EM - Artigos publicados em periódicos

URI Permanente para esta coleçãohttp://200.137.215.59//handle/ri/1300

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Agora exibindo 1 - 20 de 103

Jangada e Medroso de Amor de Alberto Nepomuceno: um foco em sentidos e significados sob o ângulo do dialogismo de Mikhail Bakhtin
(Universidade Federal de Goiás, 2026-01-19) Souza, Ana Guiomar Rego; Clímaco, Magda de Miranda
This article aimed to examine the life trajectory and works Medroso de Amor (1894) e A jangada (1920) by brazilian composer Alberto Nepomuceno (1864-1920). The analysis was based on elements of Mikhail Bakhtin’s (2003) Enunciative-Discurse Theory of Language, considering the intertwining of statements present in these trajectories and works, the intricate webs of relationships and times that they incorporated and consequently, the senses and meanings that permeate them. The analysis of the works revealed genres of discourse composed by a composer immersed in the profound transformations of the Brazilian scenario at the end of 19th century and beginning of the 20th century. A composer who made his performances and works his personal and institutional interests slide between different poles and needs, diverses forces and powers, republican, modernist and nationalist ideologies. His works continued to be received and updates by other composers and performers in other times and spaces, evidencing a dialogical situation as proposed by Bakhtin’s dialogism, that is, the interweavingt of new statements and meanings.
O cortejo carnavalesco do Zé Pereira, em tempos de-coloniais
(Universidade Federal de Goiás, 2024-09-19) Camargo, Robson Corrêa de
This text aims to present and investigate the performance of the Zé Pereira carnival procession, based on the events from 2013 to 2022 in the municipality of Itaberaí-GO. To this end, we engage in a dialogue with Mikhail Bakhtin's (1895-1975) studies of the carnivalesque worldview and the decolonial perspectives of Mario de Andrade and Oswald de Andrade. These theories help us understand how the idea of a procession can parallel the normativity of everyday life, momentarily modifying streets, roads, and lives in a movement that goes from life to art and from art to life. Bakhtin establishes the elements of the carnivalesque worldview that are inserted into everyday life and its expressive forms. We are exposing here that we can still observe the dialogism of expressive forms being inserted into moments of everyday life.
Drag queer in.submissao: a contrassexualide na contemporaneidade da transperformação
(Universidade Federal de Goiás, 2025-02-11) Silva Júnior, Otair Flôr da; Oliveira, Natássia Duarte Garcia Leite de
hisarticleaimstoidentifyaspectsofsubmissionandnon-submissionintheconceptionofthedragimageinthequeeruniverse,hencethetermdragqueer;andelucidatetheconstructionofthisartthroughthesocialimaginary.Itbeginswithastudyofdragart,guidedbyabriefhistorybasedonthetextbyIgorAmanajás.Thereisnointentionofprovidingageneraloverviewofdraghistoryhere.Italsodiscusseshowdragartistsaresubjecttoaestheticandsocioculturalinfluencesandpressures,inadditiontothevisionofthemselvesandothersintheprocessoftheirassembly.Finally,theconceptofcontrasexuality,byPaulPreciado,wasusedtosuggestawayofdiscussingdragart.
Terreiro da infância: artes integradas na cena da universidade
(Universidade Federal de Goiás, 2025-02-12) Oliveira, Natássia Duarte Garcia Leite de; Silva, Yasmin Carolina Ribeiro; Oliveira, Roger Thomas Nero de; Silva, Takaiuna Correia da; Santos, Cleber Vieira dos
Thisarticleisacriticalandreflectiveexperiencereportabouttheshow:Children...orOurInventedChildhoods!(2012).TheobjectiveistopresentandanalyzeoneofthemainworksoftheColetivoIntegradodeArtesTerreirodaInfância,approachingthemethod,methodologyandpoeticelementsconstitutiveintheassemblyprocess,suchas:memory,image,imaginationandtheimaginary.Fromthedirectionnotesandthelogbooksoftwooftheactorsandtwooftheactresses,wewereabletorecapturatethediscussionspresentedhere.Webelievethatexposingworktowrittenappreciationisawayofcollaboratingwith:newwaysofcreatingdramaforchildhood;otherwaysofconceivingnarrativesforchildrenandyouth,andguidingtherelevanceofchildhoodlearningandchildrenintheteachingprocessesinscenicartsdegrees,especially
Ecoperformance & ecopanformance
(Universidade Federal de Goiás, 2023-10-12) Nunes, Alexandre Silva
This essay presents some ideas about a possible conceptualization of ecoperformance, based on the first formulations made by Taanteatro Companhia, in association with a free digression about the origins of performance art and performance studies, associated with the ideas of Antonin Artaud. Next, the essay presents the imagery that drove the creation of the video art called Ecopanformance, created during the Covid-19 pandemic and based on the mythology of Pan and Echo.
Performances negras, pós-graduação e isolamento social: caminhos possíveis
(Universidade Federal de Goiás, 2023-06-20) Dias, Luciene de Oliveira; Silva, Renata de Lima; Corrêa Júnior, Sebastião Rios
After a successful experience of exchanges established in the classroom to share teachings about black performances, a group of teachers is faced with the challenge of offering the curricular component in the remote modality, due to the Covid-19 pandemic. This article systematizes this experience in a narrative that aims to highlight the strength of black performances, despite technical limitations and the small number of people enrolled. In addition to offering subsidies for the presence of other knowledge in the classroom. The results achieved indicate that experimentation and care are also part of the postgraduate teaching-learning process and that representativeness, included of the Masters of knowledge, is essential to echo anti-racism and democracy.
Ampliando a compreensão sobre a relação entre a música e a expressão gênica através de uma revisão sistemática
(Universidade Federal de Goiás, 2016-02-15) Sousa, Romes Bittencourt Nogueira; Silva, Ana Lidia Alcântara-; Vale, Arthur Ferreira; Silva, Tereza Raquel Alcântara-
Systematic review of Music and gene expression, wich aim to expand knowledge on the subject. The data bases used were Scopus, Pubmed and Scielo. They were included in the publications of the last five years in Portu guese, English and Spanish, which contained the title song or music therapy associated with at least one of the other descriptors: Molecular Biology and Genetics and Cell. We found 394 articles and were excluded 389. We observed that the subject is poorly studied, most studies prioritize the relationship music and musical abilities, and music therapist attended none of them. Further research is needed to expanding the understanding of the subject and there by increase contributions to the music therapy clinic.
Música de exéquias em Vila Boa de Goyaz: contextualização de uma coleção de manuscritos
(Universidade Federal de Goiás, 2010-03-08) Dias, Ângelo
The goal of this work is to contextualize a collection of manuscripts found in the city of Vila Boa de Goyaz, and dated 1908, focusing on two sacred pieces for voice and instruments: a Missa de Requiem a 4, and a Memento, also a 4, and alternated with plainchant. The material also incorporates fragments of a Te Deum, alternated as well, and a Veni creator spiritus. The study of these copies reveals important details concerning the musical life of the former capi tal of the state of Goiás, at the end of the nineteenth, and beginning of the twentieth century, especially regarding the insertion of music in funeral ceremonies, with all the practical aspects involving its performance.
Maria eu: drama-tur "giras" poéticas
(Universidade Federal de Goiás, 2019-07-31) Santos, Flávia Cristina Honorato dos; Silva, Renata de Lima
It is proposed, in this work, to initiate a discussion and reflection on the process of creation of the show Por Cima do Mar Eu Vim, from the work of composition of the character Maria, built through the methodological and aesthetic approach used by the artistic group Núcleo Coletivo 22. In this process, elements of popular culture and Afro-Brazilian culture were of extreme importance for the construction of the character. In this article, some paths will be presented that have enhanced this body dramaturgy.
Quebra a cabaça, espalha a semente: jogar com a dança e dançar com a capoeira
(Universidade Federal de Goiás, 2019-07-27) Silva, Renata de Lima; Silva, Patrícia Ferreira da
This article is a synthesis of a research of a qualitative character and experimental in dance that launched the look for Capoeira Angola, considering its possible contributions to the process of choreographic composition and training of the dancer, both with regard to aspects technical and poetics. The title of the present work refers to an excerpt from a capoeira song "Quebra cabaça, espalha a semente” (break the gourd spreads the seed), and here the gourd is a belly metaphor and the seed of the fruit that is born from the contact with the songs, images and Games of Capoeira Angola. Field research was developed in the Águas de Menino, project linked to the Capoeira Angola Angoleiro Sim Sinhô Center (CCAASS). The experience in the project was associated to the studies on the process of creation in dance intending the reflection on a dance that plays with the capoeira marking an Afro-Brazilian identification.
Fragmentos da história da rádio e da tv brasileira a partir do olhar da atriz goiana Cici Pinheiro
(Universidade Federal de Goiás, 2018-07-31) Vieira, Karine Ramaldes
In this study, I reflect on part of the regional theatrical history of Goiânia, relating it to some historical facts of Brazilian radio and TV, based on the reports of the goiana actress Cici Pinheiro. The objective is to point out how the history of goiano theater is interconnected with the national history of Brazilian theater. The methodology is based on bibliographical and memorialistic documentary analysis, considering that the main research subject is no longer alive.
Andança kalunga: relato de experiência de uma catadora/contadora de histórias
(Universidade Federal de Goiás, 2019-12-30) Neves, Vanusa Nogueira; Silva, Renata de Lima
The text is an experience report of a scavenger / storyteller in the northeast region of Goiás, where is the Kalunga Historical and Cultural Heritage Site with communities distributed in three Goiás municipalities: Cavalcante, Monte Alegre de Goiás and Teresina de Goiás. From the meeting with Kalunga women from the communities of Engenho II, Riachão and Vão de Almas, comes the enchantment for their personal narratives. The Kalunga walk is the device of the Masters research in Cultural Performances on the narratives and performances of Kalunga women, specifically the Riachão Community, in the municipality of Monte Alegre de Goiás. From the enchantment to the awareness that these narratives relate to performance of these women in their communities, the Master's project in Cultural Performances was structured, aiming to investigate the art of storytelling from the experiences of quilombola women, observing in this process their social strategies in the construction of ways of life and identity to from your memories. And the goal was reached through the lived field. Field experience is understood, analyzed and described from the point of view of a sensitive experience, permeated by affects and enchantments, which do not ignore the adversities experienced by the Kalunga people in their history of struggle and resistance. Vanusa Nogueira, with the character Glorinha Fulustreka, goes on telling, picking and (re) inventing stories as a way to allow herself to hear, see and understand, from the perspective of performance studies, the poetics of otherness, expressed in kalunga culture and identifications. There are several voices participating in this study. The field experience is analyzed here from the perspective of the “lived field”, as discussed by researchers from NUPICC (Collective Scenic Research and Research Nucleus 22), where being in the field is to experience it from the point of view of aesthetic experience, sensitive knowledge and affections, which can be recognized in enchantment and adversity as a creative impulse for poetnography (SILVA & LIMA, 2014), which mean dramaturgies in dance, theater and storytelling, engaged with the poetics of otherness and knowledge. popular.
Inícios, despertares e criações da beleza feroz
(Universidade Federal de Goiás, 2018-07-31) Pascali, Maria Julia
Transcript of testimony from Maria Julia Pascali to Márcio Aurelio de Almeida in 2014, highlighting excerpts from the work The Secret of the Shaman: The Lost Teachings of the Ancient Mayas, by Douglas Gillette.
Experiência, jogos teatrais e performance: aspectos visíveis e aspectos não - visíveis
(Universidade Federal de Goiás, 2014-09-05) Vieira, Karine Ramaldes
This paper intended to relate the five stages of the procedural structure of the living experience (Erlebnis), proposed by Wilhelm Dilthey (1833-1911) and analyzed by Victor Turner (1920-1983), dialoguing with theater games proposed by Viola Spolin (1906-1994) to perceive aspects not visible at first, but present in the theater game performance. According to the structure analyzed by Victor Turner, the living experience occurs from the following stages: 1) perception; 2) images from past experiences; 3) emotions associated with the events of the past; 4) articulates the past to the present in a “musical relationship”; and 5) the experiment is completed by a form of “expression”. Theater games, proposed by Viola Spolin is based on the improvised action, essentially based on three major procedures: Focus, Instruction and Assessment. It is a learning by experience. Considering the theater game as performance, it is possible to establish the relationship between him and the five steps of the procedural structure of the living experience, realizing how the game’s performance is full of, but critical to the final expression of the game not visible aspects.
Corpo, voz, palavra e poder: a negação do negro no Teatro brasileiro
(Universidade Federal de Goiás, 2022-03-25) Souza, Newton Armani de
This article presenting results of applying the description of the discourse proposed by Michel Foucault to the analysis of a work on the History of Brazilian Theater, with attention to the treatment offered to blackness. The statements presented by the author exalt a freed black man, as the first Brazilian actor recognized as such, in the same way that they consider that blacks disappear from the stage after the 19th century. Starting from the same arguments, but thinking Theater beyond dramaturgy, we were able to prove the opposite, especially considering the body as a central element of theatrical making, instead of the written word.
Tropa de choque (2019)
(Universidade Federal de Goiás, 2019-07-01) Pereira, Dalmir Rogério
Este ensaio visual apresenta as principais ideias que nortearam a concepção, bem como os croquis e imagens da apresentação pública da performance urbana Tropa de Choque, realizada no âmbito do Laboratório Experimental de Desenho da Performance, da Escola de Música e Artes Cênicas da Universidade Federal de Goiás, sob regência do professor Dalmir Rogério Pereira, com registro fotográfico do professor Alexandre Nunes. A performance obteve expressiva repercussão, em âmbito nacional, tendo sido noticiada em alguns veículos de comunicação formal e mídias sociais.
Efeitos da musicoterapia no cuidado de pacientes vítimas de queimaduras
(Universidade Federal de Goiás, 2019-07-30) Silva, Jefferson Pereira da; Zanini, Claudia Regina de Oliveira; Daher, Ricardo Piccolo
Burns can cause sequelae and cause physical and psychological pain. The present study proposed to investigate the effects of Music Therapy on the reduction of pain in burn victims who are in the process of changing dressings. Each patient had two meetings with the music therapist, after the moment of dressing change, being an encounter with the performance of a music therapy intervention and the other not. The quantitative data were collected from the Faces Scale and the qualitative data were collected from the patients’ testimonies. Music Therapy has been shown to be effective in reducing pain levels in burn victims, both physically and emotionally.
Efeitos da musicoterapia no cuidado de pacientes vítimas de queimaduras
(Universidade Federal de Goiás, 2019-07-30) Silva, Jefferson Pereira da; Zanini, Claudia Regina de Oliveira; Daher, Ricardo Piccolo
Burns can cause sequelae and cause physical and psychological pain. The present study proposed to investigate the effects of Music Therapy on the reduction of pain in burn victims who are in the process of changing dressings. Each patient had two meetings with the music therapist, after the moment of dressing change, being an encounter with the performance of a music therapy intervention and the other not. The quantitative data were collected from the Faces Scale and the qualitative data were collected from the patients’ testimonies. Music Therapy has been shown to be effective in reducing pain levels in burn victims, both physically and emotionally.
Lutas de representações no ritual tapuio na Festa do Espírito Santo na cidade de Goiás no início do século XXI
(Universidade Federal de Goiás, 2021-11-14) Guimarães, Fernanda Albernaz do Nascimento
This article, the result of a doctorate research that discusses the context of the city of Goias, it aims to seek the evidence of representations in the music and dance of the ritual of the Tapuios that integrate the festival of the Divine Holy Spirit in the city of Goias, addressed under the representational focus. The observations made in loco also prioritized a look at the guiding principles of studies of complexity, in an approach that invests in interlaced knowledge that understands the individual as an inseparable term of the individual trinity/society/species. This methodology justifies the representational approach, that is, the need to understand man in his rational and passionate aspect, to consider that the approach of his aspect of homo sapiens should not happen apart from the approach of his aspect of homo demens. Finally, the evidence indicates that the ritual can be seen as a form of resistance of the excluded ones.
Corpo em processo criativo sempre
(Universidade Federal de Goiás, 2020-07-25) Machado, Maria Ângela de Ambrosis Pinheiro
This article deals with the study of body and its somatic and expressive practices in scenic art research. The objective is to study the creative process of the performance "Can not forget", staged by Valéria Braga e Maria Ângela De Ambrosis, released in November 2016 in Goiânia-GO. Body studies and their expressiveness (based on the Body-Mind Centering® approach) were the subsidiary practices of the creation, rehearsal and presentation processes of the performance in question. The result of the research process culminated in a scenic performance held next to a old tree, like rubber tree. The study of this creative process allows to investigate some aspects that configure today the aesthetics of the contemporary theater and the performance from the perspective of the body of the actor and to reflect the dilution of the borders of the arts.

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