente y la práctica artística, la memoria de las experiencias en el qui lombo y, finalmente, el contacto con las bordadoras, que se refiere tanto
al seguimiento de sus rutinas de trabajo, a la escucha de sus narrativas
como también a una experiencia creativa compartida.
The present doctoral thesis is the result of an investigation into the pro cesses of artistic production in which the materiality of the work is the action itself lived in a shared experience, proposing a shift from the idea of individual authorship to collectivity. More specifically, it addresses the experiences lived in the Kalunga community, in the municipalities of Teresina and Cavalcante, in the state of Goiás, as well as the dialogue with female embroiderers from both the quilombo and other localities in the Midwest. For this study, the basis is a research trajectory and in volvement with visual arts, which encompasses teaching practice and artistic practice, the memory of experiences in the quilombo, and finally, the contact with the embroiderers, which involves following their work routines, listening to their narratives, and engaging in a shared creative experience.
The present doctoral thesis is the result of an investigation into the pro cesses of artistic production in which the materiality of the work is the action itself lived in a shared experience, proposing a shift from the idea of individual authorship to collectivity. More specifically, it addresses the experiences lived in the Kalunga community, in the municipalities of Teresina and Cavalcante, in the state of Goiás, as well as the dialogue with female embroiderers from both the quilombo and other localities in the Midwest. For this study, the basis is a research trajectory and in volvement with visual arts, which encompasses teaching practice and artistic practice, the memory of experiences in the quilombo, and finally, the contact with the embroiderers, which involves following their work routines, listening to their narratives, and engaging in a shared creative experience.
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SILVA, Maria Tereza Gomes da. Café bordado: saberes tradicionais na busca por poéticas compartilhadas. 2024. 257 f. Tese (Doutorado em Performances Culturais) - Faculdade de Ciências Sociais, Universidade Federal de Goiás, Goiânia, 2024.