Doutorado em História (FH)

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Terra garbosa, cercada de morros para se enfeitar: a cidade de Morrinhos imaginada pela história pública local (1968-2023)
(Universidade Federal de Goiás, 2025-02-27) Alves, Wesley Ribeiro; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845; Langaro, Jiani Fernando; Meira, Júlio Cesar; Oliveira, Hamilton Afonso de; Nicolini, Cristiano; Berbert Júnior, Carlos Oiti
This thesis aims to analyze the work of local public historians in the city of Morrinhos and how these authors influenced the social imagination of the municipality between 1968 and 2023. Over this period, various intellectuals produced books and texts about local history. Not all these authors had specific training in history or worked as professional historians. The thesis analyzes these writers from the field of public history, understanding it as a typology that allows for a series of reflections on the relationship between history and the public. This public is understood not only as a consumer of history but also as a producer of this history. The research argues that it is necessary to understand these intellectuals as local public historians and not just as memorialists, to promote greater dialogue between academia and the public. The epithet of memorialists is not sufficient to understand the various dimensions of the work of local writers. In this context, it is recognized that local public historians have their own genre and style, distinct from those adopted in academic historiography, but guided by a method and dialogue with documentary sources. The methodological and narrative choices of local public historians ended up solidifying the representation of a city guided by cultured political leaders concerned with the development of the municipality, oriented towards progress, and standing out as a center of education and culture in the state, to the point of being known as the Athens of Goiás. By crossing the accounts of these local public historians with academic research, it is observed that these representations ended up neglecting the social tensions and conflicts inherent in the city's development. Moreover, the narrative of local public historians does not include all sectors of the population that do not fit into the history of prominent figures. These authors participate in a circulation network, where not only works but also the ideas circulate through the city of Morrinhos. Institutions such as the Dramatic and Literary Society of Morrinhos and the Morrinhense Academy of Letters promote events and publish periodicals based on the ideas and work of local public historians, influencing a project conducted by the state government that reached a significant portion of Morrinhos' inhabitants. Thus, the research path allows revisiting the historiography produced outside university walls from a new perspective.
Nacionalismo e pragmatismo tecnogrático em Roberto Campos: um estudo sobre a sua trajetória intelectual e institucional no período 1951-1959
(Universidade Federal de Goiás, 2025-07-31) Aranha, Francisco Arantes; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Pinto, João Alberto da Costa; Almeida, Rafael Galvão de; Silva, Êça Pereira da; Barbosa, Walmir; Maciel, David
This research analyzes the intellectual and institutional trajectory of Roberto Campos (1917–2001), with particular emphasis on his role as economic advisor to the Brazil– United States Joint Commission (1951–1953), as an executive of the National Bank for Economic Development (1952–1953), managing director (1956–1958), and president of the institution (1958–1959). The period under examination is decisive for understanding both the formulation and the crisis of the “non-nationalist” strand of developmentalism present in his work. It allows us to situate Campos as one of the leading architects of the technical and institutional conditions that enabled the integration of Brazilian capitalism into international capital. The research is grounded in the thesis that Campos should be understood not as a bourgeois figure, but as a managerial actor within the dominant classes of Brazilian capitalism. His objective was to organize and control the technological integration of the national economy through a technocratic and productive management of the general conditions of production—within which the State played a central role. In this process, Campos elaborated significant categorical structures that endowed his intellectual output with coherence and expressed the technocratic worldview of the dominant capitalist class of managers. This perspective diverges from the prevailing literature, which generally portrays Campos as a subordinate technician or functional intellectual aligned with the interests of monopoly capital, without recognizing him as part of the dominant capitalist class. The analysis combines an examination of his institutional roles with the internal logic of his writings, drawing on Lucien Goldmann’s genetic structuralist method. The dissertation is divided into two main parts, dedicated to Campos’s experiences in the Joint Commission and the BNDE, and it sheds light on how he contributed to the consolidation of a technocratic and “nonnationalist” developmental rationality in 1950s Brazil.
O Colégio Pedro Gomes entre projetos de modernidade e práticas educacionais subjetivas: uma perspectiva a partir das memórias de Lígia Rebelo (1956-1966)
(Universidade Federal de Goiás, 2025-02-21) Machado, Vinícius Felipe Leal; Borges, Maria Elízia; http://lattes.cnpq.br/0672444382021221; Souza, Armênia Maria de; Capel, Heloísa Selma Fernandes; Souza, Rildo Bento de; Dias, Ana Raquel Costa; Ribeiro, Míriam Bianca do Amaral
Founded in 1947, “Colégio Estadual Professor Pedro Gomes”, also known as “CEPPG”, was the first public secondary education institution (equivalent to high schools) in the neighborhood, of Campinas, the old city from which Goiânia originated. Lígia Maria Coelho Rebelo was the school principal, in this institution, between 1956 and 1966. The implementation of the then “Ginásio Estadual de Campinas” (an elementary state school, the previous form of CEPPG), in 1950, represented a paradigmatic element of modernization that impacted the region, leading, in the following years, to sociopolitical developments that culminated in the main expansion that occurred in the history of the institution, in 1960. Under the leadership of Lígia Rebelo, “Colégio Pedro Gomes” established a substantial part of its material and symbolic foundations that would lead it to achieve a position of great visibility and prestige within the group of public schools in the State of Goiás. The thesis supported by this work is that Lígia Rebelo's management was responsible for conducting administrative and political-pedagogical processes – subjective educational practices – that reflected, within the school, the external processes of socioeconomic modernization promoted by the government, in Goiás and in the country as a whole. So, we discuss the interrelationship between this processes, that resulted in the expansion of infrastructure and the broadening of the scope of educational activities offered and the conduction of subjective educational practices that contributed to the construction and consolidation of the school culture and the institutional identity of the school. In this sense, this work analyzes the implementation of the project that gave rise to the school's marching band and the political-educational dimensions acquired by the student union. Based on the analysis of institutional documents, publications in periodicals, like newspapers of that time, besides documents from Lígia Rebelo's personal memoir archive, this research investigates the hypothesis that the director was successful in the roles of educator and bureaucrat, thereby managing to benefit from a network of political contacts that guaranteed her a favorable position in society, extending it to the institution under her tutelage. Thus, Lígia Rebelo established the merit of having been the professional who remained the longest in the role of principal of that school, managing to attribute to the period in which she was in charge of CEPPG, a valuable symbolic charge related to the idea of a “golden moment”: what would have been, until then, the greatest qualitative leap towards the modernization of public education offered to the community of Campinas. From this perspective, the memorialist practices established by Lígia Rebelo, in private or public records, serve her personal purpose of perpetuating, in the collective imagination, her link with this “mythical moment” in the History of Colégio Pedro Gomes, while at the same time revealing a latent need for the government to incorporate educational spaces in the support of projects of authority and power.
A apropriação da Região Leste de Goiânia pelo capital
(Universidade Federal de Goiás, 2023-04-19) Mendes, Julianna Fernandes; Maciel, David; http://lattes.cnpq.br/3587511267893434; Maciel, David; http://lattes.cnpq.br/3587511267893434; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Batista, Anamaria Diniz; http://lattes.cnpq.br/4250663736230236; Moyses, Aristides; http://lattes.cnpq.br/5338712409166113; Moraes, Lúcia Maria; http://lattes.cnpq.br/2460294440897616
This doctoral dissertation is part of the Line of Research: Power, Sertão and Identities of the Graduate Program in History of the Federal University of Goiás, proposing to investigate The appropriation of the eastern region of Goiânia by the capital. The first chapter seeks to understand the control of urban space, with the subsequent release of allotments, as well as the division of social classes in the urban of Goiânia. In addition, it sought to analyze this premise based on data from the SFH, BNH and COHAB, verifying that the housing policies promoted during the military dictatorship period reinforced the segregation of urban space and legal insecurity of tenure. Then, in the second chapter, we try to analyze Real Estate Capital and the expansionist reform towards the east region, reinforcing how the public power together with the private initiative designed and implemented public policies for the urban expansion area of Goiânia. Thus, delimiting the eastern region by demonstrating its specificities was important to analyze the reason for urban expansion to move towards the eastern region in the early 1970s. The study of critical geography and urban history allowed for a discussion between Santos, Moyses, Harvey, Lefebvre, Haesbaert and Raffestin on the transformation of Goiânia from space to territory as power. In the same sense, we demonstrate through legislation how the expansionist compass was projected towards the eastern region. The third chapter called the appropriation of the eastern region of Goiânia by the capital, we seek to understand, not only the territorial appropriation, but also the appropriation of other essential assets for urban and community development. It was up to us to verify who the owners of the eastern region were, we arrived at the Louza family as owners of most of the Gameleira Farm which was acquired in July 1943 and, later, from 1950 onwards, they carried out the subdivision of land for the construction of the Jardim Goiás neighborhood. The discussion was still permeated about the urban voids and the appropriation by financialized capital that evidenced the modus operandi of real estate speculation.
Graciliano Ramos (anti)modernista? Um autor entre a Literatura do Norte e do Sul
(Universidade Federal de Goiás, 2025-01-23) Silva, Fernando Costa e; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Soares, Ana Lorym; http://lattes.cnpq.br/7819170706503866; Camargo, Maicon da Silva; http://lattes.cnpq.br/5330206712235614; Gonçalves, Roberta Ferreira; http://lattes.cnpq.br/9002351352138509
The man stuck in the past was the other to whom modernists called strange. The universalism of the movement ranged from the fierce critic to the promising talent established in a distant land. Graciliano Ramos (1892-1953) could not be understood as anti-modernist, because his life can’t be dissociated from the time. Incredible the effort to stay up to date with the new developments brought about by modernism. Its integration into the Brazilian literary field can be understood as the result of this effort in conjunction with the modernization process of the contemporary publishing market in the 1930s. Augusto Frederico Schmidt, Gastão Cruls and Agripino Grieco stood out among agents who conceived a multifaceted literary field in the middle in a lot of political transformations and coexistence between ideological extremes. Graciliano Ramos was arrested and wrote about it, but surrendered to Vargas populism in the end. Revolutionary impetus materialized in his books, claimes for space in brazilian’s coletive memory about socialism movement.
Cidades sobrepostas: o processo de modernização e segregação urbana de Teresina (1990-2010)
(Universidade Federal de Goiás, 2021-02-26) Monte, Regianny Lima; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Nascimento, Francisco Alcides do; http://lattes.cnpq.br/8807841778457730; Oliveira, Eliézer Cardoso de; http://lattes.cnpq.br/4351929916837359; Silva, Murilo Borges; http://lattes.cnpq.br/7222474976480477; Gomes, Aguinaldo Rodrigues; http://lattes.cnpq.br/3408519048864585
This paper is an analysis of the process of modernization and urban segregation that occurred in the city of Teresina between 1990 and 2010. This process resulted in interventions implemented with the purpose of bringing Teresina closer to other urban centers, which, due to their proportionality, were responsible for the city's inclusion in the international parameters of global cities and for this reason it began to experience problems generated by this new way of being in the urban space typical of post-modernity. New spatialities were created to meet the demands of the sector, with the opening of shopping malls and gated communities. The government acted to direct the actions, equipping the city with urban equipment that responded to the needs of a new way of living and consuming the city. This new way of being in the city is marked by individuality and the volatility of social relations. Public and civil spaces are replaced by spaces marked by the market issue, in which issues related to citizenship are replaced by a consumer relationship. However, this new way of being in the city is not accessible to everyone. A considerable part of the population does not have access to this market city and is doubly excluded, having lost spaces for community participation and being unable to participate in the capital city. However, the city is not built without conflicts; those excluded from this process or those averse to the way it was implemented will leave their impressions on all these changes that went beyond the city walls and left their reflections on the multiple forms of possible experiences within the urban space. The theoretical framework on which this research was anchored was the studies of Michel de Certeau, regarding the concepts of representation and appropriation of urban spaces, and the writings of Zygmunt Bauman and his reflections on the moment of postmodernity, which he called liquid modernity. The methodological path included a considerable amount of sources, ranging from official documents of state and municipal executives to daily newspapers.
Célia Câmara: um legado a ser desvendado na Educação Básica (1975-1998)
(Universidade Federal de Goiás, 2025-05-21) Casanova, Bianca Cristina Barreto; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Dias, Ana Raquel Costa; http://lattes.cnpq.br/8902645603057041; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/2424054335258827; Magalhaes, Sônia Maria de; http://lattes.cnpq.br/8841367325340262
This research aims to propose the relevance of studying the mechanisms of consecration of artists in basic education in Goiás, focusing on the figure of art dealer Célia Câmara, among the great names of Goiás’ art scene. Intending at a liberating pedagogy, in the light of Paulo Freire, we will analyze the mechanisms of power inherent to the art system, whose results are transmitted, in an alienated way, in traditional school education. For this analysis, we will reflect on the biography of Célia Câmara, relating her trajectory, family life and social connections with her cultural entrepreneurship, mainly as head of the Casa Grande Galeria de Arte, between 1975 and 1995, in the city of Goiânia. Born in Paraná, Célia married journalist Jaime Câmara in the 1940s and, since that, she began her history in Goiás. The social columns of the newspaper O Popular, owned by her husband, follow Célia's trajectory from housewife to entrepreneur and influential figure in Goiás society. Célia Câmara, in this way, used her social capital to keep the gears of the art system in Goiás turning, which showed great professionalization during the 1970s and 80s, the period in which her gallery operated.
O per-tecer do maternar no stricto sensu: tessituras da invisibilidade materna nas políticas públicas educacionais
(Universidade Federal de Goiás, 2025-03-26) Rezende , Suellen Peixoto de; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/6593268782293837; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/6593268782293837; Marques, Ana Maria; http://lattes.cnpq.br/3982340840178047; Cardoso, Vanessa Clemente; http://lattes.cnpq.br/6657917763682883; Ribeiro, Maria do Espírito Santo Rosa Cavalcante; http://lattes.cnpq.br/0992325312724959; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845
This thesis presents an investigation into maternal invisibility in Public Educational Policies in stricto sensu programs. I will problematize the fabric of the construction of subjects based on gender relations, analyzing the discursivities involved in education plans (Louro, 1997), at the federal, state and municipal levels and, subsequently, I will analyze how possible intertwinings of resistance arise from the strength of maternal collectives. I will base myself on the perceptions between virtual spaces on social networks, especially Instagram, through the discourses of stricto sensu student mothers in public reports. As a theoretical-methodological framework, I used discourse analysis (Orlandi, 2003) inferring positions of power (Foucault, 1999) in the construction of public educational policies (Altmann, 2003). I assume that cyberfeminism (Lemos, 2009), as a tool for emancipation and amplification of women's voices, puts pressure on insurgent maternal epistemologies in contemporary times. To this end, I took feminist epistemologies and the theory of gender relations studies as a basis, based on the contributions of Perrot (2005) and Scott (1992, 2012). The research points to gender asymmetries, composing the field of Educational Public Policies, outlining a profound symbolic violence intrinsic in gender inequality for mothers in postgraduate studies, theoretically anchored in the data from Parent in Science (2023).
Da rainha à dama especular: um olhar comparativo entre os espelhos de Durand de Champagne e Francesc Eiximenis (séc. XIV)
(Universidade Federal de Goiás, 2025-03-28) Santos, Lara Fernanda Portilho dos; Souza, Armênia Maria de; http://lattes.cnpq.br/9441339482614419; Souza, Armênia Maria de; Magalhães, Sônia Maria de; Silva, Andréia Cristina Lopes Frazão da; Souza, Guilherme Queiroz de; Perin, Conceição Solange Bution
In this research we strive to make a comparison of the Speculum Dominarum (1304) and the Llibre de les dones (1396), both mirrors of Franciscan authorship dedicated for D. Joana de Navarra, queen consort of France and D. Sancha de Arenós, Countess of Prades in the Aragonese kingdom, respectively. Using the theoretical and methodological scope of the comparative method in History, we seek to observe, safeguarding the particularities of each of the sources, elements of similarity and/or distinction between the specula that, despite being distinct in spatial scope, become historical traces converging on the theme of women. From an investigation that initially seeks to understand the philosophical nature of the specular genre and its targeting of the late-medieval female audience, our analyzes move on to the conformation of the feminine ideals precepted in our sources and, after this, an individualized sociopolitical analysis in light of the historical conditions of each one. The mirrors that have the function of shaping ethical-moral values for society as a whole are rich historical traces, in the understanding of women as a heterogender social group, active and essential to the maintenance of medieval societies. Specifically our characters, to whom our sources are dedicated, it is possible to understand that under the ethical-virtuous discourse the legitimacy of the queen's governance power is consolidated (in the case of the Speculum Dominarum), while with the Llibre de les dones, it is possible to perceive through its social use the validation of the interests of D. Sancha de Arenós, in the light of a troubled marriage.
Pelas veredas dos cristais de rocha: as representações do sertão garimpeiro do antigo norte goiano na literatura regional
(Universidade Federal de Goiás, 2025-03-10) Rodrigues, Brendon Husley Rimualdo; Menezes, Marcos Antonio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antonio de; Souza, Rildo Bento de; Pinto, João Alberto da Costa; Silva, Moisés Pereira da; Ribeiro, Maria Espírito Santo Rosa Cavalcante
Over four decades of the twentieth century, between 1940 and 1980, northern Goiás was the stage of intense rock crystal extraction, a process that (trans)formed the social fabric of this vast geographical region. The sertão of mining camps attracted individuals from various Brazilian states and abroad, who entered the central-northern territory of Brazil driven by the frenzied and unrestrained pursuit of the coveted gemstone. In the novel Dueré: pelos garimpos de cristal de rocha (2020), Juarez Moreira Filho revives the landscapes and representations of the mining sertão through his literary narrative. At the same time, he evokes the socioeconomic and cultural substrata of the subjects and institutions present in the “great northern Goiás.” The author reflects on how his life and the experiences of others were shaped by the sertão and by the crystal mining enterprise. Although the exploitation of rock crystal left a profound mark on the region, little to no documentation about it exists in official records or academic research. In this dissertation, I problematize the lived experiences and customs of the mining sertão through the lens of Dueré, a work that brings together traces of the historicity of socioeconomic and cultural practices related to rock crystal mining in the former northern Goiás—an area that attracted thousands of people, wildly driven by dreams of easy wealth, and where villages, settlements, and cities came to life. To support the development of this dissertation, which emphasizes representations of the mining sertão, I gathered data and testimonies from diverse sources: narratives of people recounting lived experiences and witnessed events, books, dissertations, academic and scientific articles, newspaper reports, and even photographs. I engaged in dialogue with numerous authors whose work addresses the themes explored here, selecting excerpts that enriched and supported the meanings conveyed in my discourse. A multitude of texts and discourses intersected in the construction of this thesis, offering plural perspectives on the world, particularly on mining and its multifaceted dimensions. Through this exercise in interdiscursivity, I draw from, among others, the works of Juarez Moreira Filho (2020, 2013, 2012, 2010, 2009), Júlio Paternostro (1945), José Maria Audrin (1963, 1946), Carmo Bernardes (2005), Eli Brasiliense (1977, 1964, 1960), Luís Sabóia Ribeiro (1959), Sálvio Dino (1981), Bernardo Guimarães (1951), Maria de Lourdes Janotti (1992), Euclides Antunes de Medeiros (2012), and Sandra Jatahy Pesavento (2014, 2001, 1999). This dissertation is configured as a historical study, supported by literary contributions, of the vast sertão of the former northern Goiás (now the state of Tocantins), with an emphasis on the historical, social, political, and economic aspects that intertwine with symbolic systems which give meaning to sertanejo and mining identities. Objectivity and subjectivity coexist in the discourse of this work, sustained by the convergence of historical and literary languages. This blending of history and literature provided me with the analytical tools to explore the multiple elements constituting the systems of the vast sertão of Goiás, and most notably, of the rock crystal mining context. It was within this mining sertão that plural Tocantins identities were constructed
Bolsonarismo e população LGBTIA+: a violência como projeto de estado no Brasil (2013-2022)
(Universidade Federal de Goiás, 2025-03-28) Mariusso, Victor Hugo da Silva Gomes; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Oliveira, Alcilene Cavalcante de; Silva, Josefina de Fátima Tranquilin; Sousa Neto, Miguel Rodrigues de; Gomes, Aguinaldo Rodrigues
In this thesis, we analyze violence against the LGBTIA+ population in Brazil, based on the understanding that there is a structure that sustains this violence and that it was present — among other places — in the Bolsonaro government (2019-2022), which we consider an antiLGBTIA+ government. We examine the ways in which the State combats subjects/groups distinguished by their sexual and gender experiences that are dissonant from cisheteronormativity, as well as the place of the LGBTIA+ movements in this relationship. We find that violence against the LGBTIA+ population continues in Brazil, receiving support from the State, especially since the candidacy and victory of former President of the Republic, Jair Bolsonaro. We also realize that the printed media has given way to virtual means of communication, including digital social networks, transforming the ways of resistance of the press and social movements in their classical sense. The persistence of violence against the LGBTIA+ population is part of the process of reestablishing democracy and its stabilization/consolidation in the country, thus expressing one of its limits
De palácio a pocilga: uma história do Hospital Psiquiátrico Adauto Botelho de Goiânia (1954-1997)
(Universidade Federal de Goiás, 2025-04-07) Santos, Ronivaldo de Oliveira Rêgo; Silva, Luiz Sergio Duarte da; http://lattes.cnpq.br/4317054127961589; Silva, Luiz Sergio Duarte da; Maciel, Roseli Martins Tristão; Salomon, Marlon Jeison; Sugizaki, Eduardo; Allevi, José Ignácio
This doctoral thesis problematizes the trajectory of the Adauto Botelho Psychiatric Hospital in Goiânia, from the year of its opening (1954) to the processes that took it to its closure and wrecking (1997). In order to accomplish it, the notion of biopolitics is approached, by regarding that the institution was created as a governing population device after the confinement of the insane and unnatural individuals. The hypothesis is that the institution, from its opening until its closure, was used as a biopolitical device for governing the transgressor population, not only those considered insane, but also the poor and unnatural of all manners. Thus, one of its main missions was the cleaning and sanitation of streets and public areas. The primary sources utilized are unpublished photographs of the institution and journalistic news from several periodicals, such as Jornal de Notícias, O Popular, Folha de Goiás, and Correio Braziliense. The research analyzes the institution's internal documents as well, such as the regiment sketch, the overview of routines, documents produced by the Military Dictatorship, related to people complaints linked to the institution, and the OSEGO audit report. The thesis is organized into five chapters. The first chapter analyzes the dispute surrounding the notion of biopolitics, which can be analyzed based on the interpretations of Foucault made by Agamben, Esposito, and Mbembe. It also highlights its relationship with psychiatrization and how, from the mass internment to the most modern and sophisticated experiences, psychiatry has been developing and expanding as a device for governing the population. The second chapter retreats to comprehend the nuances of the relationship between psychiatry, eugenics, and mental hygiene, and underlining that the national policy of spreading psychiatric hospitals throughout Brazil developed on the thin line between eugenics and mental hygiene. Next, will be carried out a general presentation of the Adauto Botelho family in Sergipe, Paraná, Espírito Santo and Mato Grosso. The third chapter will problematize the goiano asylum, highlighting the context of its first decade and how it influenced not only the issue of managing insanity, but also mobilized the whole society. The fourth chapter will discuss the context of the dictatorship and how the Adauto Botelho Psychiatric Hospital in Goiânia became an abandoned institution that sheltered rejected people. Paradoxically, it was still in the early 1980s that the first stronger movements Looking for trying to reform the institution began to appear. In the same way, it was also during this period that the institution suffered a process of disciplinary medicalization through the formulation of internal rules. The last chapter analyzes the main endeavors to remake the institution mentality and structure, as well as based on political and real estate interests, the space became the object of dispute, which took to its closure and subsequent wrecking of the architectural space.
Do "Melting-pot" ao espírito clânico: a trajetória epistemológica de Oliveira Vianna (1932-1949)
(Universidade Federal de Goiás, 2024-11-08) Ribeiro, Alexandre Prates de Campos; Salomon, Marlon Jaison; http://lattes.cnpq.br/0631789010231492; Salomon, Marlon Jeison; Venancio, Giselle Martins; Almeida, Tiago Santos; Araújo, Karina Anhezini de; Valle, Ulisses do
This is a thesis about the ideas of Oliveira Vianna as a social scientist, with the greater historiographical intention of shedding light on the understanding of the beginnings of social sciences in Brazil. This presupposes studying certain authors and their texts that are in an intermediate place between a personal opinion and objective propositions that are equally valid in various consciousnesses; or between the essay/literature and the scientific text as we understand it today. Thus, as a historiographical option, there are no peremptory judgments in this thesis about whether a proposition is scientific or not, or whether an author is a scientist or not. This research highlights historical mechanisms of epistemological development of social sciences in Brazil, focusing on the trajectory of the lawyer and sociologist Oliveira Vianna. I divided his trajectory into three phases, with the publication of three works specifically as a time frame: Populações Meridionais do Brasil (1920), which marks the essayist phase; Raça e Assimilação (1932), from his naturalist phase; and Instituições Políticas Brasileiras (1949), culturalist phase. My problematization is centered precisely on a certain epistemological conversion that occurred in Vianna, from naturalist in 1932 to culturalist in 1949. I argue that there are mechanisms within the community of Brazilian, European and American social thinkers, even at a not yet institutional stage, that mitigate idiosyncrasies, prejudices and personal choices of individuals who propose to produce science. There is a global circulation of ideas, a general communicability between individuals who produce science independently of the intermediation of institutions. There is a becoming specific to sciences that have a relative degree of autonomy in relation to social history, with their own temporality and logic. This work, situated within the scope of the history of ideas, aims to understand these mechanisms through research into the intellectual trajectory of Oliveira Vianna, the analysis of his ideas and, mainly, the establishment of connections between the studied author and the general propositions of Sociology and Ethnology as established sciences.
Cemitérios Amazônicos: um estudo sobre os espaços funerários do Estado do Amapá - Séculos XXXXI
(Universidade Federal de Goiás, 2024-10-30) Silva , Tiago Varges da; Borges, Maria Elizia; http://lattes.cnpq.br/0672444382021221; Borges, Maria Elizia; Carneiro, Maristela; Reis, Marcos Vinicius de Freitas; Santos, Cícero Joaquim dos; Langaro , Jiani Fernando
The history of the cemeteries of the state of Amapá, built throughout the twentieth century and the beginning of the twenty-first century, as well as their sepulchral and tomb complex and the funeral rituals developed in these spaces, is the central theme of this thesis. Therefore, the Ritual of Castilho and the Ritual of Illumination of the Dead comprise the objects of analysis of the research. A diversity of cemetery typologies, such as public, riverside, quilombola, and Israeli cemeteries forms Amapá's cemeteries. The constitution of these funerary spaces is linked to the historical processes of colonization and occupation of the territory of Amapá. We propose to understand the origins of these cemeteries and their relations with such historical and social movements, which contributed to the formation of the state of Amapá and, consequently, its funerary culture. These Amazonian funerary spaces, except Israeli cemeteries, are formed for a plurality of tombs, characterized by their vernacular art, quite diversified in the use of materials such as wood and masonry, used in the construction of their architecture and adornment. Among the various tomb typologies found in these cemeteries, the modality of castilho tombs is the most unique and representative of the Amapá’s cemeteries. The castilhos are pre-molded tombs placed in graves, both of adults and children, amid a ritual practiced in several cemeteries in Amapá. Based on a photographic survey carried out between 2016 and 2024, we propose an analysis of the cemetery typologies and tomb categories, analyzing the history of these spaces. In this way, the construction of the Amapá’s cemeteries was analyzed from the historical perspective throughout the formation of the state of Amapá. The results of the research demonstrated that the Amapá’s cemeteries, in addition to being funerary spaces indispensable in the daily life of practice, are also fundamental historical, social, and cultural records through which it is possible to tell the story of the formation of several Amapá cities.
Em busca de um Brasil Moderno: o ensaísmo histórico de Azevedo Amaral (1906 – 1941)
(Universidade Federal de Goiás, 2024-10-31) Rodrigues, Douglas Pereira; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845; Langaro, Jiani Fernando; Serpa, Élio Cantalício; Coelho, George Leonardo Seabra; Berbert Júnior, Carlos Oiti
The aim of this study is to present an interpretation of the life and work of the journalist and intellectual Azevedo Amaral. Placed in the "shadow of history" due to his authoritarian worldview, his work fell into obscurity. However, from the 1980s onward, it has been recovered by historiography interested in studying the nature of authoritarian regimes of the 1930s, positioning him as one of the main authoritarian ideologues of that period. With a successful career in the Rio de Janeiro press in the early 20th century, he became one of the most well-known journalists of the time, being invited to join the group of intellectuals who published in Cultura Política, the official magazine of the Department of Press and Propaganda of the Estado Novo. This work, in turn, seeks to provide a new interpretation of his work, presenting an approach that goes beyond the "authoritarian canon" established by historiography. Azevedo Amaral is considered here an essayist who conceived an idea of modern Brazil through the study of the past and colonial roots. It is from this perspective that his entire conservative and authoritarian worldview is constructed. Therefore, it is an interpretation of the foundations of his political thought
Diogo do Couto (1542-1616), cronista e guarda-mor da casa do Tombo de Goa, e a interpretação sobre a possibilidade de sobrevivência do Estado Português da Índia
(Universidade Federal de Goiás, 2024-12-16) Marinho, Elby Aguiar; Santos, Dulce Oliveira Amarante dos; http://lattes.cnpq.br/2317207486041256; Santos, Dulce Oliveira Amarante dos; França, Jean Marcel Carvalho; Silva, André Costa Aciole da; Gonçalves, Ana Teresa Marques; Nascimento, Renata Cristina Sousa
Diogo do Couto (1542-1616) was a Portuguese chronicler who, in his early years, lived at the court of Infante D. Luís (1506-1555). During this time, he began his studies and witnessed what he considered to be “times of glory.” However, most of his life was spent in the Portuguese State of India, where he held various positions—ranging from soldier to chief keeper of the Tombo of Goa and official chronicler of the deeds in Asia—discussed in his Décadas. Among the key characteristics of his writing are the denunciations regarding the disorderly conduct of the Portuguese and the "abandonment of India," which he believed posed a serious threat to the empire’s stability, already weakened by the rise of other powers both from Asia and Europe.It is at this point that he gains an important characteristic: having lived in Asia for years, Diogo do Couto suggested actions that should be taken by the authorities to save the State of India.Among many reflections, specific points stand out: the defense of a powerful fleet at sea, the maintenance of strategic fortresses, and the upkeep of peaceful relations with the Eastern peoples who were their neighbors and engaged in the rich spice trade. These should be the central focus of the reorganization of the State of India. This would ensure the continued Portuguese presence in Asia
Defender a ordem desordenando: o povo como sujeito da história e a questão do decoro na História Geral da Invasão dos Franceses de José Acúrsio das Neves (1810-1811)
(Universidade Federal de Goiás, 2024-10-18) Oliveira Júnior, José Alves de; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Salomon, Raquel Machado Gonçalves Campos; Neves, Lúcia Maria Bastos Pereira das; Sá Júnior, Luiz César de; Vojniak, Fernando; Sinkevisque, Eduardo
The aim of this thesis is to analyze the representation of the people in the História Geral da Invasão dos Franceses (1810-1811) by José Acúrsio das Neves (1766-1834) and its effects on the representation of the hierarchical order of the Old Regime. Considering that the emergence of the people in the historian's political-military account is, above all, a modification in the seventeenth and eighteenth century ways of representing war in history. Such changes meant subversions in the decorum of historical art in its representation of the war event. In the 17th century, the writing of history was subject to the precepts of ancient rhetoric, with the idea of decorum as the basic premise for the selection and representation of themes in the narrative. Decorum established specific modes of treatment according to genres and hierarchies, determining appropriate rhetorical places for noble and common characters. Through this rhetorical procedure, military heroes, or “greats,” figured as central subjects in the accounts of the Restoration of 1640, because they were considered to lead the relevant events in politics and war and decide the fate of society. The writing of military history expressed its commitment to a certain conception of history and to the sharing of the sensible (Jacques Rancière) of that community. In the historiographical work of Acúrsio das Neves, the 17th-century staging of the war would be compromised by the subversion of decorum and the change in the discourse about the people, who were understood as the third estate or plebs. The transformation of the people into a theme or subject in the history of the Restoration of 1808 caused contradictions and disorders in the representative logic of society. By modifying the criteria for evaluating heroism, Acúrsio das Neves altered the relationship between the writing of history and the hierarchical constitution of the community, between the effects of words and the distribution of social bodies.
Um modo de ver moderno/colonial: natureza, raça e a dimensão visual da colonialidade nos filmes de John Ford (1939 – 1964)
(Universidade Federal de Goiás, 2024-03-27) Reis, Lucas Henrique dos; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Santiago Júnior, Francisco; Name, Leo; Spini , Ana Paula; Capel, Heloísa Selma Fernandes
Considering vision as a historical and cultural experience, the aim of this thesis is to analyze the characteristics of a specific modern/colonial way of seeing. The proposal is to identify and examine the visual dimension of modernity/coloniality, the coloniality of seeing, and understand how this visual experience is constructed. To do so, cinema is chosen not as a mere support, but as an integral part of the mechanism of coloniality. In order to carry out our analysis, it was examined a group of American Western films directed by John Ford (1894-1973) using film and dialogue analysis methodology along with other groups of images, such as photographs, paintings, and cinema magazines. Western films are mostly stories that romanticize the process of conquest and colonization of what is now the West of the United States. For this thesis, the selected films constitute only a sample of Ford's filmography; they are: “Stagecoach” (1939), “My Darling Clementine” (1946), “Fort Apache” (1948), “She Wore a Yellow Ribbon” (1949), “Rio Grande” (1950), “The Searchers” (1956), “Sergeant Rutledge” (1960), and “Cheyenne Autumn” (1964). Through the choosen films, the analysis addressed categories such as nature, landscape, race, and whiteness, as well as notions of point of view, visuality, and vision — the latter being an important element in the discourse of modern science and important to understand how films participate in the constitution of this modern/colonial way of seeing. In the research, it was identified that this way of seeing is, among other things, anthropocentric and racist/racializing. Furthermore, the work also sought to relate this modern/colonial way of seeing with indigenous perspectives, aiming to propose a decolonial alternative to the coloniality of seeing, not only through the production of new images but also through new experiences of vision and spectatorship.
Política, emoções e gênero na literatura fantástica e de ficção científica de autoras brasileiras (1899-1954)
(Universidade Federal de Goiás, 2024-03-21) Santos, Danielle Silva Moreira dos; Santos, Ana Carolina Eiras Coelho dos; http://lattes.cnpq.br/6593268782293837; Soares, Ana Carolina Eiras Coelho; Ferreira, Tânia Maria Tavares Bessone da Cruz; Wolff, Cristina Scheibe; Ribeiro, Maria do Espírito Santo Rosa Cavalcante; Fredrigo, Fabiana de Souza
Rejected by both historiography and "canonical" literature, various female writers and intellectuals remained on the fringes of history. However, this silence has been progressively broken due to gender studies, which have brought to light perspectives and figures previously obscured in the traditional historical narrative. By engaging in writing, reflecting, and dialoguing with the society of their times, many women have demonstrated their presence and political action, despite the historical reluctance to recognize them as political subjects or writers. Among them, names from the fantastic literature in Brazil such as Emília de Freitas, author of "A Rainha do Ignoto" (1899), Adalzira Bittencourt, who wrote "A presidente da República no Ano de 2500" (1929), and Ada Curado, with "O sonho do pracinha" (1954), challenged the literary canon with narratives that propose alternative realities marked by equality and female leadership across different regions of Brazil. From their worldviews, they produced stories where utopia and emotions merge into acts of political resistance. This thesis aims to analyze the construction of a political pedagogy of emotions through fantastic literature by female authors and periodical press in Republican Brazil between the late 19th and early 20th centuries, establishing a dialogue with theorists of gender and emotions.
História das casas de Goiânia, de 1930 a 1950: as faces contínuas e descontínuas do morar “erudito moderno” e do “morar ordinário”
(Universidade Federal de Goiás, 2023-10-26) Oliveira, Simone Borges Camargo de; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais , Cristiano Pereira Alencar; Boaventura, Deusa Maria Rodrigues; Peixoto, Elane Ribeiro; Langaro, Jiani Fernando; Menezes, Marcos Antônio de
This thesis emanates from a personal interest concerning human habitation, the locus of the “everyday experience of mankind”. It concentrates on concepts of "domicile," the "residence," and the act of "dwelling" – the commonplace inhabitation of the ordinary individual – together with the erudite inhabitation within the city of Goiania. The time frame is set between the 1930s and 1950s, in addition to studies up to the present time. Regarding the thesis relevance, despite previous meaningful work, goianiense historiography needs studies focusing on housing, the act of "dwelling” and new perspectives on habitation such as the one I am proposing. I intend to identify different social groups and the places of occupation of common “ordinary” houses – the segregated, informal city - and the erudite residences within the planned urban setting – the formal city. The dissertation is structured into three chapters. The first is dedicated to considerations that establish the theoretical foundation upon which the thesis is composed. The second has three sections: The initial one centers on the rhetorical discourse that legitimizes the capital shift. The second comments on the different aspects of the three plans within Goiania from 1933 to 1938, highlighting the correlation between dwelling typologies, territorial space, and its use, to understand the establishment of place and social group arrangements. The last one describes the typologies and architectural languages of public buildings and erudite houses built by the government for employees in the Central District, popular houses in the North District, and the ones built by private individuals. In addition, clarify the definition and classification of “Casas-Tipo”. The last chapter addresses ordinary common house considering modern city segregation. Furthermore, presents case studies from various locales to identify social groups and dwellings with discernible remnants in: Campinas, Worker’s Village-Campinas; the banks of Córrego Botafogo - Bota Fogo de Baixo (Vila Nova and Nova Vila Districs), East region; banks of Córrego Capim Puba, Northern Railway District. In writing the narrative, I developed numerous interpretative possibilities that unfold unexplored paths about the historiography of distinct modes of habitation among the residents of Goiania. To achieve this, I examined conceptual frameworks and documentary sources, where I encountered many publications concerning “erudite” residences. However, a comparable depth of information on popular houses, common individuals, and their ancestral knowledge is notably absent. I walk through several locations in the city searching for evidence of the common men, committing to deconstruct Goiás historiography to rebuild it. To achieve this, a specific methodology for this thesis is needed. Therefore, I conduct quasi-archaeological work by confronting primary imagery sources with primary written sources and the small signs left by these documents. I create mosaics and thus discover locations, types of buildings, and social groups. By this, I formulate four distinct study methodologies to identify the traces, the small gaps, which is the solution found for the process of collating the set of information that was obtained throughout the research

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