E que a nossa emoção sobreviva... Brecht, Marx e o tratado védico Natyasastra
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2010-12
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This paper focus on the concepts of sensibility, emotion and reason in drama. It’s also considered
the relationship among those notions, the actor, the character and the audience. I use some aspects of the
Brechtian’s distinction between the Epic and Dramatic, a poem by Fernando Pessoa, concepts from Feuerbach’s
Thesis, the Economic-Philosophic Manuscripts by Marx, studies of the neurologist Antonio Damásio
and, finally, the discussion of senses and theater as considered in the Natyasastra. Through these distinct
points of views, this paper shows the complementarity between reason and emotion in the drama and in
the human relationship.
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Brecht, Marx, Natyasastra
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CAMARGO, Robson Corrêa de. E que a nossa emoção sobreviva... Brecht, Marx e o tratado védico Natyasastra. Moringa: artes do espetáculo, João Pessoa, v. 1, n. 2, p. 35-43, jul./dez. 2010.