Teatro das emoções e emoções no teatro: diálogos entre neurociência e Stanislávski
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2016-05-10
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Universidade Federal de Goiás
Resumo
This research analyzes the perspectives of Stanislavski’ system as proposed by the Russian
director Constantin Stanislavski (1863 – 1938) in dialogue with recent proposals of the
neurobiology of emotions. It begins with the main definitions about emotions in western
history, starting with Plato and reaching conceptions posed by the Portuguese neuroscientist
Antonio Damásio (1944) who investigate the production and interpretations of the human
emotions. The work focuses on the proposals of the “organic” interpretation by Stanislavski,
mainly on the concept and procedures of what has been called emotive memory. This
discussion is based on the findings of the French psychologist Théodule-Armand Ribot (1839-
1916), and his concept of affective memory (in French, la memoire affective; In Russian,
Affectivnaia pamiat’) that underpinned the concept used by Stanislavski. At the end, the thesis
establishes the neurobiological construction that pervade the Stanislavski’ system.
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SANTOS, A. C. Teatro das emoções e emoções no teatro: diálogos entre neurociência e Stanislávski. 2016. 225 f. Dissertação (Mestrado em Performance Cultural) - Universidade Federal de Goiás, Goiânia, 2016.