Gravobraduras: processos de impressão e objetos de estrutura dobrada
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Data
2014-03-27
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Universidade Federal de Goiás
Resumo
This work presents the outcomes of a research master’s degree in Art and Visual Culture,
which consists of experiments in printmaking and in studies on the use of foldings as
matrices, whose poetic concept is defined as “gravobraduras”. The study has as reference
the wrapping culture (tsutsumu bunka), which involves not only the study of origami, but
also about other practices, such as furoshiki, that include the production of involucres and
wrappings. The reference in question alludes to “practice of Japanese gift” and the artistic
production of this work to the “wanderings of Japanese immigrants in Brazil”. Therefore,
the primary objective of this research is to analyze what are the paths, sometimes errant
sometimes constant, in which the image generated by the “matrix folding” travels up to
become a visual pattern, but also evaluate the development of the artistic production in
three methods of printing: by high relief (matrix folding), by permeation (silkscreen) and
by digital means. The research also involves reflections on artistic creation as creating networks,
according to Cecilia Salles, who emphasizes that are important the concomitant actions
and the establishment of links between relevant subjects to the research to generate
its own methodology and poetic.
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ÁVILA, Eduardo Araújo de. Gravobraduras: processos de impressão e objetos de estrutura dobrada. 2014. 100 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2014.