Arte e história no documentário "A Revolução de 1930"
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Data
2011-04
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Resumo
The artistic look over a work of art evokes a complicity relationship that precedes the
whole search of logical meaning expected by the common onlooker. There is in the artist an intimate kind
of a need to veil, under the aegis of undecipherable signs, his innermost and private impulses. An effort of
an intended process of historical review is established in the historian by taking the realism away, image
equal the truth, from the interpretation of the past. Thus, there is in this article the challenging reflection
on a film, a documentary about a moment of our history: the Revolution of 30, by Sylvio Back, in which
art and history join together in a multiplicity of visual signs that avoid the hegemony of only one
interpretation, offering and demanding even an conceptual pacification, procedure which demands,
without question, an opening to new interpretations.
Descrição
Palavras-chave
História, Cinema, Arte, Revolução de 1930, History, Art, Movie, Revolution of 1930
Citação
SANDES, Noé Freire; BERGEROT, Vera. Arte e história no documentário "A Revolução de 1930". Fênix, Uberlândia, v. 8, n. 1, p. 1-15, 2011.