Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade
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2014-04-28
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Universidade Federal de Goiás
Resumo
This doctoral thesis presents an examination of receipt of poetry, illustration and
paratextualidade. In light of the aesthetics of reception, established by Hans Robert
Jauss‟ theoretical (1979 ) and Wolfgang Iser‟s (1979 ), Semiotics, Charles Sanders
Peirce‟s (2010 ) and Semiotics Umberto Eco‟s ( 1971-2007 ), it was established to
reception lyric poetry Manoel de Barros , the reception of the poet as the painting
Joan Miró‟s (1924) and Paul Klee‟s (1922), receiving his lyric by illustrators Ana
Raquel Máximo, Martha Barros, Ziraldo Alves Pinto, and the reception of the poet for
prefaciadores, convergence between poetry and design, as well as the
interdependence at the reception of the poet from of headings, titles, pretexts,
afterwords and other paratexts that complement the work Manoel de Barros‟
[Poemas concebidos em pecado] Poems conceived without sin ( 1937) [Escritos em
verbal de ave] Writings on the verbal bird (2011 ) . The relationship between verbal
and non - verbal language will be provided to the reader as an analysis project
interart, intersemiotic and intertextual . Scrutinizes the role of illustrator at the
reception the poetry Manoel de Barros‟ aimed at children and the convergences and
divergences of physical images with poetic image (PAZ, 1986). For this purpose, the
thesis also is anchored in the works [Para ler o livro ilustrado] To view the illustrated
book Sophie Van der Linden‟s (2011) and those [Pelos jardins de boboli: a arte de
ilustrar livros para crianças e jovens] Boboli gardens: the art of illustrating books for
children and young people, Rui de Oliveira‟s (2008) and homology between poetry
and painting Gotthold Ephraim Lessing‟s promulgated (1998). For the interpretation
of all the lyrical poetry Barros‟, was established as the backbone of research on the
author's intention, the intention of the reader and the intention of the text.
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FRAGA, Rosidelma Pereira. Recepção e convergência na obra de Manoel de Barros: poesia, ilustração e paratextualidade. 2014. 276 f. Tese (Doutorado em Letras e Linguística) - Universidade Federal de Goiás, Goiânia, 2014.