O habitus cortesão bragantino nos trópicos: a formação musical como estratégia de reprodução do poder monárquico no Rio de Janeiro oitocentista
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2018-08-23
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Universidade Federal de Goiás
Resumo
This thesis, as part of the line of research in education, Work and Social Movements, of the
graduate program in education at the Federal Univesity of Goiás (UFG), results from the
investigation of the uses and functions of music as a strategy of the reproduction of
monarchical power in 19th century Rio de Janeiro. The construction of the concept habitus
cortesão bragantino was processed from the analysis of the modus operandi in the field of
musical production of the members of the house of Bragança and its continuity in the context
of Rio de Janeiro. The musical practices linked to the ceremonies and official events of the
monarchy and their distinction and consecration rituals; investments in the field of musical
production as part of the Brazilian civilization process; the creation of the first Brazilian
institutions related to the symbolic construction of the nation were apparent through the
Praxiology brought by Pierre Bourdieu. The corpus of the research consisted of various
sources such as manuscripts, newspapers and periodicals, musical works scores, as well as
literature dealing with Brazilian historical, cultural, and musical formation. As a result of the
transfer of the Portuguese court to Rio de Janeiro, it is noted the Formation of the Musical
Scene, Formation of the Musical Taste, and Formation of the Professional Work Field of the
musicians. The path of construction of this object made possible the recognition of the
importance of music in the daily life of the members of the House of Bragança, as well as
part of the civilizing project and the fabrication of the Brazilian Empire.
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CRUVINEL, F. M. O habitus cortesão bragantino nos trópicos: a formação musical como estratégia de reprodução do poder monárquico no Rio de Janeiro oitocentista. 2018. 315 f. Tese (Doutorado em Educação) - Universidade Federal de Goiás, Goiânia, 2018.