Jú onze e 24: pretextos, textos e contextos de atores drag-queens em Goiânia (GO)
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Data
2015-11-05
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Universidade Federal de Goiás
Resumo
This work tries to recall the memory of the show Jú Onze e 24, directed by Júlio
Vilela, and its latest attempts at survival, with its structure and circulation among the
theatrical spaces and spaces LGBT in Goiânia, with the main attraction the dragqueens
performances. This drags, to carry out the production of a female body
translated as assemblies, presented at different mappings. These mappings are
understood as flexible operating modes that go or back together. The fact of
producing and performing, featuring her performative process, which allowed for a
study of the aesthetic transformations in the show, based on studies of performance,
queer theory, gender and sexuality. These themes could incite processes of
identification and difference about subjects of deviant sexuality, as transvestites and
transsexuals who are confused or placed under one label, which confirms that there
is confusion regarding the usual drag-queen performance.
Descrição
Palavras-chave
Drag-queen , Gênero , Júlio Vilela , Performance , Paródia , Drag-queen , Genre , Júlio Vilela , Performance , Parody
Citação
NUNES, P. Reis. Jú onze e 24: pretextos, textos e contextos de atores drag-queens em Goiânia (GO). 2015. 148 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2015.