A imagem fotográfica e o espaço geográfico contemporãneo: para atravessar os espelhos
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2014
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Resumo
La popularización de la fotografía y su relación con diversos medios de comunicación
es una marca comercial de las sociedades de control de llamadas. Con la presentación
de diferentes imágenes del espacio contemporáneo, la fotografía tiene la capacidad de mostrar
y ocultar, creando una ambigüedad en lo tensor frui, lee y significa que las imágenes.
Con el fin de reflejar la forma en la que la imagen fotográfica puede ser identificado como la
expresión, la composición y el medio ambiente y por lo tanto permitir que el sujeto contemporáneo
eludir su acción en el espacio a través de dos movimientos ontológicos, ver y ser visto,
elaborado la siguiente pregunta: la tarea central del pensamiento humano, posicionarse y
componer la trama del discurso se volvió menos importante que antes, lo que lleva al sujeto
contemporáneo para el acceso móvil que se alimentan de la sociabilidad actual marcada por
el consumo, el rendimiento y el espectáculo? Se inspira en una concepción totalizadora de
la imagen fotográfica y su relación con la historia y con el espacio, y se trataba de examinar
el procedimiento de encuesta de percepción, lectura de documentos y la construcción de los
resúmenes de las interpretaciones de autores de diversos campos científicos. Fue sintetizado
los diversos sentidos del ancla imagen fotográfica un desafío cognitivo crucial: construir
representaciones del espacio contemporáneo.
The popularization of photography and its connection to various media is a trademark of call control societies. By presenting different images of contemporary space, photography has the ability to reveal it and hide it, creating an ambiguity in what Tensioner frui, reads and means the images. In order to reflect the way in which the photographic image can be identified as expression, composition and environment and thus allow the contemporary subject circumvent its action in space through two ontological movements, see and be seen, elaborated the following question: the central task of human thinking, position yourself and compose the plot of the speech became less important than before, leading the contemporary subject to mobile access that feed the current sociability marked by consumption, performance and spectacle? It was inspired by a totalizing conception of the photographic image and its relationship with history and with the space, and it came to scrutinize the procedure of perceptual survey, reading documents and the construction of summaries of interpretations by authors from various scientific fields. Was synthesized the various senses of the photographic image anchor a crucial cognitive challenge: build representations of contemporary space.
The popularization of photography and its connection to various media is a trademark of call control societies. By presenting different images of contemporary space, photography has the ability to reveal it and hide it, creating an ambiguity in what Tensioner frui, reads and means the images. In order to reflect the way in which the photographic image can be identified as expression, composition and environment and thus allow the contemporary subject circumvent its action in space through two ontological movements, see and be seen, elaborated the following question: the central task of human thinking, position yourself and compose the plot of the speech became less important than before, leading the contemporary subject to mobile access that feed the current sociability marked by consumption, performance and spectacle? It was inspired by a totalizing conception of the photographic image and its relationship with history and with the space, and it came to scrutinize the procedure of perceptual survey, reading documents and the construction of summaries of interpretations by authors from various scientific fields. Was synthesized the various senses of the photographic image anchor a crucial cognitive challenge: build representations of contemporary space.
Descrição
Palavras-chave
Imagem fotográfica, Espaço contemporâneo, Sociedade de controle, Pensamento disperso, Imagen fotográfica, Espacio contemporâneo, La sociedad de control, Pensamiento disperso, Photographic image, Contemporary space, Control society, Stray thought
Citação
CHAVEIRO, Eguimar Felício; BORGES, Rosana Maria Ribeiro. A imagem fotográfica e o espaço geográfico contemporãneo: para atravessar os espelhos. Entre-Lugar, Dourados, ano 5, n. 9, p. 68-88, 2014.