A cena da culpa: as expropriações que fazem a história na cena literária

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Data

2002

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Resumo

Having as its main theoretical support poetic expropriation, as it is dealt by Harold Bloom in his anxiety of influence, the present text seeks to put into scene the question of the discoursive power. Bloom proposes influence to be seen not as a gift but as an appropriation, the product of a mind that is conscious of the influence suffered and therefore becomes anguished. Through antithetical detours it is possible to envision a history of artistic creation that is buit upon attempts or concretizations of parricides, wich are the product of unavoidable duel between the defied literary father and his rebelled child.

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Influence, Anguish, Originality, Literary history

Citação

SANTOS, Goiamérico Felício Carneiro dos. A cena da culpa: as expropriações que fazem a história. Ipotesi: revista de estudos literários, Juiz de Fora, v. 6, n.2, p. 91-107, 2002.