Iê viva meu deus – capoeira: da criminalização ao reconhecimento internacional
Nenhuma Miniatura disponível
Data
2018-02-08
Autores
Título da Revista
ISSN da Revista
Título de Volume
Editor
Universidade Federal de Goiás
Resumo
Capoeira is part of Brazilian culture and is already spread across five continents and
in more than 150 countries. Despite all the resistance and criminalization that capoeira
has suffered over the years, finally in 2014, the capoeira circles were registered by
IPHAN and together with UNESCO as an immaterial historical patrimony of humanity.
Along with this came the consumer market that made what was a cultural resistance
in another commodity to sell to tourists, what is denominated mercantilization of the
Afro Brazilian culture, and it still affects the question of Human Rights with respect to
the cultural rights. In research defined culture in a critical classic theory like Hall,
Mwewa and Rubim, that brought us to the idea of how a culture, according to
someone’s action, can get repercussion in something bigger, in a society. Through
data analysis of government documents that support the Capoeira register as a cultural
imaterial patrimony. One of the limitations of work is about the lack of studies about
Capoeira and the ones existentes are full of blanks, without some questions. So in
general, though, the research showed a bigger wish of capoeirista to pressure the
State some public politics to become this culture na educational instrument e a
representation of Brazil abroad, and that was legitimed across the consagration of this
cultural expression as a historical cultural imaterial patrimony but also brought
consequences as appropriation of afro-brazilian culture for Market and turistic Marke
and it retires the real meaning of culture resistance.
Descrição
Palavras-chave
Citação
PORTO, J. S. C. Iê viva meu deus – capoeira: da criminalização ao reconhecimento internacional. 2018. 100 f. Dissertação (Mestrado em Direitos Humanos) - Universidade Federal de Goiás, Goiânia, 2018.