The production of project: a subversive guide to the subject of innovation

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dc.creatorAmaral, Camilo Vladimir de Lima
dc.date.accessioned2022-03-15T14:26:18Z
dc.date.available2022-03-15T14:26:18Z
dc.date.issued2019
dc.description.resumoThis paper analyses how the myth of the individual architect as a subject of innovation is an abstract machinery for capturing the work of other architects. To do that, it develops a historical regressive analysis on how innovation is actually produced, and the limits in which it is bounded. Furthermore, it analyses the role of narratives in the interpellation of architectural subjects, and how it defines a position from which subjects can act politically in the field. By doing so, it unveils the mechanisms behind the architectural black boxes (the office and the prince chronicles). In order to provide a new political role for architecture, it builds a different conception of the subject that produces these projects, exploiting the idea of trans-subjectivity in architecture.pt_BR
dc.identifier.citationAMARAL, Camilo Vladimir de Lima. The production of project: a subversive guide to the subject of innovation. Ardeth, Torino, v. 5, p. 56-77, 2019.pt_BR
dc.identifier.doi10.17454/ARDETH05.05
dc.identifier.issne- 2532-6457
dc.identifier.urihttp://repositorio.bc.ufg.br/handle/ri/20371
dc.language.isoengpt_BR
dc.publisher.countryItaliapt_BR
dc.publisher.departmentFaculdade de Artes Visuais - FAV (RG)pt_BR
dc.rightsAcesso Abertopt_BR
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectAbstract machinespt_BR
dc.subjectSubjectivitypt_BR
dc.subjectInnovation productionpt_BR
dc.subjectPoliticspt_BR
dc.subjectBlack boxpt_BR
dc.titleThe production of project: a subversive guide to the subject of innovationpt_BR
dc.typeArtigopt_BR

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