Improvisação na música popular brasileira instrumental (MPBI): Aspectos da performance do contrabaixo acústico
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Data
2011-04-30
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Universidade Federal de Goiás
Resumo
This paper deals with improvisation procedures for double bass in Instrumental
Brazilian Popular Music (MPBI). Available literature on instrumental popular music
focuses on North American jazz, however there is much to be explored and released
concerning the material produced and published in Brazil about MPBI, particularly on
double bass. Authors such as Piedade (2005) and Cirino (2009) discuss the scarce
available literature and ponder on improvisation in overall Brazilian music. These
authors' ideas are references to this work, which deepens their proposed discussion of
improvisation and spreads it to double bass improvisation, mostly in interpretation of
Brazilian genres. This paper's main goal is to discuss the use of rythmic cells and
idiomatic melodies in improvisation for Brazilian genres baião, choro and samba. The
work's methodology is made up of three main steps: 1) literary review in Portuguese
and English; 2) selection and discussion of elements through hearing of audiovisual
recordings, 3) applying selected elements to improvisation on popular themes’s
excerpts. The work will also bring appendixes with full sheets for the defense recital
and audio samples for the suggested improvisations. The research's final results (final
product for concluding the Master's Degree in Music course) are presented in two
parts: the defense recital (including themes with MPBI improvisation), which presents
the research-originated artistic product, and the scientific article’s defense, which
records the process of research itself.
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Silva, Bruno Rejan - Improvisação na música popular brasileira instrumental (MPBI): Aspectos da performance do contrabaixo acústico - 2011 - 75 f. - Dissertação - Programa de Pós-graduação em Musica (EMAC) - Universidade Federal de Goiás - Goiânia - Goiás -Brasil.