Programa de Pós-graduação em Arte e Cultura Visual
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Item Registros de memória em imagens: usos e funções da fotografia mortuária em contexto familiar na cidade de Bela Vista de Goiás (1920-1960)(Universidade Federal de Goiás, 2008-04-04) BORGES, Déborah Rodrigues; BORGES, Maria Elizia; http://lattes.cnpq.br/0672444382021221The research Registros de memória em imagens: usos e funções da fotografia mortuária em contexto familiar na cidade de Bela Vista de Goiás (1920 – 1960) proposes analysis about the ways in which bereaved families used the portraits of the deceased during the mourning period. For this, we fixed the town of Bela Vista de Goiás as the space for research, trying to establish relations between the content expressed in the photographs collected in the town and the cultural context that was around the production and use of these images. The mortuary portrait appeared practically at the same time of the photographic technique, and enjoyed a great social acceptance in Brazil and in other western societies until the middle of the twentieth century. There are certain ideas expressed in these portraits of a Christian collective mentality about death, especially the imaginary about the good and the beautiful death. In Bela Vista de Goiás we found the interference of the Catholic faith in the building and in several uses that families of the town have did with the pictures of their dead, as a way of keeping alive his memory. This study, therefore, try to contribute with discussions about the collective attitudes towards death and death rituals, and reflect about a specific type of use of the photograph in a process of building family memories.Item Visualidades amazônicas - a fotografia entre o documento e a expressão(Universidade Federal de Goiás, 2011-05-27) MORAES, Rafael Castanheira Pedroso de; MONTEIRO, Rosana Horio; http://lattes.cnpq.br/9262982142956906This research aims at discussing the status of the contemporary documentary photography based on both a literature review and an analysis of five photographic series focused on Amazonian area. Those series were produced by three Brazilian photographers: Pedro Martinelli, Claudia Andujar and myself. We conclude that in contemporary photo documentaries a narrowing between reality and fiction can be noticed. The border between the impartial register of the facts and the fiction built over the real has become tenuous. Therefore different proposals of photo documentation have been developed based on the origins of its authors, their habitat, training, visuals references and the cultural practices of their time.