Identidade e pertencimentos: reflexões sobre a filmografia de Afonso Brazza
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Data
2010
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Resumo
In this paper, based on the filmography of
Afonso Brazza, I propose some questions about
the market of cinema, particularly in the West,
and about the nature of many films narratives
that may represent counterpoints to the patterns
and hegemonic structures of production and
distribution in cinematographic industry. The films
made by this movie maker, in Brasília, Soldier
of Fire Department, may be thought as radical
narratives that, playing, interact with the excesses
of cultural and cinematographic industries. In his
narratives, the signs and heroes of stories told
by others, especially by North American movies,
are eaten anthropophagically, incorporated and
retold, in new stories, telling about his own way
into the word, and his belonging.
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Narrativa fílmica, Indústria cinematográfica, Pertencimento, Afonso Brazza, Filmic narrative, Afonso Brazza, Cinematographic industry, Belonging
Citação
MARTINS, Alice Fátima. Identidade e pertencimentos: reflexões sobre a filmografia de Afonso Brazza. Revista de Ciências Sociais, Fortaleza, v. 41, n. 1, p. 9-16, 2010.