As tempestades de Shakespeare e de Peter Greenaway: construção e desconstrução intersemióticas
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Data
2006-06
Autores
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Editor
Maria Zaíra Turchi
Resumo
The literary text was constantly dinamized, in the twentieth century, by new
mediatic technologies. In these intersemiotic relations, the dialog between
literature and cinema is made salient. If, on the one hand, literature helped the
cinema to be outstanding as a way of art, on the other hand the cinema enhanced
and made public the artistic writing. By having this perspective in mind, this
article discusses the dialog that contemporary art has with classical masterpieces
of universal literature. In order to demonstrate this kind of dialog, we use The
tempest, one of Shakespeare’s plays, and Prospero’s Books, a film by Peter
Greenaway.
Descrição
Palavras-chave
Literatura, Cinema, Intersemiose, Hipertexto, Montagem, Literature, hypertext, Montage
Citação
SANTANA, Jorge Alves. As tempestades de Shakespeare e de Peter Greenaway: construção e desconstrução intersemióticas. Signótica, Goiânia, v. 18, n. 1, p. 73-83, jan./jun. 2006. Disponível em: <https://www.revistas.ufg.br/sig/article/view/3720/3475>.