Ateliê de figurinhas com arte de resistência
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Data
2023-07-21
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Universidade Federal de Goiás
Resumo
This research was articulated around the following problem: how do people who make images of
resistance see, can they see themselves and make images of resistance be seen? We bring conceptual
issues arising from the practices of a studio designed, amid the challenging context of the COVID-19
pandemic, from the perspective of Visual Culture studies, to discuss actions used in the creation and
development of a creative environment for editing stickers with frames of films screened at “They make
cinema: a showcase for films directed by women”. The research collaborators were invited through
posters, posted on informative bulletin boards of the Uniforte network cooperatives, announcing remote
meetings to exercise ways of appreciating, capturing and editing stickers. Using a/r/tography as a
methodological approach, we dialogue with the demand in order to understand fundamentals and
mediation strategies aimed at artistic proposals in exercises related to the construction of the gaze. The
research resulted in the production of a collection of film links for the sticker studio. The study also
established connections with image makers of resistance from the Uniforte cooperatives. The authors
used in the bibliography offer a theoretical framework to deal with the themes of resistance, poetics of
solidarity, education for visual culture, visualities, decolonial pedagogies, art research and other cross cutting themes.
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Citação
ARANTES, D. R. Ateliê de figurinhas com arte de resistência. 2023. 300 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2023