Teatralidade, montagem e performance na arte de Ana Maria Pacheco
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2016-03-18
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Universidade Federal de Goiás
Resumo
Theatricality, Montage and Performance in the Art of Ana Maria Pacheco scrutinizes the visual
work of the plastic artist as a main visual body analysis on the series of ten paintings entitled In Illo
Tempore I-X (1994), elaborated in the 90 ́s. The approach of this work is that the art of Ana Maria
Pacheco (1943) is an intervallic montage of multiple temporalities, and under this perspective, we
are headed to assume that the artist reinterprets the cultural-historical universe of her environment
of origin and formation relating it dynamically and diversely in her visual work. It also investigates
the theatricality inherent in the artist ́s visual work, elaborated through the intervallic and
anachronistic montage of the culture, from which a potential performance on images derives to the
reception of viewers eyes. The methodology used in this work is a combination of bibliographical
research and image analysis starting from the process “constellation and work table” (Didi-
Huberman, 2013), which consists in entangling a collection of affinities and relationship between
the images themselves. The main concepts approached in this work are the notions of “montage”
(Didi-Huberman, 2013), “theatricality” (Féral, 2011), “geopoetics” (Lowenthal, 1982) and
“performance and reception” (Zumthor, 2007).
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MARTINS, R. C. Teatralidade, montagem e performance na arte de Ana Maria Pacheco. 2016. 237 f. Tese (Doutorado em História) - Universidade Federal de Goiás,Goiânia, 2016.