Improvisação à viola caipira: um estudo de caso aplicando modelos selecionados ao cateretê vide vida marvada
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2016-12-02
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Universidade Federal de Goiás
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This work is related to improvisation in the brazilian ten strings guitar with open tuning
(Cebolão), using as a case study and application the rhythm (cateretê) in music Vide
Vida Marvada, by Rolando Boldrin. Because I have not yet found specific material for
improvisation in this instrument, I have raised questions about the existence and form of
this practice. My hypothesis is that, with a method suitable to the instrument and its
particularities, which includes the study of scales and arpeggios, the student shortens the
way in the realization of different pieces, facilitates the immediate transposition of
songs to other tones and fosters basic knowledge to improvise . The objective of this
work is to investigate the processes of improvisation for viola, starting from scales,
arpeggios and rhythmic / melodic models. The methodology used was to listen and to
transcribe elements of the common practice of diverse violeiros and to extract the basic
technique for its construction. I started with authors who deal with improvisation in a
general way (BENSON, 2003), idiomatics (ALVIN and ASSIS, 2000), and authors
dealing specifically with the instrument and the like (VILELA, 2013) . The results were
the confirmation of the hypothesis raised and the construction of didactic material for
brazilian ten strings guitar with cebolão tuning, besides the evidence that improvisation
in the traditional context not only exists, but also in a particular way, more associated
with prosody Rhythm, and that the choice of tonality, within the described tuning
influences directly in its practice.
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PESSOA, Almir Júnio. Improvisação à viola caipira: um estudo de caso aplicando modelos selecionados ao cateretê vide vida marvada. 2016. 51 f. Dissertação (Mestrado em Musica) - Universidade Federal de Goiás, Goiânia, 2016.