A ficção científica de H. G. Oesterheld e a imaginação do futuro nos quadrinhos argentinos (1957–1976)
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2025-02-26
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Universidade Federal de Goiás
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La presente investigación analiza la construcción de la ciencia ficción en Argentina a partir de las obras El Eternauta (1957-1976) y Mort Cinder (1962-1964), ambas con guiones de Héctor Germán Oesterheld. En términos historiográficos, el análisis consideró inicialmente la circulación de revistas del género entre finales del siglo XIX y principios del XX. Este panorama revela cómo las diversas configuraciones del género en el país apuntan a un tipo de formación que no estuvo influenciada exclusivamente por obras extranjeras, sino que sufrió mediaciones y apropiaciones locales muy específicas. Es evidente que la ciencia ficción argentina son productos que se establecen al margen de la literatura fantástica y las producciones científicas de ese período. Ante esta evidencia, el género circula no solo a través de obras literarias, sino también a través de historietas, lo que refuerza las características híbridas que la ciencia ficción argentina adquirió durante este recorrido. Con el objetivo de establecer debates teóricos sobre estos aspectos, la investigación presenta diálogos entre los contextos históricos del surgimiento de la ciencia ficción en el país y las reflexiones desarrolladas por nombres como Page (2016) y Abraham (2013). Sobre la historieta se establecen discusiones sobre temas teóricos e históricos a través de autores como Eisner, Jablonka, McCloud, Pigozzi, Gago, entre otros. Nuestro objetivo fue establecer la relación entre las historietas destacadas y los diferentes contextos históricos argentinos, así como resaltar la importancia de Oesterheld para la construcción de la autonomía del género de la ciencia ficción en el país.
This research analyzes the construction of science fiction in Argentina based on the works El Eternauta (1957-1976) and Mort Cinder (1962-1964), both written by Héctor Germán Oesterheld. In historiographical terms, the analysis initially considered the circulation of magazines in the genre between the end of the 19th century and the beginning of the 20th century. The panorama revealed how the various configurations of the genre in the country point to a type of formation that was not exclusively influenced by foreign works but underwent specific local mediations and appropriations. It became clear that Science Fiction in Argentina was a product that was created between fantastic literature and scientific production. This evidence suggests that the genre was disseminated not only through literary works, but also through comic books, which reinforces the hybrid characteristics that the Argentine Science Fiction has developed over time. In order to glimpse theoretical discussions, the research presented dialogues between the historical contexts of the emergence of science fiction in the country and the reflections developed by names such as Page (2016) and Abraham (2013). Literary and historical issues about comics are explored through authors such as Eisner, Jablonka, McCloud, Pigozzi and Gago, among others. The connection between comics and various historical events in Argentina became evident, especially the role Oesterheld played in the development of the Science Fiction as a gender.
This research analyzes the construction of science fiction in Argentina based on the works El Eternauta (1957-1976) and Mort Cinder (1962-1964), both written by Héctor Germán Oesterheld. In historiographical terms, the analysis initially considered the circulation of magazines in the genre between the end of the 19th century and the beginning of the 20th century. The panorama revealed how the various configurations of the genre in the country point to a type of formation that was not exclusively influenced by foreign works but underwent specific local mediations and appropriations. It became clear that Science Fiction in Argentina was a product that was created between fantastic literature and scientific production. This evidence suggests that the genre was disseminated not only through literary works, but also through comic books, which reinforces the hybrid characteristics that the Argentine Science Fiction has developed over time. In order to glimpse theoretical discussions, the research presented dialogues between the historical contexts of the emergence of science fiction in the country and the reflections developed by names such as Page (2016) and Abraham (2013). Literary and historical issues about comics are explored through authors such as Eisner, Jablonka, McCloud, Pigozzi and Gago, among others. The connection between comics and various historical events in Argentina became evident, especially the role Oesterheld played in the development of the Science Fiction as a gender.
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SANTOS, R. A. A ficção científica de H. G. Oesterheld e a imaginação do futuro nos quadrinhos argentinos (1957–1976. 2025. 145 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás, Goiânia, 2025.