Utopias e concretudes: Brasília e Ceilândia na perspectiva cinematográfica
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2018-05-03
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Universidade Federal de Goiás
Resumo
This study was developed through the analysis of the film narratives of Adirley Queirós, who
uses Ceilândia, Administrative Region of the Federal District, as the main character and
scenario. By showing Brasília without actually showing it, Queirós discusses the relations
between the two places. A dweller from Ceilândia since his childhood, it is possible to
understand the contradictions between cities under his view. By analyzing his films, which are
about segregation, racial and cultural prejudice, police violence, among other issues, the
director shows the people. People who did not have the right to capital Brasilia. Capital that
began as a dream, a utopia, that mobilized a country to be erected and left behind its
purposes of integration when it took away the hands that built that dream. It is possible to
understand the dichotomous scenario between Brasília and Ceilândia shown in the films, with
remaking the historical trajectory from the idea of the construction of the Brazilian capital,
analyzing the journey made by the national cinema that allowed Adirley to approach subjects
to the margin, and linking this cinematographic discussion with concepts of André Bazin, Jean-
Claude Bernardet, Ismail Xavier, among others, to geographic and sociological studies about
the territory, proposed by authors like Milton Santos, Yi-Fu Tuan, and Marc Augé. Another
aspect of the study is about the utopias and dystopias present in Plato, Thomas More, David
Harvey and Darcy Ribeiro, and in the fictional cinematographic works that have been
entangled in the imaginary of Brasilia since before its existence.
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OLIVEIRA, Wanessa. Utopias e concretudes: Brasília e Ceilândia na perspectiva cinematográfica. 2018. 121 f. Dissertação (Mestrado em Projeto e Cidade) - Universidade Federal de Goiás, Goiânia, 2018.