Cinema e performances: a encenação de Eduardo Coutinho
Nenhuma Miniatura disponível
Data
2019-03-19
Autores
Título da Revista
ISSN da Revista
Título de Volume
Editor
Universidade Federal de Goiás
Resumo
This research carried out a study of Cinema relating it to the interdisciplinary field of
Cultural Performances. To this end, he hypothesized that mise-en-scene (staging) is
the locus where we can find performances in the cinema. A mapping of the various
conceptual and methodological paths possible from the performances was made. We
did a resumption of the concept of staging from its origins in the theater, to the
contemporary cinema, more precisely the device films. From the work of the
filmmaker Eduardo Coutinho, we present his method, and we chose his film Jogo de
Cena (2007) as object of analysis. In this, we verify the extreme problematization of
the definitions linked to the performance / representation dichotomy, truth / mimesis,
based on a device that allows the manifestation of performances of its participants,
be they anonymous women, actresses known or not, and even the filmmaker himself.
Descrição
Palavras-chave
Citação
FALEIRO, Wertem Nunes. Cinema e performances: a encenação de Eduardo Coutinho. 2019. 139 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019.