Programa de Pós-graduação em Performances Culturais
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Navegando Programa de Pós-graduação em Performances Culturais por Por Orientador "Dias, Luciene de Oliveira"
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Item Crueldade e poesia: manifestações performáticas (in-de) Antonin Artaud e Manoel de Barros(Universidade Federal de Goiás, 2022-02-08) Barbara, Rodrigo Peixoto; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Leal, Cristyane Batista; Satler, Lara Lima; Pascali, Maria Julia; Figueiredo, Valéria Maria Chaves deEverything is body! One who writes, does it with the body, a body work. One who reads, does it with the body, the body work of someone. Above all, this anti-Thesis is an encounter with the body (corpus) of life, the result of my experience with the Cruelty by Antonin Artaud and the Poetry by Manoel de Barros as well as the resonance/vibrations from this experience, in my body. Therefore, I present a corpography that: • Reflects the cruelty and the poetry as performative manifestations (in-by) Artaud and Manoel de Barros. In other words, what is firstly revealed inside, ‘in’, and then ‘by’, outside oneself and finally projected into the collective. The word manifestation is acquired as a personal revelation and personal-collective, in terms of taking a stand in and for life. Moreover, the concept of performance implies an artistic, anarchic, transgressive, subversive, freeing and revolutionary expression which ends up changing the reality. • Proposes a friendship between Artaud and Manoel de Barros (Poetic Cruelty, Cruel Poetry), considering the existential issues and the similar perspectives regarding life, art, social structure and the urgency of and for freedom.Item Performances negras e homoeróticas na literatura de James Baldwin(Universidade Federal de Goiás, 2020-12-21) Bezerra, Paulo Rogério Bentes; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Nunes, Flávio Adriano Nantes; Correia, Paulo Petronílio; Almeida Neto, Luiz Mello de; Camargo, Flávio Pereira; Dias, Luciene de OliveiraThe aim of this academic paper is to discuss, primarily, the homoeroticism and the negritude in the literature produced by James Baldwin, with the focus on Performances Culturais.The homoeroticism is discussed under the conception that the sexuality of the main male characters of both novels is not fixed, stable, but undefined, in transit and performative. The masculinity and the space are also issues within this literary scope of black and homoerotic bodies, particularly in the narrative of the novels Another Country and Just Above My Head, written by James Baldwin. Both novels are discussed in this work throughout the idea of an anti-hegemonic masculinity, in which the virility is not attached to heteronormativity but to a whole set of sexual ambiguity, regarding the main male characters. In terms of the space matter, this research carries the idea that it is intertwined with the characters, through their peripheric aspect, indoors and outdoors. The narratives take place in neighborhoods which are located in the margins of New York City. Furthermore, the city communities, their places of social interaction and the ideology of racial segregations are issues of discussion and lead to a complex urban performance in the writing by Baldwin. Moreover, African American Literature brings out the discussion of Escrevivência, a literary term created by Brazilian black female writter Conceição Evaristo. This term is viewed in this research as object of an approximation between the literature of James Baldwin and Conceição Evaristo. Finally, in order to better conduct his academic paper, I selected as theoretical framework, the works of bell hooks (1992, 2015), Paul Gilroy (2007), Kimberlé Crenshaw (1989), Grada Kilomba (2019), Gaston Bachelard (1984), Fernando Seffner (2016), Jurandir Freire Costa (1992, 1995), Toni Morrison and Conceição Evaristo (1996) among other contributions.Item Apareceu o Margarida: liminaridades e masculinidades no futebol(Universidade Federal de Goiás, 2020-02-12) Gomes Júnior, Lázaro Moreira; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Reinato, Eduardo José; Lima Neto, Djalma Rodrigues; Santos, Rafael Guarato dos; Lima, Ricardo Barbosa deThe work that follows sought to carry out a dialogue between soccer, a present and constituent sport in Brazilian society and culture, with studies of performance and gender. We had as starting point two professional soccer referees who acted between the decade of 1980 and 1990 of the twentieth century. Jorge José Emiliano dos Santos, an assumed homosexual and Clésio Moreira dos Santos, a heterosexual who created a gay character, to act as referee. The study sought to analyze soccer as a ritual, through the concepts developed by Victor Turner and Richard Schecnher, strained by the masculinities construction process within a misogynist and homophobic society based on heteronormativity.Item Na caçada da onça: curraleira e sussa enquanto performances culturais quilombolas(Universidade Federal de Goiás, 2019-12-17) Rocha, Maria Madalena do Sacramento; Tamaso, Izabela Maria; http://lattes.cnpq.br/3452984712174788; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Silva, Renata de Lima; Almeida Neto, Luiz Mello de; Corrêa Júnior, Sebastião Rios; Lima, Marlini Dorneles deThis dissertation aims to reflect on the Cultural Performance Sussa and Curraleira in the remaining Quilombo communities Extrema and Levantado, located in Iaciara-GO city. In this perspective, we seek to understand the historical contextualization of the place, from Macaúbas-BA to Extreme, Iracema district, in the municipality of Posse-GO. We analyzed the religious festivities, specifically the Levantada do Mastro, the Quilombos religious conflict with the Catholic Church, in the context of territorial certification and the visits of Lapinhas de Menino Jesus. At the same time, we identified the ties of kinship linking communities since the 1930s, the receipt of the “quilombola” identity given by the government through the Palmares Cultural Foundation, the updating of the concept of “Quilombo” and the emergence of the Associations, as a result of the titling. More specifically, we seek to detect from the research the memories and reports that constitute and build the “place” of Sussa and Curraleira cultural performances before and after the certification of the mentioned communities. Thus, it is possible to understand the relationship between space and place, from the experiences of religious festivals in Extrema and Levantado.Item Narrativas orais do povo indígena Tapuia do Carretão(Universidade Federal de Goiás, 2020-12-23) Rodrigues, Eunice da Rocha Moraes; Rezende, Tânia Ferreira; http://lattes.cnpq.br/9438105037411040; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Rezende, Tânia Ferreira; Rubim, Altaci Corrêa; Castorino, Adriano BatistaThe Tapuia Oral Narratives, an Indigenous People from Carretão, is an authorial work that aims to highlight and record the oral narratives transmitted by the elders man and elders woman of the village over time, from the first settlement in the imperial age to the present time. In this work, the entire struggle of a people, their victories and their defeats are evidenced in the timeline, but, above all, the willingness day by day to guarantee the defense and the possession of the territory against invaders who always had affronted and have affronting the life. This dissertation is composed of four special components, The Panorama, The Context, The Scenery and The Performances. Panorama briefly records some considerations from Cabral's arrival to the present day. In the Context covers the formation of the Tapuia people in Goiás, the foundation of the Imperial Village, location data and characteristics of the constitution of the indigenous peoples of the region. The Scenery show life in the community and the daily life of mine as author of the work. At last, Performances, where there are oral narratives collected during the elaboration of the work, in which the way of relating the playful with the magician and the supernatural is evidenced, as a way of holding the attention of children and, even adults who they heard from their mothers and grandmothers the incredible local stories and legends, which never ended with "and they lived happily ever after", but "and they still live today".Item Narrativas de bixas e travestis pretas: teorias e a cultura de baile na grande Goiânia(Universidade Federal de Goiás, 2022-05-19) Silva, Icaro Ribeiro da; Jesus, Jaqueline Gomes de; http://lattes.cnpq.br/0121194567584126; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Correia, Paulo Petronílio; Piva, Carolina Brandão; Jesus, Jaqueline Gomes deThe dissertation was designed to demonstrate the existence of the body and the subjectivity of the black fag. We thought of a bixa with x as a way to subvert linguistic patterns and reference Linn da Quebrada's song. Through the construction of a dialogue between gender performativity and Cultural Performances, we seek to theoretically elaborate the constitution of this body, the power relations in which it is inserted and the performance of this bixa in culture. In this way, in addition to a theoretical debate, some experiences of fags, fagots and transvestites will be reported from the Ballroom Cultura of Goiânia. The Ballroom Culture, which originated in Harlem, New York City in the 20th century and expanded around the world, was founded by these bodies. Active bodies to transgress the understanding of gender and sexuality, exalting singularities and power. We reflect on the construction of a Ballroom Culture, focused on the local aspects of their bodies and we point out specificities of the experience of bixas and transvestites in Goiás. Despite the struggles being constant and shared by bixas and transvestites from several different places, regionality crosses the experience of building these bodies.