Hans Lorenz Castorp, o bom avô em A montanha mágica, de Thomas Mann
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Data
2017-12
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Resumo
We will observe and reflect upon some aspects of the
aesthetic and psychosocial corollary produced by the long, intriguing and
dialectic flashback present on the second chapter of The Magic Mountain,
of Thomas Mann; particularly on the first part, entitled Of The Baptismal
Font And The Grandfather's Two Aspects. In this picture, we'll accompany
the occurrence of the movements of transversal subjectivity of the
protagonist Hans Castorp, connected directly and indirectly to his
grandfather Hans Lorens Castorp, also, as consequence related to his
dialogic behavior with other characters that creates this multiple, complex
and heterogeneous romanesque universe. Transversal faciality and
temporality will be a few of the elements seen as basis of this
Bildungsroman, that balances between classical traditions, in its period sociocultural counterpart, and the contemporary literary updates, that
links to new perspectives of negotiations of the various identity building
processes, present in the aesthetic paradigms.
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A montanha mágica, Rostidade, Identidades transversais, The Magic Mountain, Faciality, Tranversal identity
Citação
SANTANA, Jorge Alves. Hans Lorenz Castorp, o bom avô em A montanha mágica, de Thomas Mann. Caderno de Letras, Pelotas, n. 29, p. 87-112, jul./dez. 2017. DOI: 10.15210/cdl.v0i29.9741. Disponível em: https://periodicos.ufpel.edu.br/ojs2/index.php/cadernodeletras/article/view/9741. Acesso em: 22 fev. 2023.