A articulação na obra Charanga Jazz Mambo a partir da influência da música afro-cubana
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Data
2013-05-29
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Universidade Federal de Goiás
Resumo
The present work is a study on the relationship in music for brass quintet and percussion
Charanga Jazz Mambo by Pedro Rodrigues Carneiro, focusing on expressive accents,
specifically in the diction used by brass players. Based on the analogy developed by
Harnoncourt (1998) between the onset of sound and speech, as well as, the historical changes
of attitude in relation to composers writing detailed the score, the research points to the
development of instrumental technique, exposing the model standard quintet metals, their
variations as well as collaboration in the drafting, interpretation and dissemination of the
piece contained in this work. As a source of information about the author, still unknown in
academia, we present a brief biography of the composer. Expressive elements such as tempo
and articulation, are explained in the description of the work, focusing attention on expressive
accents, suggesting the phonemes “TA” or “DA” depending on the nature harder or softer,
respectively, from the beginning of each note.
Descrição
Citação
MILET, Roberto Wagner. A articulação na obra Charanga Jazz Mambo a partir da influência da música afro-cubana. 2013. 72 f. Dissertação (Mestrado em Música) - Universidade Federal de Goiás, Goiânia, 2013.