Entrâncias litorâneas entre psicanálise e literatura em Dostoiévski: masoquismo moral e sentimento de culpa em Memórias do subsolo
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2023-02-14
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Universidade Federal de Goiás
Resumo
This work aims at a study of the poetic contributions of the novel Memórias do Subsolo (1864), by Fyodor Dostoiévski, for the understanding of moral masochism and the feeling of guilt as metapsychological and social phenomena. The constitution of narcissistic ideals of morality in social life comprises an important dimension in the regulation of intersubjective relations. However, in a culture that represses aggressiveness and intensifies the sadism of the Superego, there is a conflicting deal with hatred that becomes aimed against the subject himself and that does not attenuate hostility to others. Based on Freudian metapsychology, it is clear that the satisfaction extracted from the masochistic fantasy of beating in the Oedipus complex appears in moral masochism as a drive mix, which obtains satisfaction in the masochistic self-depreciation of the Ego. The Lacanian concepts of fantasy and jouissance broaden this understanding by evidencing the presence of suffering masochistically enjoyed in the correctional punishment of guilt, as well as the way it relates to a passive subjective position in the face of the negative jouissance of the Other. In the interlocution margins of psychoanalytical utterances with Dostoevsky's prose discourse, we obtain from the novel the understanding of the feeling of guilt and moral masochism as psychic processes, whose suffering points to object relations and the social bond
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Psicanálise, Memórias do subsolo, Masoquismo moral, Sentimento de culpa, Psychoanalysis, Underground memories, Moral masochism, Guilt feeling
Citação
ABREU, Paulo César. Entrâncias litorâneas entre psicanálise e literatura em Dostoiévski: masoquismo moral e sentimento de culpa em Memórias do subsolo. 2023. 103 f. Trabalho de Conclusão de Curso (Bacharelado e Licenciatura em Psicologia) – Faculdade de Educação, Universidade Federal de Goiás, Goiânia, 2023.