Identidades negras em movimento: entre passagens e encruzilhadas
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Data
2015
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Resumo
The assertion of Black identity has been in
discussion in Brazil with greater consistency since the
1970’s. Although these affirmations referenced by lar ger political and ideological discourses have been im portant for the expansion of rights and the adoption
of public policies for the Black population, this article
analyzes the issue from its organic relationship with the
body, and the manifestations of the African dances of
Congada and Hip Hop. We can see that, beyond a sin gular political-ideological discourse that Black identity
is claimed in a diversified way via cultures performan ces, either by the mythical exaltation of the African
continent in the case of African dance; the mournful
singing and devotion to Catholic saints in the case of
Congada; and the modern techniques of communica tion desecrated in the Hip Hop movement.
Descrição
Palavras-chave
Identidade negra, Corpo, Performance, Black identity, Body, Performance
Citação
SILVA, Renata de Lima; FALCÃO, José Luiz Cirqueira. Identidades negras em movimento: entre passagens e encruzilhadas. Repertório, Salvador, n. 24, p. 98-113, 2015.