Mestrado em História (FH)

URI Permanente para esta coleçãohttp://200.137.215.59/tede/handle/tde/283

Navegar

Agora exibindo 1 - 20 de 366

Carlos Magno e o massacre dos pagãos: a cristianização da Saxônia pela lei e pela espada (772-804)
(Universidade Federal de Goiás, 2025-03-24) Santos, Tcharly Pereira; Souza, Armenia Maria de; http://lattes.cnpq.br/9441339482614419; Omena, Luciane Munhoz de; http://lattes.cnpq.br/0630395552910286; Gonçalves, Ana Teresa Marques; http://lattes.cnpq.br/7049736226460820; Silva, Thiago Juarez Ribeiro da; http://lattes.cnpq.br/0228693460351030; Couto, Johnny Taliateli do; http://lattes.cnpq.br/4415739560777768
This study investigates the process of Christianization of Saxony during the Frankish– Saxon wars (772–804). Originating from the same Germanic context of the times when the West still recognized a Roman emperor, the Saxons perpetuated their ancestral tradition of Germanic paganism, while the Franks converted to Christianity under Clovis and increasingly approached the Church in Rome, which gradually found itself threatened by the Lombards and no longer counted on the protection of Constantinople. Upon Pepin’s head, the royal crown was placed in 751, and in 800, the imperial crown upon the head of Charlemagne. Thus, the Franks increasingly saw themselves as the people chosen by God, and the Carolingian sovereign as the protector of that people. Under Charlemagne’s authority, the traditions of territorial expansion were continued, and on the eastern frontier of the kingdom, the Saxons resisted the attacks of Frankish troops for thirty-three years. The Saxon Wars, in this study, present a vast wealth of discussions upon which we have reflected. In this segment, we will discuss the process that led to the conversion of the Saxons to Christianity and to the incorporation of this people into the Carolingian Empire after the year 800. Within this theme, we will address the issue of violence in this process, as well as the motivations of the Church and of Charlemagne in this episode, discussing the nature of royal power and its relationship with clerical authority. Charlemagne conquered by the sword, but terror also came through the law. The Capitulatio de Partibus Saxoniae prescribed the death penalty for those who refused baptism or ate meat during Lent, among other offenses. We will then analyze these narratives through period sources and specialized bibliography, in order to understand whether the sacred and the profane — evoking Mircea Eliade — could be separated in the early Middle Ages.
Memória, família e poder: história de uma permanência política - os Caiado em Goiás
(Universidade Federal de Goiás, 1996-07) Ribeiro, Miriam Bianca Amaral; Chaul, Nasr Nagib Fayad; http://lattes.cnpq.br/5779965354592589; Chaul, Nasr Nagib Fayad; Capelato, Maria Helena Rolim
.
"Como negra que sou, quero a vitória da minha raça": a produção intelectual feminina na imprensa negra paulista (1903–1930)
(Universidade Federal de Goiás, 2023-04-04) Silva, Maria Eduarda Ribeiro da; Campos, Raquel Machado Gonçalves; http://lattes.cnpq.br/2245138184521600; Campos, Raquel Machado Gonçalves; Francisco, Flavio Thales Ribeiro; Santos, Mirian Cristina dos
This dissertation studies the intellectual production of black women in the city of São Paulo, between 1903 and 1903, by means of newspapers of paulistas’ black press. Identified as journalistic production written by black people and directed for black people, these journals denounced on their pages the social exclusions suffered by the negros and articulated possible ways to overcome racial prejudices. The strategies mobilized were founded in plural perspectives, as the nationality affirmation and the contributions of negros for the land and the importance of moral and intellectual education as a social insertion form. The black women, in this context, more than ratify the conceptions formulated by black men journalist of these press, printed on them, by means of articles, and literary production, their own perceptions about the ways black people needed to trail in benefit of social inclusion. When they used the quill pen, they triggered discourses related about the black affectivity camp. Emphasizing in their collaborations the loneliness and love themes, these women clarified the link existent between the fight against the racial discrimination and the necessity of black union, not only of intellectual viewpoint, but also emotional.
Os cirurgiões nas minas coloniais da América portuguesa setecentistas: rupturas e permanências dos saberes a partir da obra Erário mineral de 1735
(Universidade Federal de Goiás, 2025-06-16) Alves, Adriano Santos da Costa; Vidotte, Adriana; http://lattes.cnpq.br/6066743926743863; Vidotte, Adriana; Magalhães, Sônia Maria de; Silva, André Costa Aciole da
The Mineral Treasury, written in 1735, offers a comprehensive understanding of the colonial reality of Portuguese America. In the first centuries of Modernity, this reality was strongly influenced by the limits imposed by the Portuguese metropolitan administration, which sought to exercise strict control over the colony. However, in order to ensure the continuity and functioning of colonial society in accordance with the interests of the Crown, it was necessary, in some cases, to adopt exceptions and flexibilities in relation to the established hierarchy and social order. It is in this context that the figures of surgeons began to gain relevance between the 16th and 18th centuries, especially after the discovery of gold in the interior of the territory in the 17th century. This historical period reveals significant elements of the social imaginary and highlights continuities and ruptures in surgical knowledge and practices. In addition, it allows us to identify which factors contributed to the maintenance of certain traditional medical concepts and practices and which specificities drove the emergence of new practices, which marked a break with the Portuguese medical tradition.
À sombra de Maus: figurações do trauma em Art Spiegelman
(Universidade Federal de Goiás, 2025-02-10) Chimiti, Joshua Almeida; Gomes, Ivan Lima; http://lattes.cnpq.br/0575667160905102; Gomes, Ivan Lima; http://lattes.cnpq.br/0575667160905102; Braga, Sabrina Costa; http://lattes.cnpq.br/3937621434163282; Fredrigo, Fabiana de Souza; http://lattes.cnpq.br/3939287095194355
The subject of this dissertation is two works by the author Art Spiegelman, Maus a Survivor’s Tale (1986) and In the Shadow of No towers (2004). Art Spiegelman is the son of Holocaust survivors and his work Maus tells the story of his father Vladek. The work has biographical and autobiographical characteristics, as Spiegelman recounts the process of collecting interviews with his father, stitching together past and present. In the second work, In the Shadow of No Towers, Spiegelman recounts his perspective on the attack on the Twin Towers, considering that he and his family were very close and visual witnesses to the event. My aim is to analyze the graphic construction of the works, thinking about Spiegelman's condition as an author and how he relates to / represents trauma in the different works.
A agência indígena e o projeto colonial português em Goiás na Guerra Justa contra os Kayapó (1735-1832)
(Universidade Federal de Goiás, 2023-12-13) Coutinho, Higor Faleiro; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nascimento, Patrícia Emanuelle; http://lattes.cnpq.br/0276222937363862; Pereira, Tamiris Maia Gonçalves; http://lattes.cnpq.br/8880569031234685
This study uses documentary and bibliographical research, as well as the analysis of oral tradition, to build knowledge on the historical role of the Kayapó do Sul people during the fair war declared by the Portuguese Crown in the land of the Goyazes, during the 17th century (with implications that would reach the first decades of the 19th century). It also examines the construction of the historical figure of the bandeirante and bandeirantismo – an essential element for understanding the erasure of indigenous protagonism – a process that responded to less historiographic motivations than ideological ones. The aim is to interpret historical facts in light of decoloniality, a concept made up by the Modernity/ Coloniality group, formed by Latin intellectuals who carried out a political/ epistemological movement essential for the critical and utopian updating of Social Sciences in Latin America in the 21st century.
O beato do sertão de Canudos: Antônio Conselheiro como intelectual orgânico revolucionário
(Universidade Federal de Goiás, 2025-02-25) Silva, Leticia Queiroz; Souza, Rildo Bento de; http://lattes.cnpq.br/2134103203642036; Souza, Rildo Bento de; http://lattes.cnpq.br/2134103203642036; Gomes Filho, Robson Rodrigues; http://lattes.cnpq.br/0607553880634591; Maciel, David; http://lattes.cnpq.br/3587511267893434
This study analyzes the trajectory and actions of Antônio Vicente Mendes Maciel, known as Antônio Conselheiro, through Antonio Gramsci‟s concept of the organic intellectual. The objective was to understand how his leadership, articulated through religious and political practices, contributed to the formation of the autonomous community of Belo Monte, in the Brazilian backlands, within the context of the Canudos War. The research utilized the manuscript Tempestades que se levantam no Coração de Maria (1897) as a primary source and conducted a critical analysis of the historiography on Canudos and its leader. Our hypothesis is that Conselheiro was a leader who, through religiosity, developed his political, critical, and conscious thinking about the way his people were treated by the authorities and the powerful. His actions mobilized marginalized workers around an alternative model of social organization based on solidarity and self-sufficiency. Furthermore, we believe that Antônio Vicente, as an organic intellectual, articulated religious, cultural, and political values, reaffirming his role as a leader of resistance and a symbol of the struggle against the structural inequalities of Brazilian society.
O curso de licenciatura em Educação Intercultural da UFG e os impactos sociais evidenciados nas escolas e comunidades indígenas
(Universidade Federal de Goiás, 2025-03-27) Carvalho, Thalia da Costa; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Aiello-Cabrera, Emília; Borges, Mônica Veloso
The present study aims to understand how the training of Indigenous teachers has generated social impacts on their communities, analyzing Intercultural Education in schools as a promoter of the appreciation of both Indigenous and non-Indigenous knowledge, autonomy, and the strengthening of Indigenous communities. It also seeks to understand how the Núcleo Takinahakỹ de Formação Superior Indígena, the Indigenous Intercultural Education Course at the Universidade Federal de Goiás- UFG, with its intercultural and transdisciplinary pedagogical approach, contributes to social transformations in Indigenous school education and the realities of the communities in which it operates. The research is based on Latin American decolonial perspectives, highlighting the importance of critical interculturality as a key element in dismantling the colonialities of power, being, and knowledge. The study adopts the concepts of Pedagogy of Retaking, Pedagogy of Contextualization, and Contextual Themes, emphasizing the collective construction of the pedagogical proposals of the aforementioned program. This analysis also seeks to adopt a participatory approach, using collaborative ethnography and orality. Co-theorization, actively involving participants, is applied in the interviews, allowing for a contextualized and plural understanding of experiences. The research also aims to assess the social impacts generated by the training of Indigenous teachers, highlighting successful practices and challenges to be overcome. Thus, it portrays the importance of an Intercultural Education aligned with the lived realities of the subjects involved. Through decolonial and dialogical methodologies, the study seeks to recognize Indigenous peoples as co-creators of their own learning processes. The dissertation historically contextualizes Indigenous School Education in Brazil, highlighting the influence of the Indigenous movement, the creation of intercultural teacher training programs, and the role of the Takinahakỹ Center in this process
Do sangue ao espírito: famílias escravas e compadrio em Meia Ponte (1819-1835)
(Universidade Federal de Goiás, 2025-02-21) Machado, Beatriz Caldas Boureau e; Moraes, Cristina de Cássia Pereira de; http://lattes.cnpq.br/1005102348535090; Moraes, Cristina de Cássia Pereira de; Malaquias, Carlos de Oliveira; Paula, Jason Hugo de; Duarte, Alan Ricardo Pereira
This dissertation analyzes the family and kinship dynamics of the enslaved population in the arraial of Meia Ponte, now Pirenópolis, Goiás, between 1819 and 1835. Based on 1,502 parish records, including 275 slave baptisms, the research investigates the strategies employed by enslaved individuals to construct social networks and alliances, with an emphasis on godparenthood (compadrio) established through Christian baptism. The analysis reveals how these practices extended beyond religious boundaries, serving as mechanisms of resistance and survival within a hierarchical society. Employing a socio-historical methodology, microanalysis, and the cross-referencing of parish records with fiscal documents and local periodicals, the study identifies patterns of godparenthood, profiles of godparents, and social relationships between enslaved people and other population groups. The results highlight the predominance of baptisms of natural-born infants, often by esteemed godparents. Additionally, the spiritual bonds formed with godparents of elevated social status provided protection and opportunities for social integration, underscoring the significance of family and spiritual kinship as central strategies for social articulation under slavery.
Diante do inquisidor: o santo ofício português e a condenação às práticas de bruxaria (1521-1562)
(Universidade Federal de Goiás, 2025-02-17) Silva, Letícia Mariano de Rezende; Souza, Armênia Maria de; http://lattes.cnpq.br/9441339482614419; Souza, Armênia Maria de; Silva, Lucas Augusto Tavares da; Vidotte, Adriana
The research explores the establishment of the Tribunal of the Holy Office in 1536, examining the repression of heresies and, specifically, the practices of witchcraft and sorcery associated with women in the Portuguese Kingdom. In the Late Middle Ages, emphasis is placed on the significance of the religious and eschatological imagination that permeated society and how the norms created by the Holy Office were built upon widespread fear of threats to the Catholic faith. This study analyzes Portuguese legislation, such as the Afonsine and Manueline Ordinances, which reflected the Crown's concern with religious order and combating practices considered deviant, such as witchcraft, even before the inquisitorial period. It also examines the dynamics of repression after the establishment of the Holy Office. During the reign of King João III and Queen Catarina of Austria, the Portuguese monarchy consolidated the tribunal as a tool to centralize power and suppress religious expressions alternative to Catholic orthodoxy. The analysis highlights the political and religious context of the kingdom, emphasizing the Church's influence and the persecution of faith deviants, such as New Christians and women accused of witchcraft. Thus, the impact of the Inquisition illustrates how the repression of unofficial religious practices reinforced the monarchy's and Church's control over the population.
A ficção científica de H. G. Oesterheld e a imaginação do futuro nos quadrinhos argentinos (1957–1976)
(Universidade Federal de Goiás, 2025-02-26) Santos, Renata Alves dos; Gomes, Ivan Lima; http://lattes.cnpq.br/0575667160905102; Gomes, Ivan Lima; Gago, Sebastian Horacio; Gruner, Clóvis; Souza, Julierme Sebastião Morais
La presente investigación analiza la construcción de la ciencia ficción en Argentina a partir de las obras El Eternauta (1957-1976) y Mort Cinder (1962-1964), ambas con guiones de Héctor Germán Oesterheld. En términos historiográficos, el análisis consideró inicialmente la circulación de revistas del género entre finales del siglo XIX y principios del XX. Este panorama revela cómo las diversas configuraciones del género en el país apuntan a un tipo de formación que no estuvo influenciada exclusivamente por obras extranjeras, sino que sufrió mediaciones y apropiaciones locales muy específicas. Es evidente que la ciencia ficción argentina son productos que se establecen al margen de la literatura fantástica y las producciones científicas de ese período. Ante esta evidencia, el género circula no solo a través de obras literarias, sino también a través de historietas, lo que refuerza las características híbridas que la ciencia ficción argentina adquirió durante este recorrido. Con el objetivo de establecer debates teóricos sobre estos aspectos, la investigación presenta diálogos entre los contextos históricos del surgimiento de la ciencia ficción en el país y las reflexiones desarrolladas por nombres como Page (2016) y Abraham (2013). Sobre la historieta se establecen discusiones sobre temas teóricos e históricos a través de autores como Eisner, Jablonka, McCloud, Pigozzi, Gago, entre otros. Nuestro objetivo fue establecer la relación entre las historietas destacadas y los diferentes contextos históricos argentinos, así como resaltar la importancia de Oesterheld para la construcción de la autonomía del género de la ciencia ficción en el país.
Enquanto não nascer o "AMANHÃ". a estreia de José Guilherme Merquior (1959-1961)
(Universidade Federal de Goiás, 2025-03-06) Rodrigues, Lucas Ferreira; Valle, Ulisses do; http://lattes.cnpq.br/3163617104627072; Valle, Ulisses do; Berbert Júnior, Carlos Oiti; Santos, Murilo Gonçalves dos
This study consists of a historical investigation into the debut of the intellectual José Guilherme Merquior. A phase of his trajectory that, more than once, was criticized by the author himself – in Razão do Poema (1965) and in Crítica (1964-1989) (1990) – as a way of manipulating the memory of his thoughts. Added to this rejection, the political stigmas surrounding his personality contributed to the forgetting of the texts published in the Sunday Supplement of Jornal do Brasil. Through a procedural methodology, we rediscovered and cataloged his publications in this vehicle, especially in his column “Poetry for tomorrow”. Through Han Robert Hauss’s reception theory and dialogue with historiographical references, we analyze his writings. Thus, the dissertation’s structure includes an introduction, an assessment of the state of Merquiorian thought, his historical position within the history of Brazilian literature and the expectations about him, his appearance in the SDJB, his work in the section “Poetry for tomorrow” and the conclusions. In summary, the set of theoretical and philosophical values of José Guilherme Merquior’s criticism was directed towards a conceptual horizon of expectation called poetry for tomorrow or simply tomorrow. Thus, “While tomorrow is not born” is, in addition to a rediscovery of his obscured debut, a descriptive analysis of the circumstance in which Merquior found himself in the dawn of his critical-intellectual work.
Contra os tigres de papel: juventude, cinema e resistência ao regime militar em Goiás no filme "A Fraude" (1968)
(Universidade Federal de Goiás, 2025-02-12) Estevão, Lara Damiane de Oliveira; Teixeira , Rafael Saddi; http://lattes.cnpq.br/2919949012379731; Teixeira , Rafael Saddi; Abdala Júnior, Roberto; Oliveira, Alcilene Cavalcante de; Cardoso, Maria Abadia; Távora, Adérito Schneider Alencar e
In 1968, a group composed mainly of young students filmed the short movie A Fraude in Goiânia to compete in the IV Amateur Film Festival organized by Jornal do Brasil, an important platform for showcasing films in the second half of the 1960s. Directed by Jocelan Melquíades de Jesus, the film portrays Luiz, a student who became an excedente – those who achieved a sufficient score in the university entrance exam but was not admitted due to a lack of available spots – during the admissions process for the Faculty of Medicine at the Federal University of Goiás (UFG) in 1968. During the military dictatorship, resistance through cultural action was also reflected in the activities of intellectuals and artists in Goiás. This study analyzes the production process of A Fraude and employs film analysis to understand how youth appropriated cinema as a form of resistance against the Brazilian military dictatorship. That year, prospective students took to the streets of the state capital, Goiânia, alleging that the UFG administration itself had perpetrated fraud in the admissions process. Through the film's imagery, the creators captured the specificities of the conflicts between the military regime, universities, and students in Goiás, addressing the theme of underdevelopment and denouncing the government’s subservience to U.S. imperialism, as expressed through the MEC-Usaid agreements. In alignment with the aesthetic and narrative tendencies of Brazilian modern cinema, a group of students filmed reality to confront it, constructing a perspective on Goiânia, the student revolt, and the military dictatorship through the use of allegory, with a tone that oscillates between didacticism and exasperation.
A invenção do futuro no cinema: representações de futuro nos filmes de Méliès, Lang e Menzies
(Universidade Federal de Goiás, 2021-05-11) Vidal, Juliana Barros Pettersen da Costa; Abdala Junior, Roberto; http://lattes.cnpq.br/7014946989727038; Abdala Junior, Roberto; Trovão, Flávio Vilas Boas; Mendes, Breno
This work proposes an analysis of three films with a futuristic theme dating from the beginning of the 20th century: Le voyage dans la Lune (1902) by Georges Méliès, Metropolis (1927) by Fritz Lang and Things to Come (1936) by Willian Cameron Menzies. The analysis has as a theoretical assumption the methodological possibility of transforming films into historical documents, as suggested and initiated by the third generation of the Annales School in the 1970s, following the singular acceleration process of time in modernity (Koselleck, 2006), so as to enable fiction to project futures which are different from the past, recognizing the typically modern structure of narrative present in cinema (CHARNEY and SCHWARTZ, 2004) and the characterization of cinematographic works as a historical artifact integrated into the historical culture of its time (RÜSEN). From these premises, the objective is to analyze, discuss and compare the first representations of future in Western cinema and propose a reflection on the possible relationship between the selected films and the collective expectation of future at the time of their realization.
Aimé Césaire: conexões transatlânticas, intelectualidade e críticas contra coloniais na obra O discurso sobre o colonialismo (1950)
(Universidade Federal de Goiás, 2024-12-16) Melo, Marcos Rafael Andrade de; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Araújo, Alexandre Martins de; Barbosa, Muryatan Santana
This research proposes a critical analysis of the transatlantic connections and countercolonial criticisms present in Aimé Césaire's “Discourse on Colonialism (1950)”. The source analyzed is a 1950 work in which the author presents a proposed counter-colonial narrative related to the process of French colonization and its contemporary implications, notably racism. Aimé Césaire was an intellectual man of letters who criticized the arguments of a large part of the Western intelligentsia. The research investigates the context of Martinique's colonization process, the locus of Césaire's enunciation, as well as exploring the biographical aspects that influenced his intellectual production. It explores the emergence of counter-hegemonic knowledges based on the experiences of colonized peoples, which challenge dominant historical narratives and open up space for indigenous criticism, black thought and decolonial and counter-colonial theories. A detailed analysis of Discourse on Colonialism shows the influence of Marxism on Césaire's critique, highlighting his denunciations of the contradictions of Western modernity and his role in deconstructing colonial narratives. The study also investigates the reception of the work in Brazil, highlighting how its anti-colonial legacy continues to inspire academic debates and struggles for social justice. Therefore, exploring the intersection between literature, politics and history, it reaffirms the importance of Aimé Césaire as a central figure for understanding and criticizing the colonial structures that shaped modernity.
Retórica e discurso apologético cristão em De Mortibus Persecutorum de Lactâncio: A morte dos Imperadores (Séculos III e IV d. C)
(Universidade Federal de Goiás, 2024-12-11) Freitas, Thiago Moreira; Omena, Luciane Munhoz de; http://lattes.cnpq.br/0630395552910286; Omena, Luciane Munhoz de; Silva, Érica Cristhyane Moraes da; Souza, Armênia Maria de
The present research aims to analyze the work De Mortibus Persecutorum (313-314) by Lactantius (240-320), observing the absence of funeral rituals for the deaths of the persecuting emperors. The conduct of these emperors is analyzed through their behaviors associated with poor management and governance of the empire, which, according to Lactantian perspective, resulted in tragic, undignified, and violent deaths. Thus, the character adjectives signal the political role of the emperors in Lactantius' apologetic narrative. Thus, De Mortibus Persecutorum can be characterized as an apologetic work that emphasizes the "Christian ideal" through the political and religious issues of the Late Roman Empire. From this point, this study reflects on the rhetorical devices in Lactantius' narrative and seeks to understand the different types of deaths of the persecuting emperors and their connections with Divine Providence and the legitimization of Christianity in power
Transgressão e controle sobre as mulheres na cidade de Goiás entre 1860 a 1900
(Universidade Federal de Goiás, 2024-08-28) Nascimento, Naelma Mendes do; Moraes, Cristina de Cássia Pereira; http://lattes.cnpq.br/1005102348535090; Moraes, Cristina de Cássia Pereira; Rabelo, Danilo; Souza, Rildo Bento de
Magali Engel (1988), in "Meretrizes e doutores: Saber médico e prostituição no Rio de Janeiro (1840-1890)," states that "the conception of the prostitute is constructed in opposition to the mother and wife," considering that the prostitute would represent the opposite of what society, which valued morality and decency, upheld. The actions of these transgressive women were aimed at resisting poverty. The research sought to understand and describe the behaviors that frequently led to the imprisonment of these women. The objective of this work is to analyze prostitution in the City of Goiás at the end of the 19th century, between 1860 and 1900. In light of this proposal, to understand who these women were and the context in which they were inserted, it was necessary to analyze the concepts of vagrancy, vagabondage, and prostitution. Similarly, the research object was framed by selecting a historiography and analyzing documents, all from the 19th century, including police reports, newspapers, maps of the public jail of the City of Goiás, municipal codes, criminal cases, Terms of Good Living, the Criminal Code, the Code of Criminal Procedure, and urban taxes. The investigation was conducted through documentary and bibliographic analysis, discussion of theoretical material, and data collection. In the first chapter, I draw on the text "As estratégias de purificação dos espaços na capital da Província de Goiás-1835- 1843" by Cristina Cássia Moraes (1995) and the texts by Gustavo Neiva Coelho, "O espaço urbano em Vila Boa: entre o veredito e vernacular" (2001), to describe the public space. This debate revolves around the discussion the State had regarding these spaces. In the second chapter, we will discuss the laws, how they were created to produce regulations, and how they "organize" public spaces, bodies, and the reprehensible behaviors of prostitutes. For the debate in this second part of the text, we will use "A invenção da Vadiagem: os termos de bem viver e a sociedade disciplinar no Império do Brasil" by Eduardo Martins (2011) and the work of professor Danilo Rabelo (1997), "Os excessos do corpo: a normalização dos comportamentos na Cidade de Goiás (1822-1889)". Prostitution is "understood as the conscious practice of exchanging or negotiating for money or other financial or material compensation" (Vieira, 2017, p. 1). In the City of Goiás, these women were not economically privileged and were always associated with disturbance, living on the margins of society. They live by their own means, working during the day washing clothes, sewing, or cooking, and at night they prostituted themselves.There was no designated prostitution zone in the city; the services were performed in the homes of these women. Their actions violated the law. They transgressed not because they lacked values but because their values were different—it was the culture of the streets, of the working class, of sporadic labor, and of popular traditions.
História e memória sobre a população negra no Museu Histórico de Jataí (1994-2019)
(Universidade Federal de Goiás, 2024-04-09) Santos, Michael Douglas dos; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Campos, Yussef Daibert Salomão de; Silva, Murilo Borges
Founded in 1994, the Historical Museum of Jataí (MHJ) - Francisco Honório de Campos has played a significant role in shaping identities, memories, and narratives concerning the history of Jataí. In this regard, among the activities and productions curated by the institution, the exhibitions stand out, aimed at portraying episodes related to local and regional history, featuring individuals, events and narratives. We understand that this exercise of representing the past is not neutral. On the contrary, it involves cutting, selecting, including, and excluding elements, thus creating memories and forgetfulness. These memories may undergo fluctuations depending on the moment they are invoked (Pollak, 1992). Therefore, in this master’s thesis, we aim to analyze the construction of memories about the black population in two exhibitions produced and displayed at the MHJ: “Jatahy: stories to tell” (1995-2015) and “Clube 13 de Maio and black people in the history of Jataí” (2019). We analyze these exhibitions, seeking to understand the production of memories, identities, absences or silences regarding the presence and actions of black men and women from Jataí, given that, despite their presence in the territory since the occupation process and, occasional numerical superiority, they are scarcely portrayed in regional/local narratives. To this end, we surveyed the documentary, photographic and textual collection of exhibitions held between 1994 and 2019. Attention was also given to the museological plan. The theoretical and methodological framework required an interdisciplinary dialogue between the fields of History and Museology. Among the authors considered in this study are: Cunha (2006); Chagas (2011); Woodward (2009); Gomes (2017); Almeida (2021); Nora (1993); Pollak (1992); Silva (2011); Carmo (2021); Mello (2002) and França (1995).
A elaboração dos conceitos e teorias do subdesenvolvimento e desenvolvimento: a trajetória político-intelectual de Celso Furtado (1949 – 1964)
(Universidade Federal de Goiás, 2024-09-11) Queiroz, Gabriel Cruz; Valle, Ulisses do; http://lattes.cnpq.br/3163617104627072; Valle, Ulisses do; Cepêda, Vera Alves; Arrais, Cristiano Alencar Pereira
The objective of this dissertation is to establish a connection between the formation of concepts and theories of underdevelopment and development in the work of Celso Furtado, with his trajectory as a technical-academic and politician during the period between 1949 and 1964. The hypothesis I elaborate in text starts from the stratification of meanings of concepts in Furtado's works, explaining the adjustments that were incorporated into them during the period analyzed. Underdevelopment was a concept worked on by Celso throughout almost all of his production, and which, in addition to enabling an understanding of the history of Brazil’s economic formation, was used as an element of a political discourse that resulted in economic policies in a period of Brazilian history marked by the presence of developmentalist ideology in the national debate.
Clóvis Moura, o movimento negro e a revolução brasileira (1940-2000)
(Universidade Federal de Goiás, 2023-12-21) Reis, Gustavo de Almeida; Costa Pinto, João Alberto da; http://lattes.cnpq.br/4246394797193440; Costa Pinto, João Alberto da; Garcia , Allysson Fernandes; Maciel, David
The objective of this work is to investigate the intellectual and political-institutional trajectory of the intellectual Clóvis Moura. It is assumed that the author's intellectual production is intricately linked to the responses he had to give regarding the main issues involving his political praxis. The complexity of his theoretical endeavor is mainly due to his personal involvement in movements, sometimes convergent, sometimes contradictory, namely: the Brazilian communist movement and the Black movement. If, at first, in the 1940s and 1950s, Moura joined the ranks of the Brazilian Communist Party (PCB) and, within them, through internal and external dilemmas within the Party, became interested in the Black issue, throughout his life, Clóvis Moura progressively disengaged, both theoretically and practically, from orthodox communist ranks, never abandoning important elements of a praxis-oriented Marxism. His practical detachment from the Communist Parties to which he belonged (PCB and PCdoB) occurred simultaneously with an increasingly active involvement in the Black movement, this time directly, especially the movement that emerged on the fringes of the Brazilian Military Dictatorship from the 1970s onwards. The intention is, in this way, to analyze how the development of important conceptual tools for the author throughout his work is linked to his changing conceptions in the face of the complexification of his praxis in reality, alongside his intellectual maturity. Thus, it became necessary to make a comparative analysis within the author's work, noting his essential transformations over the years in the face of concrete reality; and also externally to his work, noting the singularities of Moura in relation to those who also had to respond to essential questions regarding the Brazilian Black issue. Unraveling the intellectual trajectory of an author is also, pari passu, making the history of the ideas expressed by the institutions and social actors directly and indirectly linked to him, which also influenced his responses during his intellectual biography.

Navegar

Submissões Recentes