Geografia, literatura e imaginário: um saber para sensibilidade
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2019-08
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La littérature et les outre arts sommes, a priori, sources privilégiées d’accès à la culture et à l’imaginaire social. À partir de celle-ci aussi l’espace et le temps peuvent se dévoiler par des références sur un lieu, une époque, sur des comportements qui, comme des illustrations, émergent des personnages dans des trames diverses et surprenantes. C’est ainsi qu’émergent des savoirs, des ruses et des alternatives poético-symboliques. Un univers de sens qui rend possible de pénétrer le secret et l’invisible plus profondément que nous ne pourrions le comprendre comme réalité. La littérature correspond à une part fondamentale de l’imaginaire ontologique du monde qui nous entoure, elle est imagination active (action d’imaginer), possibilité d’envisager des futurs alternatifs, de créer des réalités totalement nouvelles et des lieux idéaux/désirés même dans le passé. Cela consiste en un milieu, en un flux, pas nécessairement linéaire, entre la création et le souvenir. Une convergence entre vie, expérience et sensibilité qui mûrit sous le nom d’Art. L’art détient l’enchantement, elle est l’espace dans lequel, par le biais du langage, l’émotion transite et se situe. emotion, imagination, souvenir, perception subtile et élaborée de l’univers qui nous entoure: La Science et la Géographie pourraient-elles, en tant que savoir scientifique, obtenir de l’artplus qu’une source d’étude? Cette façon de regarder le monde, de le comprendre, de le reconstruire et d’intervenir en lui, propre de l’art, surtout de la littérature, ne pourrait-elle pas être une méthode? Il peut exister une Géographie Poétiquede la même façon qu’il existe une poétique géographique ou comme l’écrit Bachelard une poétique de l’espace.Poser ces questions, lancer ces perspectives, inciter au dialogue et à l’échange entrela géographie et l’art et la construction d’un savoir sensible, tel est l’objectif central de ce texte. Penser une science littératurisée est le défi que nous proposons.
Literature and other arts are, a priori, a privileged access source to the culture and to social imaginary. From her, space and time can too finded out at references about a place, an age, the comportamental aspects when, like illustrations, its emerges from personages, at their diverses andamazing plots. Like this, emerge knowledges, astuteness and poetics-simbolical alternatives. A universe meaning when possibilites to penetrate in the secret and the invisible of that we can undestand like reality Literature is like a fundamental piece ontologic imaginary of the world that are at contours us. Itis an active imagination (the imagine action) that possibility them see some futures alternatives, to build all new realities and places ideal/wished, even of the past. Consist in a way, a flux, notnecessarily linear, between the create and the remember. A convergence among life, experience and sensibility that ripening under name of Art. The arthas the enchantment, is space in which the emotion figures and transit, through language. emotion, imagination, memory, subtle and elaborate perception of the universe around us! Could science and geography, while scientific knowledge, get from artmore than a research source? This way of looking at the world, to understand it, rebuild it and intervene at them, typical of the art, specially at literary art, could notbe a method? There may be both a Poetic Geography, as there is a geographical or poetic as well wrote Bachelard (2000), a space poetics. Propose issues, launch perspectives, encourage the dialogueand the interlocution betweenGeography and Art and the construction of a sensitive knowledge is the main objective of this text.Think a science literaturizeded is the challenge we set ourselves.
Literature and other arts are, a priori, a privileged access source to the culture and to social imaginary. From her, space and time can too finded out at references about a place, an age, the comportamental aspects when, like illustrations, its emerges from personages, at their diverses andamazing plots. Like this, emerge knowledges, astuteness and poetics-simbolical alternatives. A universe meaning when possibilites to penetrate in the secret and the invisible of that we can undestand like reality Literature is like a fundamental piece ontologic imaginary of the world that are at contours us. Itis an active imagination (the imagine action) that possibility them see some futures alternatives, to build all new realities and places ideal/wished, even of the past. Consist in a way, a flux, notnecessarily linear, between the create and the remember. A convergence among life, experience and sensibility that ripening under name of Art. The arthas the enchantment, is space in which the emotion figures and transit, through language. emotion, imagination, memory, subtle and elaborate perception of the universe around us! Could science and geography, while scientific knowledge, get from artmore than a research source? This way of looking at the world, to understand it, rebuild it and intervene at them, typical of the art, specially at literary art, could notbe a method? There may be both a Poetic Geography, as there is a geographical or poetic as well wrote Bachelard (2000), a space poetics. Propose issues, launch perspectives, encourage the dialogueand the interlocution betweenGeography and Art and the construction of a sensitive knowledge is the main objective of this text.Think a science literaturizeded is the challenge we set ourselves.
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Geografia, Literatura, Imaginário, Sensibilidade, Géographie, Littérature, Imaginaire, Sensibilité, Geography, Literature, Imaginary, Sensibility
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SILVA, Valéria Cristina Pereira da. Geografia, literatura e imaginário: um saber para sensibilidade. Vida de Ensino, Iporá, v. 4, n. 1, p. 1–18, 2019. Disponível em: https://periodicos.ifgoiano.edu.br/vidadeensino/article/view/1131. Acesso em: 27 ago. 2024.