A narrativa anticolonialista e o uso da iconografia como aparato decolonial em Nueva corónica y buen gobierno (1615) de Felipe Guamán Poma de Ayala
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2024-06-10
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Universidade Federal de Goiás
Resumo
El propósito de esta investigación es analizar las posibilidades interculturales y descoloniales
presentes en la obra de Felipe Guamán Poma de Ayala, Nueva corónica y buen gobierno (1615),
que aún puede entenderse como un tratado político contemporáneo al período colonial
hispánico en América. América. Teniendo esto en cuenta, evaluaremos el alcance de la
producción de Guamán Poma, la cual se estructura como un documento ubicado en una zona
epistémica fronteriza, comprometido con el espacio de experiencia del autor, quien fue testigo
de las barbaridades coloniales. Esta investigación parte entonces de reflexiones sobre el
reconocimiento y la circulación de las producciones intelectuales indígenas silenciadas por el
estándar occidental de estructuración social, producción epistémica y las formas de existir y
resistir en el mundo. Nuestra propuesta es analizar la crónica a partir de reflexiones sobre las
formas de producciones epistémicas que surgen de matrices coloniales y modernas y de
posiciones críticas y anticoloniales, que abren caminos para la dispersión de reflexiones desde
lugares con fronteras epistémicas y decoloniales. Sin embargo, aún analizaremos las posibles
influencias del arte barroco en conjunto con elementos de la cultura nativa, que traen al campo
visual –basándonos en la lógica pedagógica del autor, con el fin de demostrar e instruir al lector
sobre la violencia hispana. – presente demostrando las mejores formas de organización social
que sistematicen una mejor forma de convivencia entre españoles e indígenas.
The purpose of this research is to analyze the intercultural and decolonial possibilities present in the work of Felipe Guamán Poma de Ayala, Nueva corónica y buen gobierno (1615), which can still be understood as a political treatise contemporary to the Hispanic colonial period in Latin America. Taking this into consideration, we will evaluate the scope of Guamán Poma's production, which is structured as a document located in an epistemic border zone, committed to the author's space of experience, who was a witness to colonial barbarities. This research then starts from reflections regarding the recognition and circulation of indigenous intellectual productions silenced by the Western standard of social structuring, epistemic production and the ways of existing and resisting in the world. Our propose is to analyze the chronicle based on reflections on the forms of epistemic productions that arise from colonial and modern matrices and critical and anti-colonial positions, which open paths for the dispersion of reflections from places with epistemic and decolonial borders. However, we will still analyze the possible influences of baroque art in conjunction with elements of native culture, which they bring to the visual field – based on the author's pedagogical logic, in order to demonstrate and instruct his reader about Hispanic violence. – present demonstrating the best forms of social organization that systematize a better way of coexistence between Spaniards and indigenous people.
The purpose of this research is to analyze the intercultural and decolonial possibilities present in the work of Felipe Guamán Poma de Ayala, Nueva corónica y buen gobierno (1615), which can still be understood as a political treatise contemporary to the Hispanic colonial period in Latin America. Taking this into consideration, we will evaluate the scope of Guamán Poma's production, which is structured as a document located in an epistemic border zone, committed to the author's space of experience, who was a witness to colonial barbarities. This research then starts from reflections regarding the recognition and circulation of indigenous intellectual productions silenced by the Western standard of social structuring, epistemic production and the ways of existing and resisting in the world. Our propose is to analyze the chronicle based on reflections on the forms of epistemic productions that arise from colonial and modern matrices and critical and anti-colonial positions, which open paths for the dispersion of reflections from places with epistemic and decolonial borders. However, we will still analyze the possible influences of baroque art in conjunction with elements of native culture, which they bring to the visual field – based on the author's pedagogical logic, in order to demonstrate and instruct his reader about Hispanic violence. – present demonstrating the best forms of social organization that systematize a better way of coexistence between Spaniards and indigenous people.
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SANTA VICA, Thaynara Mariana do Nascimento. A narrativa anticolonialista e o uso da iconografia como aparato decolonial em Nueva corónica y buen gobierno (1615) de Felipe Guamán Poma de Ayala. 2024. 173 f. Dissertação (Mestrado em História) - Faculdade de História, Universidade Federal de Goiás, Goiânia, 2024.