Mestrado em Comunicação (FIC)
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Navegando Mestrado em Comunicação (FIC) por Por Orientador "Fernandes, Ana Rita Vidica"
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Item Álbum de família nos perfis criados para filhos(as) no instagram: uma encenação em três atos (2018-2019)(Universidade Federal de Goiás, 2020-01-20) Alves, Rafael Delfino Rodrigues; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Fernandes, Ana Rita Vidica; Borges, Maria Elizia; Silva, Ademir Luiz daThis research aims to put the family album under discussion from the perspective of staging. Instagram is the media chosen to materialize this study, based on profiles of babies created by their mothers and fathers in this social media. First, the job is dedicated to presenting how the family album is constituted in its printed form, later on digitally and now as digital online. Theoretically, the relationship between media, communication and culture is presented, to discuss: the communicational processes of photography, specifically the family portrait; the different media that involve the production and placement of a photograph (primary, secondary and tertiary) and; the cultural habits associated with photographic staging (presented in three acts - body, photography and Instagram). To apply this theory, a universe of twenty Instagram profiles, online digital albums of babies, are selected, observed and cross-linked for a first understanding of this phenomenon in the years 2018 and 2019. In a second stage, six profiles of these twenty are selected so that their managers could be interviewed in depth to understand the acts of staging themselves in three acts: first act (primary media) staging the body; second act (secondary media) staging in photography; third act (tertiary media) the staging of Instagram and; the extra act (particularities) of each profile. Thus, the images are not analyzed only in themselves, since texts and speeches of their own creators are associated. As a conclusive guideline, it is expected to understand how the photographic staging survives and creates new layers of meaning for the family portrait, adding thickness to a culture of the image that is carried out in three acts on Instagram.Item A noção corpo-olho e a fotografia documental de Marc Ferrez em exposição: um estudo cultural e comunicacional(Universidade Federal de Goiás, 2021-02-26) Campos, Gabriela Alves; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Fernandes, Ana Rita Vidica; Freitas, Gabriela Pereira de; Borges, Maria ElíziaThis work investigates exhibitions of the documentary photography of the 19th century and discusses the body-eye notion, by using cultural and communicational analysis (MONTEIRO; AZAMBUJA, 2018). This research involves a case study developed from field visits and the flanerie (BENJAMIN, 2006). The starting point for this research is the case study of the exhibition Marc Ferrez: Território e Imagem (2019 - 2020), by the Instituto Moreira Salles. From this exhibition, we discuss the photographic look (BOSI, 1988) and the visual messages contained in 19th century Brazilian documentar photography. By doing that, we perceive the mediation of visual productions as a possibility for the development of the way of look and of the activation of memory. The body-eye notion is developed through Crary's work (2014), aiming to address the complexity of the space of perception that resides between the way of look and the visual message. Therefore, this work reflects on the position of the observer (RACIÈRE, 2012) as an active and participant agent in the meaning space of the photographic exhibition and also reflects on the photographic exhibition as an active and participant agent in the meaning space of the observer. This dissertation comprises the plurality of analyzes and of possible investigations within the field of Image. Then, it opens the discussion of the body-eye notion as a proposal for multiple analysis of production, communication and consumption of photographic works.Item As doceiras e sua prática cultural da Cidade de Goiás: compreensão do corpo como mídia pela construção de fotobiografias(Universidade Federal de Goiás, 2022-11-29) Rocha, Ana Terra Curado da; Ramos, Gabriel Teixeira; http://lattes.cnpq.br/3960315315900636; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Fernandes, Ana Rita Vidica; Dias, Luciene de Oliveira; Ramos, Gabriel Teixeira; Martins, Alice FátimaThis research goes through the life stories of four bakers in the city of Goiás, Silvia da Silva Curado, Divina Gonçalves Assunção, Eliana Aparecida Martins de Paula e Taynara Raimundo Martins, in order to build Photobiographies and understand their bodies as media, which takes place from three levels. The primary media is the body of each of the bakers. The secondary media consists of photographs from the personal collections of each baker, the photographs taken by the master's student during the interviews and speeches of the bakers. The tertiary media is composed of are the Photobiographies, assembled through a listening process that involves a mixture of speeches and photographs of each of the bakers. The understanding was about that they exist beyond sweets, but that the sweet culture is part of their existence. They communicate the sweet knowledge and experience their practices, thus having a generational transfer of knowledge, which does not necessarily happen in a traditional way, with changes in recipes along these life trajectories.