Programa de Pós-graduação em História
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Item História e descontinuidade: algumas contribuições de Michel Foucault para o campo historiográfico(Universidade Federal de Goiás, 2023-10-10) Braga, Matheus Fellipe Rodrigues; Valle, Ulisses do; http://lattes.cnpq.br/3163617104627072; Valle, Ulisses do; Arrais, Cristiano Alencar Pereira; Penna, Mariana AffonsoThe main objective of this work is to achieve a systematization of the concept of discontinuity, presented a little in Foucault's writings and guiding his investigative work, and his contributions to the historiographic field. The notion of discontinuity raises certain problems and also possibilities for the field of historical knowledge, such as reflection on the event and the object of the narrative itself. The historical plot depends both on a diffuse and problematic past, as well as on a historian who has the task of elaborating meaning for the documents and speeches of the past.Item Um romance de formação: representações da classe média brasileira em “Ciranda de pedra” (1954), de Lygia Fagundes Telles(Universidade Federal de Goiás, 2023-09-20) Carvalho, Natália Peres; Silva, Robson Pereira da; http://lattes.cnpq.br/5608673598392485; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Silva, Robson Pereira da; Vieira, Thaís Leão; Capelozi, Lays da CruzThis research aims to investigate how Lygia Fagundes Telles produces a certain representation of the middle-classes familiy, highlighting the dimensions of childhood and the roles assigned to women in that society, based on the novel Ciranda de Pedra, published on 1954, which exhibit characteristics of a bildungsroman. In this work we will observe the process of development of Virgínia, the protagonist, who is part of a disrupted “family” and is plagued by loneliness and rejection. To achieve this, we presente a study that analyzes the sociability networks of Lygia Fagundes Telles, how she constructs a narrative of herself and the paths that the author traversed until the publication of the novel Ciranda de Pedra, verifying also the construction process as well as it’s reception on the literary world. The plot of the novel is permeated by various themes, so, in this study we also discuss female opression, racial and sexual prejudice, the fall of the patriarchal system and othem important issues relevant for the focus of this analysis. In order to support the development of this research, we draw upon theoretical concepts from Antonio Candido (1989), Cristina Ferreira Pinto (1990), Phillipe Airès (1986), among others.Item A plenitudo potestatis e o conceito de liberdade conforme Guilherme de Ockham (séc. XIV)(Universidade Federal de Goiás, 2023-09-01) Gomes, Mayara Stephane; Souza, Armênia Maria de; http://lattes.cnpq.br/9441339482614419; Souza, Armênia Maria de; Oliveira, Terezinha; Martines, Paulo RicardoDuring the XIV century, the agents of the realms and the Holy See, respectively intertwined to the Time and Spiritual spheres, were related in different ways as in diplomacy as in the core of theories about the current power in Christianity. Nonetheless, due to the fights around Pope John XXII (1318-1334) and the “Spiritual Issue”, it is possible to notice a conflictual picture between these institutions. In that way, our goal in this research is to investigate the origins of this clash of powers in the light of the philosopher William of Ockham (1285? -1347) according to the political-theological apparatus and nominalism designed in his works, analyzed here as primary sources, Third Part of the Dialogue, A Short Discourse on the Tyrannical Government, and Eight questions on the power of the pope written around 1304-41. Ockham discusses, in the political works, his disapproval on this clash know by historiography as the doctrine of plenitudo potestatis papalis (fullness of power for the papacy), which determined the will of the representants of the spiritual power, the Pope, to evoque on their own benefit the fullness of power over both authorities. For this purpose, we start from an hermeneutic analysis to demonstrate that the Venerabilis Inceptor makes a well-grounded critic especially regarding to freedom accordingly to philosophical, theological, political, and ethical foundations, named as Christian - evangelical freedom, fundamental theme used against the sayings of Pope John XXII.Item Una aventura nueva con sabor argentino: quadrinhos e identidade nacional na revista Suplemento Semanal Hora Cero (1957-1959)(Universidade Federal de Goiás, 2023-06-28) Nascimento, Leonardo Pires; Gomes, Ivan Lima; http://lattes.cnpq.br/0575667160905102; Gomes, Ivan Lima; Horacio Gago, Sebastian; Fredrigo, Fabiana de SouzaThe present work intends to discuss the contributions of the publishing Frontera in the argentine’s press. The Frontera’s magazine created and participated in a moment of ecstasy in the 1950sAt that time, the comics, in the country, was passing through the comics “golden age”, where there was a great quality of art and an amount of lectores. Frontera’s intervention in the period respects some aspects of operation: a space of artistic autonomy and the criticism against the American characters. With this context and seeing the documents produced by the publishing, we seek to understand the strategies taken by the editor, Héctor Oesterheld, that contributed to the existence and success of the editorial project. Using Cultural History and Book History, we discuss the materiality and organization of the printed material at the same time of the distribution and the magazine’s reading. The discussion is guided by the Comics Studies, which discuss the organization of codes and symbols in the narrative structure. The documents represented by the magazines, interviews and advertisements, guide the interpretation of the comics as a product of mass media, and Frontera's magazines represent the relationship between popular culture and politics. An example of the reading policy democratization in the country at the end of the 1950s among the Buenos Aires citizens. The discussions in the period contribute to the stories development of narrative as Nahuel Barros and Ernie Pike – gauchesca and war, respectively. The problem surrounding comic strips is a process to achieve historical discussions at a period through a mass culture view.Item O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin(Universidade Federal de Goiás, 2022-11-25) Santos, Michelle Lira Rodrigues; Almeida, Tiago Santos; http://lattes.cnpq.br/9244369639536256; Almeida, Tiago Santos; Vilela, Ana Lucia Oliveira; Souza Neto, Manoel Gustavo deAt the end of the 19th century and the beginning of the 20th century, authors and intellectuals from the philosophical, literary criticism and theory of history constituted an intellectual context in Germany. They were committed to thinking about issues involving the constitution of sciences, knowledge and aesthetics. It was in this environment that Walter Benjamin wrote one of his most complex works of youth, presented as the book Origin of German Tragic Drama. The book presents its hypotheses about the form of tragic drama present in the German Baroque theater, which is characterized by elements of modernity, constituting a historicity. For Benjamin, the concept of origin (Sprung) is a pre- and post-historical one, which in the Baroque period is linked to the constitution of the German nation, the Protestant Reformation, the 30 Years' War and the Napoleonic invasions. Therefore, considering the fractures caused by these events, the Baroque could not be thought of as a continuation of the Renaissance or of Greek tragedies for the consolidation of German culture in the way that intellectuals in Benjamin's context claimed. Therefore, we will seek in the study Origin of German Tragic Drama to understand how Benjamin used and analyzed the role of aesthetics to think about the theory of knowledge of history that dialogued with his contemporaries. We will thus discuss methodological and scientific issues from the debate on: Origin, method and knowledge, which will allow us to affirm that the tension between the aesthetic and the historical is constitutive of a modern time.Item A descolonização da instrução pública latino-americana nos ensaios de José Carlos Mariátegui (1923-1928)(Universidade Federal de Goiás, 2022-12-19) Silva, Luan Frederico Paiva da; Nazareno, Elias; hhttp://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Capel, Heloísa Selma Fernandes; Araújo, Ordália Cristina GonçalvesThis research proposes to establish an intercultural dialogue with the ideas of the Peruvian José Carlos Mariátegui (1894-1930), an indigenist/socialist thinker who criticized the survival of the colony in the Peruvian Republic. Through the notions of “coloniality”, first developed by the Peruvian sociologist Aníbal Quijano (1928-2018), we analyze Mariategui’s essays on Public Instruction in Peru and Latin America, systematizing his anti-colonial critique of the way Education was thought. As a result of the analysis, we identified Mariátegui as one of the representatives of the approximation between indigenous and non-indigenous knowledge in Latin America, especially with regard to places of knowledge production, as the university itself proposes to be.Item A historiografia do Instituto Histórico e Geográfico Brasileiro no segundo reinado em revista (1839-1870)(Universidade Federal de Goiás, 2022-12-05) Teixeira, Cristhiano dos Santos; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais, Cristiano Pereira Alencar; Salomon, Marlon Jeizon; Mendes, Breno; Araújo, Karina Anhezini de; Bentivóglio, Julio CésarThis research on historiography in the “Magazine of the Brazilian Historical and Geographical Institute” (“Institutito Histórico e Geográfico Brasileiro”, IHGB) in the 19th century aimed to analyze from a time frame between 1839 and 1870 having as a problem the main characteristics about the formation of a national historical consciousness in the Brazil. It seeks to understand the values of the country's history, used by the Empire through its representatives-historians who sought to ensure for themselves the national values of this culture in the process of construction. This would be characterized in a way of making a national history, which would emerge with its concepts and conceptions the values of its political culture in the formation of scientific historical knowledge, which could ensure for its present and future a past built from a conception moral about Brazilians. The scientific values of this historical politics, linked to a conception of its political time, were conditioned to search for the moral roots of its culture. What we will notice here is that this knowledge designed the construction of a national identity for Brazil in the 19th century. Which was linked to a project that would seek to consolidate for the nation a historiographical tradition that was converted by the logic of national memory. This type of historiographic project was not limited to seeking to consolidate a tradition from a static past, immobilized by its own inefficiency, but, above all, sought to consolidate it in the sense of building a “live” tradition for its future.