Mestrado em História (FH)

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Diante do inquisidor: o santo ofício português e a condenação às práticas de bruxaria (1521-1562)
(Universidade Federal de Goiás, 2025-02-17) Silva, Letícia Mariano de Rezende; Souza, Armênia Maria de; http://lattes.cnpq.br/9441339482614419; Souza, Armênia Maria de; Silva, Lucas Augusto Tavares da; Vidotte, Adriana
The research explores the establishment of the Tribunal of the Holy Office in 1536, examining the repression of heresies and, specifically, the practices of witchcraft and sorcery associated with women in the Portuguese Kingdom. In the Late Middle Ages, emphasis is placed on the significance of the religious and eschatological imagination that permeated society and how the norms created by the Holy Office were built upon widespread fear of threats to the Catholic faith. This study analyzes Portuguese legislation, such as the Afonsine and Manueline Ordinances, which reflected the Crown's concern with religious order and combating practices considered deviant, such as witchcraft, even before the inquisitorial period. It also examines the dynamics of repression after the establishment of the Holy Office. During the reign of King João III and Queen Catarina of Austria, the Portuguese monarchy consolidated the tribunal as a tool to centralize power and suppress religious expressions alternative to Catholic orthodoxy. The analysis highlights the political and religious context of the kingdom, emphasizing the Church's influence and the persecution of faith deviants, such as New Christians and women accused of witchcraft. Thus, the impact of the Inquisition illustrates how the repression of unofficial religious practices reinforced the monarchy's and Church's control over the population.
A ficção científica de H. G. Oesterheld e a imaginação do futuro nos quadrinhos argentinos (1957–1976)
(Universidade Federal de Goiás, 2025-02-26) Santos, Renata Alves dos; Gomes, Ivan Lima; http://lattes.cnpq.br/0575667160905102; Gomes, Ivan Lima; Gago, Sebastian Horacio; Gruner, Clóvis; Souza, Julierme Sebastião Morais
La presente investigación analiza la construcción de la ciencia ficción en Argentina a partir de las obras El Eternauta (1957-1976) y Mort Cinder (1962-1964), ambas con guiones de Héctor Germán Oesterheld. En términos historiográficos, el análisis consideró inicialmente la circulación de revistas del género entre finales del siglo XIX y principios del XX. Este panorama revela cómo las diversas configuraciones del género en el país apuntan a un tipo de formación que no estuvo influenciada exclusivamente por obras extranjeras, sino que sufrió mediaciones y apropiaciones locales muy específicas. Es evidente que la ciencia ficción argentina son productos que se establecen al margen de la literatura fantástica y las producciones científicas de ese período. Ante esta evidencia, el género circula no solo a través de obras literarias, sino también a través de historietas, lo que refuerza las características híbridas que la ciencia ficción argentina adquirió durante este recorrido. Con el objetivo de establecer debates teóricos sobre estos aspectos, la investigación presenta diálogos entre los contextos históricos del surgimiento de la ciencia ficción en el país y las reflexiones desarrolladas por nombres como Page (2016) y Abraham (2013). Sobre la historieta se establecen discusiones sobre temas teóricos e históricos a través de autores como Eisner, Jablonka, McCloud, Pigozzi, Gago, entre otros. Nuestro objetivo fue establecer la relación entre las historietas destacadas y los diferentes contextos históricos argentinos, así como resaltar la importancia de Oesterheld para la construcción de la autonomía del género de la ciencia ficción en el país.
Enquanto não nascer o "AMANHÃ". a estreia de José Guilherme Merquior (1959-1961)
(Universidade Federal de Goiás, 2025-03-06) Rodrigues, Lucas Ferreira; Valle, Ulisses do; http://lattes.cnpq.br/3163617104627072; Valle, Ulisses do; Berbert Júnior, Carlos Oiti; Santos, Murilo Gonçalves dos
This study consists of a historical investigation into the debut of the intellectual José Guilherme Merquior. A phase of his trajectory that, more than once, was criticized by the author himself – in Razão do Poema (1965) and in Crítica (1964-1989) (1990) – as a way of manipulating the memory of his thoughts. Added to this rejection, the political stigmas surrounding his personality contributed to the forgetting of the texts published in the Sunday Supplement of Jornal do Brasil. Through a procedural methodology, we rediscovered and cataloged his publications in this vehicle, especially in his column “Poetry for tomorrow”. Through Han Robert Hauss’s reception theory and dialogue with historiographical references, we analyze his writings. Thus, the dissertation’s structure includes an introduction, an assessment of the state of Merquiorian thought, his historical position within the history of Brazilian literature and the expectations about him, his appearance in the SDJB, his work in the section “Poetry for tomorrow” and the conclusions. In summary, the set of theoretical and philosophical values of José Guilherme Merquior’s criticism was directed towards a conceptual horizon of expectation called poetry for tomorrow or simply tomorrow. Thus, “While tomorrow is not born” is, in addition to a rediscovery of his obscured debut, a descriptive analysis of the circumstance in which Merquior found himself in the dawn of his critical-intellectual work.
Contra os tigres de papel: juventude, cinema e resistência ao regime militar em Goiás no filme "A Fraude" (1968)
(Universidade Federal de Goiás, 2025-02-12) Estevão, Lara Damiane de Oliveira; Teixeira , Rafael Saddi; http://lattes.cnpq.br/2919949012379731; Teixeira , Rafael Saddi; Abdala Júnior, Roberto; Oliveira, Alcilene Cavalcante de; Cardoso, Maria Abadia; Távora, Adérito Schneider Alencar e
In 1968, a group composed mainly of young students filmed the short movie A Fraude in Goiânia to compete in the IV Amateur Film Festival organized by Jornal do Brasil, an important platform for showcasing films in the second half of the 1960s. Directed by Jocelan Melquíades de Jesus, the film portrays Luiz, a student who became an excedente – those who achieved a sufficient score in the university entrance exam but was not admitted due to a lack of available spots – during the admissions process for the Faculty of Medicine at the Federal University of Goiás (UFG) in 1968. During the military dictatorship, resistance through cultural action was also reflected in the activities of intellectuals and artists in Goiás. This study analyzes the production process of A Fraude and employs film analysis to understand how youth appropriated cinema as a form of resistance against the Brazilian military dictatorship. That year, prospective students took to the streets of the state capital, Goiânia, alleging that the UFG administration itself had perpetrated fraud in the admissions process. Through the film's imagery, the creators captured the specificities of the conflicts between the military regime, universities, and students in Goiás, addressing the theme of underdevelopment and denouncing the government’s subservience to U.S. imperialism, as expressed through the MEC-Usaid agreements. In alignment with the aesthetic and narrative tendencies of Brazilian modern cinema, a group of students filmed reality to confront it, constructing a perspective on Goiânia, the student revolt, and the military dictatorship through the use of allegory, with a tone that oscillates between didacticism and exasperation.
A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
(Universidade Federal de Goiás, 2021-05-11) Vidal, Juliana Barros Pettersen da Costa; Abdala Junior, Roberto; http://lattes.cnpq.br/7014946989727038; Abdala Junior, Roberto; Trovão, Flávio Vilas Boas; Mendes, Breno
This work proposes an analysis of three films with a futuristic theme dating from the beginning of the 20th century: Le voyage dans la Lune (1902) by Georges Méliès, Metropolis (1927) by Fritz Lang and Things to Come (1936) by Willian Cameron Menzies. The analysis has as a theoretical assumption the methodological possibility of transforming films into historical documents, as suggested and initiated by the third generation of the Annales School in the 1970s, following the singular acceleration process of time in modernity (Koselleck, 2006), so as to enable fiction to project futures which are different from the past, recognizing the typically modern structure of narrative present in cinema (CHARNEY and SCHWARTZ, 2004) and the characterization of cinematographic works as a historical artifact integrated into the historical culture of its time (RÜSEN). From these premises, the objective is to analyze, discuss and compare the first representations of future in Western cinema and propose a reflection on the possible relationship between the selected films and the collective expectation of future at the time of their realization.
Aimé Césaire: conexões transatlânticas, intelectualidade e críticas contra coloniais na obra O discurso sobre o colonialismo (1950)
(Universidade Federal de Goiás, 2024-12-16) Melo, Marcos Rafael Andrade de; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Araújo, Alexandre Martins de; Barbosa, Muryatan Santana
This research proposes a critical analysis of the transatlantic connections and countercolonial criticisms present in Aimé Césaire's “Discourse on Colonialism (1950)”. The source analyzed is a 1950 work in which the author presents a proposed counter-colonial narrative related to the process of French colonization and its contemporary implications, notably racism. Aimé Césaire was an intellectual man of letters who criticized the arguments of a large part of the Western intelligentsia. The research investigates the context of Martinique's colonization process, the locus of Césaire's enunciation, as well as exploring the biographical aspects that influenced his intellectual production. It explores the emergence of counter-hegemonic knowledges based on the experiences of colonized peoples, which challenge dominant historical narratives and open up space for indigenous criticism, black thought and decolonial and counter-colonial theories. A detailed analysis of Discourse on Colonialism shows the influence of Marxism on Césaire's critique, highlighting his denunciations of the contradictions of Western modernity and his role in deconstructing colonial narratives. The study also investigates the reception of the work in Brazil, highlighting how its anti-colonial legacy continues to inspire academic debates and struggles for social justice. Therefore, exploring the intersection between literature, politics and history, it reaffirms the importance of Aimé Césaire as a central figure for understanding and criticizing the colonial structures that shaped modernity.
Retórica e discurso apologético cristão em De Mortibus Persecutorum de Lactâncio: A morte dos Imperadores (Séculos III e IV d. C)
(Universidade Federal de Goiás, 2024-12-11) Freitas, Thiago Moreira; Omena, Luciane Munhoz de; http://lattes.cnpq.br/0630395552910286; Omena, Luciane Munhoz de; Silva, Érica Cristhyane Moraes da; Souza, Armênia Maria de
The present research aims to analyze the work De Mortibus Persecutorum (313-314) by Lactantius (240-320), observing the absence of funeral rituals for the deaths of the persecuting emperors. The conduct of these emperors is analyzed through their behaviors associated with poor management and governance of the empire, which, according to Lactantian perspective, resulted in tragic, undignified, and violent deaths. Thus, the character adjectives signal the political role of the emperors in Lactantius' apologetic narrative. Thus, De Mortibus Persecutorum can be characterized as an apologetic work that emphasizes the "Christian ideal" through the political and religious issues of the Late Roman Empire. From this point, this study reflects on the rhetorical devices in Lactantius' narrative and seeks to understand the different types of deaths of the persecuting emperors and their connections with Divine Providence and the legitimization of Christianity in power
Transgressão e controle sobre as mulheres na cidade de Goiás entre 1860 a 1900
(Universidade Federal de Goiás, 2024-08-28) Nascimento, Naelma Mendes do; Moraes, Cristina de Cássia Pereira; http://lattes.cnpq.br/1005102348535090; Moraes, Cristina de Cássia Pereira; Rabelo, Danilo; Souza, Rildo Bento de
Magali Engel (1988), in "Meretrizes e doutores: Saber médico e prostituição no Rio de Janeiro (1840-1890)," states that "the conception of the prostitute is constructed in opposition to the mother and wife," considering that the prostitute would represent the opposite of what society, which valued morality and decency, upheld. The actions of these transgressive women were aimed at resisting poverty. The research sought to understand and describe the behaviors that frequently led to the imprisonment of these women. The objective of this work is to analyze prostitution in the City of Goiás at the end of the 19th century, between 1860 and 1900. In light of this proposal, to understand who these women were and the context in which they were inserted, it was necessary to analyze the concepts of vagrancy, vagabondage, and prostitution. Similarly, the research object was framed by selecting a historiography and analyzing documents, all from the 19th century, including police reports, newspapers, maps of the public jail of the City of Goiás, municipal codes, criminal cases, Terms of Good Living, the Criminal Code, the Code of Criminal Procedure, and urban taxes. The investigation was conducted through documentary and bibliographic analysis, discussion of theoretical material, and data collection. In the first chapter, I draw on the text "As estratégias de purificação dos espaços na capital da Província de Goiás-1835- 1843" by Cristina Cássia Moraes (1995) and the texts by Gustavo Neiva Coelho, "O espaço urbano em Vila Boa: entre o veredito e vernacular" (2001), to describe the public space. This debate revolves around the discussion the State had regarding these spaces. In the second chapter, we will discuss the laws, how they were created to produce regulations, and how they "organize" public spaces, bodies, and the reprehensible behaviors of prostitutes. For the debate in this second part of the text, we will use "A invenção da Vadiagem: os termos de bem viver e a sociedade disciplinar no Império do Brasil" by Eduardo Martins (2011) and the work of professor Danilo Rabelo (1997), "Os excessos do corpo: a normalização dos comportamentos na Cidade de Goiás (1822-1889)". Prostitution is "understood as the conscious practice of exchanging or negotiating for money or other financial or material compensation" (Vieira, 2017, p. 1). In the City of Goiás, these women were not economically privileged and were always associated with disturbance, living on the margins of society. They live by their own means, working during the day washing clothes, sewing, or cooking, and at night they prostituted themselves.There was no designated prostitution zone in the city; the services were performed in the homes of these women. Their actions violated the law. They transgressed not because they lacked values but because their values were different—it was the culture of the streets, of the working class, of sporadic labor, and of popular traditions.
História e memória sobre a população negra no Museu Histórico de Jataí (1994-2019)
(Universidade Federal de Goiás, 2024-04-09) Santos, Michael Douglas dos; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Campos, Yussef Daibert Salomão de; Silva, Murilo Borges
Founded in 1994, the Historical Museum of Jataí (MHJ) - Francisco Honório de Campos has played a significant role in shaping identities, memories, and narratives concerning the history of Jataí. In this regard, among the activities and productions curated by the institution, the exhibitions stand out, aimed at portraying episodes related to local and regional history, featuring individuals, events and narratives. We understand that this exercise of representing the past is not neutral. On the contrary, it involves cutting, selecting, including, and excluding elements, thus creating memories and forgetfulness. These memories may undergo fluctuations depending on the moment they are invoked (Pollak, 1992). Therefore, in this master’s thesis, we aim to analyze the construction of memories about the black population in two exhibitions produced and displayed at the MHJ: “Jatahy: stories to tell” (1995-2015) and “Clube 13 de Maio and black people in the history of Jataí” (2019). We analyze these exhibitions, seeking to understand the production of memories, identities, absences or silences regarding the presence and actions of black men and women from Jataí, given that, despite their presence in the territory since the occupation process and, occasional numerical superiority, they are scarcely portrayed in regional/local narratives. To this end, we surveyed the documentary, photographic and textual collection of exhibitions held between 1994 and 2019. Attention was also given to the museological plan. The theoretical and methodological framework required an interdisciplinary dialogue between the fields of History and Museology. Among the authors considered in this study are: Cunha (2006); Chagas (2011); Woodward (2009); Gomes (2017); Almeida (2021); Nora (1993); Pollak (1992); Silva (2011); Carmo (2021); Mello (2002) and França (1995).
A elaboração dos conceitos e teorias do subdesenvolvimento e desenvolvimento: a trajetória político-intelectual de Celso Furtado (1949 – 1964)
(Universidade Federal de Goiás, 2024-09-11) Queiroz, Gabriel Cruz; Valle, Ulisses do; http://lattes.cnpq.br/3163617104627072; Valle, Ulisses do; Cepêda, Vera Alves; Arrais, Cristiano Alencar Pereira
The objective of this dissertation is to establish a connection between the formation of concepts and theories of underdevelopment and development in the work of Celso Furtado, with his trajectory as a technical-academic and politician during the period between 1949 and 1964. The hypothesis I elaborate in text starts from the stratification of meanings of concepts in Furtado's works, explaining the adjustments that were incorporated into them during the period analyzed. Underdevelopment was a concept worked on by Celso throughout almost all of his production, and which, in addition to enabling an understanding of the history of Brazil’s economic formation, was used as an element of a political discourse that resulted in economic policies in a period of Brazilian history marked by the presence of developmentalist ideology in the national debate.
Clóvis Moura, o movimento negro e a revolução brasileira (1940-2000)
(Universidade Federal de Goiás, 2023-12-21) Reis, Gustavo de Almeida; Costa Pinto, João Alberto da; http://lattes.cnpq.br/4246394797193440; Costa Pinto, João Alberto da; Garcia , Allysson Fernandes; Maciel, David
The objective of this work is to investigate the intellectual and political-institutional trajectory of the intellectual Clóvis Moura. It is assumed that the author's intellectual production is intricately linked to the responses he had to give regarding the main issues involving his political praxis. The complexity of his theoretical endeavor is mainly due to his personal involvement in movements, sometimes convergent, sometimes contradictory, namely: the Brazilian communist movement and the Black movement. If, at first, in the 1940s and 1950s, Moura joined the ranks of the Brazilian Communist Party (PCB) and, within them, through internal and external dilemmas within the Party, became interested in the Black issue, throughout his life, Clóvis Moura progressively disengaged, both theoretically and practically, from orthodox communist ranks, never abandoning important elements of a praxis-oriented Marxism. His practical detachment from the Communist Parties to which he belonged (PCB and PCdoB) occurred simultaneously with an increasingly active involvement in the Black movement, this time directly, especially the movement that emerged on the fringes of the Brazilian Military Dictatorship from the 1970s onwards. The intention is, in this way, to analyze how the development of important conceptual tools for the author throughout his work is linked to his changing conceptions in the face of the complexification of his praxis in reality, alongside his intellectual maturity. Thus, it became necessary to make a comparative analysis within the author's work, noting his essential transformations over the years in the face of concrete reality; and also externally to his work, noting the singularities of Moura in relation to those who also had to respond to essential questions regarding the Brazilian Black issue. Unraveling the intellectual trajectory of an author is also, pari passu, making the history of the ideas expressed by the institutions and social actors directly and indirectly linked to him, which also influenced his responses during his intellectual biography.
A narrativa anticolonialista e o uso da iconografia como aparato decolonial em Nueva corónica y buen gobierno (1615) de Felipe Guamán Poma de Ayala
(Universidade Federal de Goiás, 2024-06-10) Santa Vica , Thaynara Mariana do Nascimento; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Silva, Luciana Leite da; Gomes , Ivan Lima
El propósito de esta investigación es analizar las posibilidades interculturales y descoloniales presentes en la obra de Felipe Guamán Poma de Ayala, Nueva corónica y buen gobierno (1615), que aún puede entenderse como un tratado político contemporáneo al período colonial hispánico en América. América. Teniendo esto en cuenta, evaluaremos el alcance de la producción de Guamán Poma, la cual se estructura como un documento ubicado en una zona epistémica fronteriza, comprometido con el espacio de experiencia del autor, quien fue testigo de las barbaridades coloniales. Esta investigación parte entonces de reflexiones sobre el reconocimiento y la circulación de las producciones intelectuales indígenas silenciadas por el estándar occidental de estructuración social, producción epistémica y las formas de existir y resistir en el mundo. Nuestra propuesta es analizar la crónica a partir de reflexiones sobre las formas de producciones epistémicas que surgen de matrices coloniales y modernas y de posiciones críticas y anticoloniales, que abren caminos para la dispersión de reflexiones desde lugares con fronteras epistémicas y decoloniales. Sin embargo, aún analizaremos las posibles influencias del arte barroco en conjunto con elementos de la cultura nativa, que traen al campo visual –basándonos en la lógica pedagógica del autor, con el fin de demostrar e instruir al lector sobre la violencia hispana. – presente demostrando las mejores formas de organización social que sistematicen una mejor forma de convivencia entre españoles e indígenas.
O legado de Augusto na perspectiva de Dante Alighieri: explorando a ideia de poder imperial na Eneida de Virgílio e sua reinterpretação em sobre a monarquia e n’A Divina Comédia (Sécs. XIII-XIV)
(Universidade Federal de Goiás, 2024-06-24) Barbosa, Sérgio Murilo Pereira de Andrade; Gonçalves, Ana Teresa Marques; http://lattes.cnpq.br/7049736226460820; Gonçalves, Ana Teresa Marques; Mota, Thiago Eustáquio Araújo; Omena, Luciane Munhoz de
Dante Alighieri was a poet and politician active in Florence at the turn of the 13th to the 14th century. He lived in a context of social, political, religious, cultural, and economic transformations. Two institutions were in conflict at this time, the Papacy and the Empire, represented by factions known as the Ghibellines and the Guelphs initially, and later by the White Guelphs and the Black Guelphs. A proponent of the autonomy of both institutions, especially the Empire, Dante was exiled when the Black Guelphs (supporters of papal power) took control in Florence. From then on, he began to produce two of his most famous works: Commedia and De Monarchia. These works present a harsh critique of society and the leaders of his time, of the corruption of institutions and individuals. Using primarily Virgil's Aeneid, Dante praises the Romans, considering both the people and their leaders the most capable of dominating the world, with Augustus being the greatest example of an efficient leader. According to Dante, the Roman ruler should be adopted as a model by the leaders of his time. From this perspective, in this dissertation, we analyze Dante's reinterpretation of Virgil's discourse on the supremacy of the Roman people and their leaders, from the beginnings of Rome to the time of Augustus. We explore Dante's mentions of Augustus and his government, the past of Rome, and the Roman people, based mainly on the Aeneid. We show how Dante used the rule of Augustus as a benchmark for the characteristics of the Universal Monarch, a sovereign leader necessary to solve the problems he identified in the society of his time
As populações indígenas nos trabalhos da Revista do IHGB (1839-1880)
(Universidade Federal de Goiás, 2024-03-26) Dias, Aline de Souza; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais, Cristiano Pereira Alencar; Croce, Marcela; Fernandes, Renata Silva
This research aims to understand how the Brazilian Historical and Geographical Institute constructed a representation of Brazilian nationality, based on the narratives developed around indigenous populations during the 19th century. From this, it becomes necessary to understand how conceptions of nationalism were appropriated by Latin American nations, especially Brazil and Argentina, in view of the development of projects that outlined the construction of nations in the 19th century. With this in mind, I analyze the role of literature in the dissemination of ideas that contributed to the image of the indigenous person as a national representative, and subsequently how the IHGB represented the natives. The creation of the Institute contributed to the production of discourses aimed at building the new Brazilian nation, especially in studies relating to indigenous populations. The conceptions surrounding the civilization of the country contributed to the development of projects on the assimilation of indigenous people. With an interest in this issue, this research aims to investigate the process of building Brazil, using the works published in the Revista do IHGB as the main means of analysis. To this end, an analysis will be made of the works published by the Journal between 1839 and 1880, seeking to understand how the IHGB constructs Brazilian nationality through the discourses produced about native Brazilians
As representações historiográficas e mitológicas das amazonas corporificadas na obra de Gaspar de Carvajal
(Universidade Federal de Goiás, 2024-06-13) Silva, Lecivania Santos Rodrigues; Nicolini, Cristiano; http://lattes.cnpq.br/3877723227851587; Nicolini, Cristiano; Medeiros, Kenia Erica Gusmão; Sampaio, Paula Faustino
The work aims to demonstrate the importance of travel reports in the production of a discourse that relates to the medieval Christian and Greco/Roman imaginary with reference to the understanding of the otherness of the Amazons and the Amazonian space. We will analyze the representations of the Amazons based on the account of the Spanish friar Gaspar de Carvajal - Discovery of the Orellana River -, written between the years 1541-1542. Gaspar de Carvajal's narrative is related to the context of political-expansionist disputes between Portugal and Spain, outlined by the Treaty of Tordesillas (1494). As a rule, the narrative will be considered as an expression of medieval Christian imagery that was still propagated in the 16th century. The image of the Amazons will be analyzed, comparing them with the myth of the Amazon warriors of antiquity. This takes us to the places where this image of women was constructed based on models referring to the 16th century European socio-cultural universe. Therefore, Gaspar de Carvajal's chronicle will be treated as a writing model that established characteristics of the unknown from a specific cultural universe.
Memória da atuação política do movimento estudantil em Goiânia no período da Ditadura Civil-Militar (1964-1968)
(Universidade Federal de Goiás, 2024-03-28) Fideles, Eduarda Sousa; Magalhães, Sônia Maria de; http://lattes.cnpq.br/8841367325340262; Magalhães, Sônia Maria de; Pereira , Robson Mendonça; Langaro, Jiani Fernando
The present research aims to investigate the struggles and demonstrations of high school students who studied at Lyceu de Goiânia and Professor Pedro Gomes schools, as well as university students from the Federal University of Goiás (UFG) during the period of the Civil-Military Dictatorship (1964-1968) in Goiás, especially in the capital, Goiânia. The sources used consist of written documents and newspapers from that time, in order to analyze the actions and demonstrations organized and carried out by students as a form of political struggle and intervention. The study focuses on the dictatorial regime and educational policies, highlighting the political, educational, cultural, and social aspects related to the respective schools. Additionally, it seeks to reflect on the construction of the memory of these individuals through the testimonies of some high school students and young university students, known as former militants, who participated in and led the resistance movements of the time
Saúde e beleza feminina medieval: os cosméticos para cuidados com o corpo nas obras de Abulcasis e Trotula de Salerno
(Universidade Federal de Goiás, 2024-06-04) Lima , Andressa Rocha; Santos, Dulce Oliveira Amarantes dos; http://lattes.cnpq.br/2317207486041256; Santos, Dulce Oliveira Amarante dos; Gonçalves , Ana Teresa Marques; Fagundes, Maria Dailza da Conceição
This dissertation proposes a comparative analysis between recipes aimed at the production of cosmetics for health care and female beauty in the Middle Ages. For this, the documentary corpus is made up of three texts of Arabic and Latin origin, which among the medieval textual genres, can be classified as fundamentally practical pieces. The first, entitled Treatise on Pharmacology and Cosmetics: Concerning Perfume, Adornment and Beautification, was written around the year 1000, in al-andaluz on the Iberian Peninsula, by the physician-surgeon Abulcasis. The two other pieces, called De Curis Mulierum and De Ornatu Mulierum, are attributed to the legendary Sapiens Matrona Trotula, written between the 11th and 12th centuries, in the port city of Salerno. These are documents that played an important role in the consolidation of medieval cosmetology literature, since this knowledge flourished in Antiquity, and was disseminated, above all, in the medical and literary records of ancient, Arab and Latin authorities. In these premises, cosmetic practices were based on the medical theories that guided healthy living at the time, with cosmetics being a viable option for treating certain women's problems. Constantly associated with the domestic space and the female figure, the authors were based on the a capite ad calcem conception, that is, they provided advice for taking care of the body a capite ad calcem, covering the following parts; hair, eyebrows, eyelashes, face, lips, teeth and gums, the voice, breasts, hands, feet and, finally, the genitals. The production of cosmetics involved the precise selection of elements found in nature, according to their inherent properties, as well as specific preparation techniques and instruments, and considering these processes, they could assume multiple types and formats. Therefore, the comparison between texts allows us to identify similarities and differences in themes and parts of the human body that each author considered important to include in their compilations
Os usos e abusos da memória: uma análise do “volume 1 – história” do projeto Goiás +300: reflexão e ressignificação
(Universidade Federal de Goiás, 2023-12-11) Melo, Rafaela Cavalcante Gonçalves Souza; Mendes, Breno; http://lattes.cnpq.br/6212911842793379; Mendes, Breno; Souza, Rildo Bento de; Valdez, Diane
The dissertation in question proposes an in-depth analysis of various historical narratives related to the figure of the bandeirantes, with a special focus on Bartolomeu Bueno da Silva, known as Anhanguera. The investigation spans different decades, from the 1930s to 2022, examining the evolution of the representation of this personality over time. Through the critical analysis of publications from the 20th and 21st centuries, the research identifies how various narratives contribute to the construction of collective memory. The study highlights the complexity in the portrayal of the bandeirantes and Anhanguera in different temporal contexts, revealing changes in historical interpretations over the decades. A central aspect of the dissertation is the exploration of the concepts of the use and abuse of memory, providing a solid theoretical foundation for understanding how historical narratives shape social memory. The in-depth analysis of these concepts contributes to a broader understanding of how historical representations can be powerful instruments in influencing society's perception of emblematic figures, such as Anhanguera. By addressing different perspectives over time, the dissertation seeks not only to describe changes in historical narratives but also to understand how these changes impact the formation of collective identity and the understanding of history. Ultimately, the study proposes a critical reflection on the role of historical narratives in the construction and influence of social memory regarding the bandeirantes, contributing to the broader debate on the interpretation of the past and its implications in contemporary society.
O barroco como problema estético e histórico: o contexto intelectual da origem do drama trágico alemão, de Walter Benjamin
(Universidade Federal de Goiás, 2022-11-25) Santos, Michelle Lira Rodrigues; Almeida, Tiago Santos; http://lattes.cnpq.br/9244369639536256; Almeida, Tiago Santos; Vilela, Ana Lucia Oliveira; Souza Neto, Manoel Gustavo de
At the end of the 19th century and the beginning of the 20th century, authors and intellectuals from the philosophical, literary criticism and theory of history constituted an intellectual context in Germany. They were committed to thinking about issues involving the constitution of sciences, knowledge and aesthetics. It was in this environment that Walter Benjamin wrote one of his most complex works of youth, presented as the book Origin of German Tragic Drama. The book presents its hypotheses about the form of tragic drama present in the German Baroque theater, which is characterized by elements of modernity, constituting a historicity. For Benjamin, the concept of origin (Sprung) is a pre- and post-historical one, which in the Baroque period is linked to the constitution of the German nation, the Protestant Reformation, the 30 Years' War and the Napoleonic invasions. Therefore, considering the fractures caused by these events, the Baroque could not be thought of as a continuation of the Renaissance or of Greek tragedies for the consolidation of German culture in the way that intellectuals in Benjamin's context claimed. Therefore, we will seek in the study Origin of German Tragic Drama to understand how Benjamin used and analyzed the role of aesthetics to think about the theory of knowledge of history that dialogued with his contemporaries. We will thus discuss methodological and scientific issues from the debate on: Origin, method and knowledge, which will allow us to affirm that the tension between the aesthetic and the historical is constitutive of a modern time.
Una aventura nueva con sabor argentino: quadrinhos e identidade nacional na revista Suplemento Semanal Hora Cero (1957-1959)
(Universidade Federal de Goiás, 2023-06-28) Nascimento, Leonardo Pires; Gomes, Ivan Lima; http://lattes.cnpq.br/0575667160905102; Gomes, Ivan Lima; Horacio Gago, Sebastian; Fredrigo, Fabiana de Souza
The present work intends to discuss the contributions of the publishing Frontera in the argentine’s press. The Frontera’s magazine created and participated in a moment of ecstasy in the 1950sAt that time, the comics, in the country, was passing through the comics “golden age”, where there was a great quality of art and an amount of lectores. Frontera’s intervention in the period respects some aspects of operation: a space of artistic autonomy and the criticism against the American characters. With this context and seeing the documents produced by the publishing, we seek to understand the strategies taken by the editor, Héctor Oesterheld, that contributed to the existence and success of the editorial project. Using Cultural History and Book History, we discuss the materiality and organization of the printed material at the same time of the distribution and the magazine’s reading. The discussion is guided by the Comics Studies, which discuss the organization of codes and symbols in the narrative structure. The documents represented by the magazines, interviews and advertisements, guide the interpretation of the comics as a product of mass media, and Frontera's magazines represent the relationship between popular culture and politics. An example of the reading policy democratization in the country at the end of the 1950s among the Buenos Aires citizens. The discussions in the period contribute to the stories development of narrative as Nahuel Barros and Ernie Pike – gauchesca and war, respectively. The problem surrounding comic strips is a process to achieve historical discussions at a period through a mass culture view.

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