Cinema e jornalismo: o melodrama e a tragédia moderna
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Data
2008-12
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Resumo
Classical cinema and broadcastHU journalism have
narrative forms which are similar in that the two of
them search for “objectivity” and have melodrama as
its central characteristic. The film Doces Poderes
(1996), by Lucia Murat, combines these two elements,
while Um céu de estrelas (1996), by film director Tata
Amaral, deviates from melodrama and criticizes the
objective procedures of broadcast journalism. The
analysis of these two films allows us to examine how
Brazilian cinema represents broadcast journalism and
evaluates the similarities and differences between both
areas.
Descrição
Palavras-chave
Jornalismo, Cinema, Melodrama, Journalism
Citação
NOGUEIRA, Lisandro. Cinema e jornalismo: o melodrama e a tragédia moderna. Sessões do imaginário, Porto Alegre, n. 20, p. 23-28, dez. 2008.