Cinema em Goiás: quando tudo começou... (1960-1970)
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2018-08-28
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Universidade Federal de Goiás
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This work has as main purpose the study on the trajectory of the three artists from Goiás
pioneers in cinematographic production in this state, being them: Cici Pinheiro, João Bennio e
Jocelan Melquíades de Jesus; and also of the film analysis of five works carried out to Bennio
and Jocelan M. Jesus. For this purpose, we used the methodology of film analysis highlighting
some cinematographic elements in the Works to the extent that they allow us to compare
them with other cinematographic productions and cinematic movements, besides the studies
of the artistic trajectories of each personality approached. The films analyzed are from the
1960s and 1970s, being: O Diabo Mora no Sangue (1966), Tempo de Violência (1969), both
produced by Bennio; Simeão, o Boêmio (1970), O Azarento, um Homem de Sorte (1973),
directed and produced by Bennio; and A Fraude (1968), directed pby Jocelan Melquíades de
Jesus. It is noteworthy that the pioneering work of Cici Pinheiro, O Ermitão de Muquém
(1966), did not get finalized and for that reason we stopped in the artistic trajectory of
Pinheiro until its first attempt of cinematographic production. . Through these analyzes it was
possible to understand the “schools” from which these films were influenced, and also
influenced, therefore, how this research will demonstrate, a series of artists that were
consecrated in the Brazilian audiovisual market later were directly involved with some of these
projects analyzed, as was the case with Cecil Thiré, who made his debut as a film diretor in O
Diabo Mora no Sangue, as well as Carlos Reichenbach who directed the photography of A
Fraude, among others.
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SILVA, T. H. Q. Cinema em Goiás: quando tudo começou... (1960-1970). 2018. 128 f. Dissertação (Mestrado em História) - Universidade Federal de Goiás, Goiânia, 2018.