Lundu canção e choro: implicações com a sociedade goiana que cultivou saraus e serestas
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Data
2018-12
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Editor
Anselmo Guerra
Resumo
The objective was to investigate the socio-cultural implications that were related to the practice or the absence
of the musical genres lundu song and choro in the musical scene of Vila Boa (present-day city of Goiás), which,
at the end of the 19th century and beginning of the 20th century, cultivated saraus and serenades. The methodological
trajectory that led to the historiography of Goiás and to some peculiarities of the genres and society in question
allowed verify that they were very little practiced by a Goiana elite that did not see with good eyes the musical activities
linked more directly to the culture of the slaves and to certain modality of bohemia.
Descrição
Palavras-chave
Lundu canção, Choro, Sociedade goiana, Saraus e serestas, Interações, Lundu song, Choro, Goiana society, Saraus and serenades, Interactions
Citação
CLÍMACO, Magda de Miranda; GUILARDI, Ludmylla Cristina. Lundu canção e choro: implicações com a sociedade goiana que cultivou saraus e serestas. Revista Música Hodie, Goiânia, v. 17, n. 2, p. 178, 2018. Disponível em: https://www.revistas.ufg.br/musica/article/view/51648.