Monumental e doméstico: uma leitura do Setor Central de Goiânia através da fotografia
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Data
2019-12
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Resumo
This article aims at analyzing historical photographs of Goiânia, Brazil, to demonstrate the contrast between the desired monumental scale, underlined in its original plan, and the domestic configuration resulting from the implementation of the buildings. From the use of photographic image as a methodological instrument of historiographical analysis, some morphological, landscape, and historical aspects are going to be evalu-ated here, referring to the dichotomy between the monumental and domestic scales present in its initial nucleus. This work also seeks to understand how the photographs used to disseminate the image of the city, in the first years of its existence, represent this relationship. The chosen images were selected based on the following themes: formation, construction and consolidation of the urban space, and the beginning of the transformation of Setor Central. Seven images were selected, ranging from records of Praça Cívica and the main avenues that make up the urban plan of Goiânia, focusing on the first buildings and urban spaces of the capital. The theoretical reference used to analyze the images includes the reflections developed by Ana Maria Mauad, Lígia Maria Tavares da Silva, and Letícia Castilhos Coelho on the interfaces between photography, history, and urban memory.
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Arquitetura, Fotografia, História, Imagem, Memória, Architecture, Photography, History, Image, Memory
Citação
MONTEIRO, Julia Macedo; CAIXETA, Eline Maria Mora Pereira. Monumental e doméstico: uma leitura do Setor Central de Goiânia através da fotografia. Oculum Ensaios, Campinas, v. 16, n. 3, p. 623-640, set./dez. 2019.