Película impregnada de tons saturados: sexualidade na narrativa do filme amarelo manga

Abstract

This work argues the cinema as one of the cultural products in which are articulated speeches, performances and others mechanisms that create intelligibility and (re)produces knowlegment about sexuality. I detach a specific film of the Brazilian cinema, Amarelo Manga, and inquire how the cinematographic narratives configure practical, performances and characters more or less far from the heteronormativity. I question, therefore, the statements that indicate humanities in characters and situations when the focus is the sexuality in “scene”.