O corpo e a gravura como campos poéticos
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2016-03-31
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Universidade Federal de Goiás
Resumo
This dissertation aims to think the picture and the body as a way to build a poetics
that speaks to the dual concept of matrix, which is a possibility of establishing time
frames coming from the direction of the imager body and expressive spaces
perceptions of the subject / object artist and researcher, senses builder. From the
body of ideas as poetic space we draw a path of trials with the titled dry lithography
technique, alternative printing technique that refers to the subversion of traditional
techniques, because it seeks to establish dialogues between the technique and its
materialities bringing to the body element, questioning him in clippings and paths that
overlap from one image to another, such as leather, fabrics film, an intimate walk
towards the time and the place called body, which permeate the "speeches" and
"truths" of society and culture . The materials used for this research were materials
discarded by consumer society and information, such as offset plates, which in the
recent past were a generating surface images now reused to generate new images;
skins; films; tissues; voile; paraffins; stone; instruments for drawing; papers of varying
textures, with the intention to provoke, evoke bodily surfaces memories. The weights
on the use of diverse materials such as propellants contemporary and relevant
reflections to the immense universe of images producer; sensitive body concept
understood in its phenomenological relation between subject and object; reflection on
the research methodology in visual poetics; and poetic concepts in physical space
and the folds, which put us in an opportunity to make connections with dry
lithography technique called, were the main theoretical framework that guided the
construction of this research.
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LACERDA, L. A. O corpo e a gravura como campos poéticos. 2016. 103 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2016.