Assimilação e transformação cultural no falso documentário Zelig (1983), de Woody Allen
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Data
2014
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Resumo
Thinking about Woody Allen as "historian movie maker" will be the central idea and core theme of
this article. We will present the main features of his cinematographic language, that is, using satire and ironic
language in order to discuss with the audience. The relation between History and Cinema will be highlighted too,
starting with the concept of the "Movie maker - historian", as defined by the theorist Robert A. Rosenstone,
looking for its exemplification in Woody Allen's works. We will analyze Zelig (1983) as a case of study, a fake
documentary that reflects on the History of the Jews in America.
Descrição
Palavras-chave
Woody Allen, Ironia, Identidade judaica, Falso documentário, Período entreguerras, Woody Allen, Cinema, Interwar period, Jewish identity, Mockumentary, Irony
Citação
RIBEIRO, Roberta do Carmo; CAPEL, Heloisa Selma Fernandes. Assimilação e transformação cultural no falso documentário Zelig (1983) de Woody Allen. Plurais - Virtual, Goiânia, v. 4, n. 1, p. 193-212, 2014.