Mestrado em Comunicação (FIC)
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Navegando Mestrado em Comunicação (FIC) por Por Orientador "Dias, Luciene de Oliveira"
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Item Sob suspeita: juventudes negras estigmatizadas à mira da violência policial(Universidade Federal de Goiás, 2017-02-24) Costa, Ana Clara Gomes; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Braga, Claudomilson Fernandes; Silva, Magno Luiz Medeiros daBased on a proposal that sees communication beyond the media processes, this research investigates how communicative actions present in everyday life corroborate to strengthen discourses, ideologies and power relations, marginalizing, segregating and stigmatizing blacks youths, once that it is not recognized by society as a social group formed by subjects of rights. The racism over blackness and the black body establishes the stereotype of the black person’s suspicion and attachment to banditry. This reality conceives a trajectory of violence, violations and inconsistencies with the black population, which is blamed for the high crime rates that increase the statistics of urban violence in the city of Goiânia. On the basis of racism and socioracial hierarchization, blacks youths are subjugated and embedded in a chain of extirpation of formal rights. They are also subject to violent actions by the society and the police, which has it as the main target of investigations and preventive actions. The police violence is, therefore, legitimated by society as a way of containing urban violence. This, in turn, is represented by the association of the blacks youths to the crimes occurred in the spaces of the city. In addition to the communicative processes of everyday life that contribute to the legitimacy of police violence, media communication also ratifies racism and exclusion processes, since a discourse of effectiveness and efficiency is used in the face of police actions that fight crime, under the constant vigilance and punishment of blacks youth. With the use of the methodological procedures of the focus group, linked to observation, reporting and documentary analysis, this research aims to analyze how black bodies are instrumented by communicative actions to legitimize police violence against the black youth. The reaffirmation of such bodies and the recognition that it is essential to combat racism stemming from the stigmatization of black bodies can be a strong point in the fight against racism.Item Qual é a tua, oh Lampião? Tensionamentos em um jornal editado na e pela Esquina(Universidade Federal de Goiás, 2019-02-22) Cruz, João Lúcio Mariano; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Satler, Lara Lima; Braz, Camilo Albuquerque de; Lima, Angelita Pereira deOur study aims to analyse the tensioning between women, black people and homossexuals in the Lampião da Esquina Newspaper publications. This alternative newspaper circulated from 1978 to 1981, conducted by gay men that proposed dialogues between lesbians, transvestite, black people and feminists. We choose the perspectives from dialogicity and intersectionality as theoretical possibilities to view the conflicts, in the search for emancipation, noticed in the pages of the newspaper from the Esquina publishing house. We resort to reading these past, to build up relations with the meanings from nowadays, asking to the future the matter of the symbolic production of journalism in construcion of senses and their dynamics with the power. In methodological terms, we use the interpretative analysis in convergence with discourse analysis for a careful reading of the newspaper. The editions we use here enable us to view that the diferent axes of social diferenciation reveal the complexity of identities; the relations between diferent groups is stressed by conflicts engender by different points of view, experiences and specificities from structural demands and opressions, and that Lampião da Esquina was, in the same time, a tensioning platform and experimentation tool of citizenship construction.Item De fora para dentro: leituras, apropriações e transformações do discurso da telenovela por mulheres(Universidade Federal de Goiás, 2021-08-24) Echalar, Stephani Katreem; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Satler, Lara Lima; Rocha, Simone MariaIn this work, we enter the fields of Cultural Studies (HALL, 1997; ESCOSTEGUY, 2001), Reception Studies (SOUZA et all, 1995) and Gender Studies (LOURO, 1997; BUTLER, 1999) to analyze and un-derstand media readings of the subjects. More specifically, we study the representation of women in the narratives of Brazilian soap operas and the meanings attributed to these stories and characters by the female audience. The research aims to investigate whether the characteristic discourse of this media genre contributes or not to the maintenance of symbolic social structures that hierarchically differentiate wo-men and men. Therefore, we carry out a qualitative approach, using Screen Ethnography as a method, as proposed by Rial (2004). For the collection of analysis material, an online focus group was developed with women from different regions of the country. Subsequently, the collected data were analyzed from the Communicative Mediations of Culture, systematized by Jesús Martín-Barbero (2004), and by the Coding/Decoding model, by Stuart Hall (2009). The results show that the media readings and the attri-bution of meaning to the telenovela discourses are developed based on a complex plot involving social, technical and ritualistic mediations. These processes are influenced by the contexts, affective memory and cultural formation of the spectators, so that their readings and appropriations of media messages result in hybrid discourses, sometimes questioning the hegemonic social narrative, sometimes confor-ming within this same logic. The conclusion, although not definitive - given the nature and format of the research - points out that reception creates meanings, to a certain extent, quite independent from those proposed at the time of codification of the production pole, and that even when they are similar, this happens more on account of the cultural formation of the reception rather than a preferential reading of the public.Item Falas insubmissas: memória e comunicação na obra da escritora Conceição Evaristo(Universidade Federal de Goiás, 2019-02-26) Gomes, Elisângela; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Moraes, Ângela Teixeira de; Rezende, Tânia FerreiraThe black literature claims a narrative starred by the black authorship, and in this way, proposes a new form of conceiving the writing and the history of the black population through the Diaspora. By telling this history from the point of view of black people's life experience, they become the subject and not anymore an object, diverging from the stigmatized representations that circulate in the hegemonic literature and also in the mass communication media. The Theory of Communicative Action (TAC) proposed by Jürgen Habermas is based on a cooperative process of interpretation, in which the participants refer themselves simultaneously to something in the objective world, in the social world and in the subjective world, establishing interpersonal relationships and the expression of experiences. The concept of Communicative Action presupposes the language as a way of comprehension and a reflex of the actor’s relations with the world generating reciprocity in the linguistics interactions and in the cultural traditions. Therefore, We proposed to analyze the potential in the literary narrative of the writer Conceição Evaristo whilst Communicative Action, through the book Becos da Memória (2017). The research’s approach had a qualitative nature of the kind bibliographic research. The collection technique utilized was the Semiotics of Culture in Yuri Lótman’s (1979) perspective, crossed by the Theory of Communicative Action (TAC) brought up by Jürgen Habermas (1981; 1989; 1990). The data analysis was made by the selection of fragments of the literary work Becos da Memória (2017), from Conceição Evaristo, that deal with memory and ancestry. The conceptual discussions permeate the fields of literature and communication as mechanisms for the construction of citizenship. Triggering the understanding of escrevivência, concept critical-literary proposed by Conceição Evaristo (1996), to think a communication conceived by the writing of the lived. It is concluded that the creation of a common space for dialogue that propitiate the sharing of the symbolic materialize the Communicative Action as proposed by Habermas. The discursive strategies analyzed demonstrate the potential in (re)assemble a past with origins in Africa, by triggering African civic values that make the diasporica experience positive and point towards the appreciation of the collective life experiences. The materialized memory in the construction of a counter hegemonic literature makes possible the increase of consciousness and the claim of a history that was silenced by the several mechanisms of oppression and deletion.Item Trajetória do teatro experimental do negro: uma busca por novos caminhos comunicacionais(Universidade Federal de Goiás, 2018-03-28) Silva, Jackson Douglas Leal; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Borges, Rosana Maria Ribeiro; Benite, Anna Maria CanavarroThis present thesis according to cultural studies in their contemporary line of thought. The aim of this study is implementing anti-racist politics from a critic and conceptual about communicative process actualized by the Teatro Experimental do Negro (TEN). Created in 1944 from Rio de Janeiro city by Abdias Nascimento (1914-2011) the TEN is categorized as a political-aesthetic and artistic organization that developed actions as a mechanism for valuing Brazilian black culture and person. Our hypothesis is based by the idea that the TEN created mechanisms for the black population to articulate and create means to be present in theatrical stages, in academic productions, in the labor market, in social life, as well as to affirm their racial identity; this makes us use the following question: what would be the body and black corporeity, working from the TEN, if not a receptacle of subversion and transgression to the situation of the black person in the theatrical and social scenario of the time? In this sense, through social cartography and documentary analysis, we search to achieve one of the central objectives of the work, which is to understand how the TEN initiatives, marked by confrontation with the hegemonic aesthetics and valorization of culture, black and AfroBrazilian identity, contributed to reorient socio-spatial trajectories in Brazil. In this way, we study social cartography as a mechanism of speech of the subalternized person, socio-spatial trajectories as a movement of exchange of affections and how these lines cross in the search for an affected theory. We also reflect on the possibility of thinking about citizenship in construction, as well as the social mediations made possible by theatrical art. We also bring to the debate the discussion on racism and anti-racism from Abdias Nascimento’s exile; we also considered the possibility and suggestion of an anti-racist agenda for the Brazilian black population.Item Vidas foliãs, suas comunicações, sociabilidades e dispositivos interacionais(Universidade Federal de Goiás, 2020-02-10) Soares, Denise Rodrigues; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Chaveiro, Eguimar Felício; D'Abadia, Maria Idelma Vieira; Gomes, Suely Henrique de Aquino; Fernandes, Ana Rita VidicaEste trabajo se deriva del intento de comprender que, aunque se han agregado nuevas formas de mediación a la comunicación, la interacción cara a cara y la mediación a través del diálogo y la oralidad están presentes en la vida cotidiana de la sociedad y ayudan en la promoción y continuidad de las culturas populares. Por lo tanto, el estudio tiene autores de la Escuela Latinoamericana de Comunicación como Freire (1983), Martín-Barbero (1997) y Peruzzo (1998), como lecturas de "puntos de partida" que nos permiten comprender la acción de los actores sociales. y la producción de los sentidos. La materialidad de esta propuesta aparece con la cultura foliã en la realización de las folias del Divino Espírito Santo en ciudades del interior de Goiás. A través del método de investigación de campo del enfoque etnográfico, seguimos los giros realizados en São João D'Aliança (GO), en la hacienda Monte Alto y Formosa (GO), en el sector de Cascalheira en 2018 y 2019. En diálogo con foliãs, foliões y rezadeiras, construimos nuestros análisis de procesos comunicativos organizados en espacios donde la comunicación popular, a través de la interacción, supera la comunicación hegemónica y mediatizado. Por lo tanto, el concepto de sociabilidad de Simmel (1983) nos apoya en la interpretación de que son las redes de sociabilidad entre las personas involucradas en la folia, las responsables de reunir y organizar los temas en su cultura foliã. Además, estas redes reproducen y crean formas de activar los dispositivos interactivos del contexto. Nuestra lectura del concepto de Braga (2011) se apropia de la noción de comunicación como intención e intercambio a través de códigos y símbolos de prácticas sociales. Por lo tanto, compone la centralidad de la propuesta interpretativa de Geertz (1983) que guía nuestras aprensiones sobre las categorías de análisis. Las consideraciones presentadas en esta disertación apuntan a la defensa de los procesos comunicacionales como elementales de la cultura foliã y representativos de la forma de vida de estos actores sociales.Item Cartazes lambe-lambes enquanto estratégia de diálogo e comunicação visual entre marimachas/sapatão/lésbicas e a cidade(Universidade Federal de Goiás, 2023-09-25) Vallejo Torres, Lía; Dias, Luciene de Oliveira; http://lattes.cnpq.br/7270892768281076; Dias, Luciene de Oliveira; Fernandes, Ana Rita Vidica; Santos, Maria de Fátima LimaLas corporalidades y existencias marimachas/sapatão/lesbianas han sido invisibilizadas, censuradas y patologizadas a lo largo de la historia heterocisnormativa capitalista colonial. Esto nos priva de transitar libremente por la ciudad. Sustentado sobre narrativas y discursos através de los vehículos de comunicación dominantes y las instituciones sociales y pedagógicas que siguen castigando y cosificando nuestras existencias. La programación de los cuerpos normativos se mantiene a través de la marginación de las/les otras/otres. Así, estructuras como las ciudades, que no fueron diseñadas para que corporalidades y existencias plurales puedan circular libremente, se convierte en un lugar de resistencia y confrontación. En este contexto, urgen estrategias de comunicación alternativas que propongan narrativas de lo posible, donde las mediaciones sean hechas en primera persona por marimachas/sapatão/lesbianas. Los empapelados de calle pueden ser vehículos independientes y autónomos para proponer diálogos entre nosotras/nosotros/nosotros y la ciudad que habitamos. La comunicación visual transmitida por los empapelados puede ampliar los imaginarios sociales sobre las marimachas/sapatão/lesbianas y comunicar que somos ancestrales, plurales y complejas. En este sentido, esta investigación utiliza la investigación participante para la búsqueda por comprender este proceso.