Corpografias: comunicação dialógica entre corpos cuir e memória cultural
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2022-08-15
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Universidade Federal de Goiás
Resumo
Nuestra tesis grafa las huellas de la memoria cultural presentes en fotografías y textos
escritos, que actúan como archivo para nosotros, en sus relaciones con las performances
artísticas, que escenifican nuestro repertorio de actos encarnados. A través de estas grafías de
la memoria - fotos, textos escritos y performances -, navegamos por la información social e
histórica que comunicamos en/a través de nuestros cuerpos. Nuestro objetivo fue pensar
imágenes textuales e iconográficas sobre las normas de género y sexualidad inscritas en
nuestros cuerpos para mapear contra-visualidades. El cuerpo, en el sentido que estamos
proponiendo en esta tesis, se sitúa en la médula ósea del campo comunicativo, como célula
originaria de todo proceso comunicativo. El cuerpo es tomado aquí como lugar de eventos
culturales, como territorio de conocimiento, herramienta y símbolo de comunicación. Es un
cuerpo construido sobre el espacio y el tiempo y ocupado por inscripciones. Adoptamos la
corpografía como metodología que mapea archivos y repertorios inscritos en el cuerpo. A
través de una estrategia de lenguaje polifónico, accedemos a un contenido visual anacrónico
para encarnar la memoria cultural. Utilizamos elementos gráficos a lo largo de la tesis para
desencadenar grietas y buscar desbordamientos. Como resultado, encontramos marcas de
invisibilidad corporal y epistémica cuando hablamos de sujetos cuir. Encontramos que los
cuerpos cuir, en su multiplicidad, y otros cuerpos plurales, cuando acceden al derecho a mirar
y al derecho a ser visto, actúan como mediadores que tensionan la performance corporal
dominante y promueven aperturas.
Our thesis textually graphs traces of cultural memory present in photographs and written texts, which act as an archive for us, in their relations with artistic performances, which stage our repertoire of embodied acts. Through these graphs of memory – photos, written texts, performances – navigate social and historical information that we communicate in/through our bodies. Our objective was to think about textual and iconographic images about gender and sexuality normativity embedded in our bodies to map counter-visualities. The body, in the sense that we are proposing in this thesis, is positioned in the bone marrow of the communication field, as the originating cell of every communicative process. The body is taken here as a place of cultural events, as a territory of knowledge, a tool and symbol of communication. It is a body built over space and time and occupied by inscriptions. We adopted corpography as a methodology that maps files and repertoires inscribed in the body. Through a polyphonic language strategy, we access an anachronistic visual content to embody cultural memory. We use graphic elements throughout the thesis to trigger cracks and look for spillovers. As a result, we find marks of corporeal and epistemic invisibility when we talk about cuir subjects. We found that the bodies care, in its multiplicity, and other plural bodies, when they access the right to look and the right to be seen, act as mediators that tension the dominant body performance and promote openings.
Our thesis textually graphs traces of cultural memory present in photographs and written texts, which act as an archive for us, in their relations with artistic performances, which stage our repertoire of embodied acts. Through these graphs of memory – photos, written texts, performances – navigate social and historical information that we communicate in/through our bodies. Our objective was to think about textual and iconographic images about gender and sexuality normativity embedded in our bodies to map counter-visualities. The body, in the sense that we are proposing in this thesis, is positioned in the bone marrow of the communication field, as the originating cell of every communicative process. The body is taken here as a place of cultural events, as a territory of knowledge, a tool and symbol of communication. It is a body built over space and time and occupied by inscriptions. We adopted corpography as a methodology that maps files and repertoires inscribed in the body. Through a polyphonic language strategy, we access an anachronistic visual content to embody cultural memory. We use graphic elements throughout the thesis to trigger cracks and look for spillovers. As a result, we find marks of corporeal and epistemic invisibility when we talk about cuir subjects. We found that the bodies care, in its multiplicity, and other plural bodies, when they access the right to look and the right to be seen, act as mediators that tension the dominant body performance and promote openings.
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Palavras-chave
Corpografia , Fotografia , Performance , Crônica , Comunicação , Comunicación , Corpography , Photography , Performance , Chronicle , Communication
Citação
CRUZ, João Lúcio. Corpografias: comunicação dialógica entre corpos cuir e memória cultural. 2022. 295 f. Tese (Doutorado em Comunicação) - Faculdade de Informação e Comunicação, Universidade Federal de Goiás, Goiânia, 2022.