Doutorado em História (FH)

URI Permanente para esta coleçãohttp://200.137.215.59/tede/handle/tde/284

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O veredito de papel : o livro Inferno em Sobibor e a responsabilização de fugitivos nazistas no Brasil (1968-1979)
(Universidade Federal de Goiás, 2026-04-17) Santos, Átila Fernandes dos; Salomon, Raquel Machado Campos Gonçalves; http://lattes.cnpq.br/2245138184521600; Salomon, Raquel Machado Campos Gonçalves; Gomes, Ivan Lima; Braga, Sabrina Costa; Carvalho, Bruno Leal Pastor de; Caldas, Pedro Spindola Pereira
This thesis investigates the circulation of the work Inferno em Sobibor (1968–1979), by Stanislaw Szmajzner, analyzing it as a central apparatus in the process of criminal accountability of Nazi fugitives in Brazil. The research problem lies in the transformations of this memorialistic account: from a survival narrative to a book used as a piece of accusation in newspapers and legal proceedings. The purpose of the study is to understand how Szmajzner's memory was transformed into a book and, through an editorial project, established itself as an instrument of justice that broke the silence surrounding the presence of war criminals on Brazilian soil. The methodology is based on the analysis of the editorial paratexts of the 1968 and 1979 editions, as well as the investigation of the work's circulation in newspapers and magazines (Jornal do Brasil and Manchete). The findings reveal that the success of Inferno em Sobibor was not merely literary, but the result of a symbiosis between the testimony and the media machine of the Bloch Group, which projected Szmajzner as the "witness who proves." The research highlights Szmajzner's centrality in the extradition process and the subsequent strategic use of his work in the trial of Franz Stangl, as well as in the public unmasking of Gustav Wagner. It concludes that the text integrates the inaugural movement of literature by Jewish survivors of World War II in Brazil, converting traumatic memory into an active instrument to combat impunity and a necessary ethical alert in the face of the recurrence of racial hatred in contemporary times.
Os quilombos de Lavrinhas: memória, fronteira e interculturalidades no Alto Tocantins
(Universidade Federal de Goiás, 2026-03-24) Ferreira, Gleisson; Magalhães, Sônia Maria de; http://lattes.cnpq.br/8841367325340262; Magalhães, Sônia Maria de; http://lattes.cnpq.br/8841367325340262; Araújo, Alexandre Martins de; http://lattes.cnpq.br/6195011167649888; Coelho, George Leonardo Seabra; http://lattes.cnpq.br/8547171534862098; Almeida, Maria Juliana de Freitas; http://lattes.cnpq.br/0187785006984056; Nazareno , Elias; http://lattes.cnpq.br/1486334927436240
This dissertation investigates the quilombola communities of the Lavrinhas de São Sebastião region, located in the Upper Tocantins, north-central Goiás, analyzing their memories, territorialities, and intercultural dynamics through the lens of Environmental History. The study is based on the narratives recorded by Carlos Pereira de Magalhães in Cartas de Goiás (1918– 1925), complemented by contemporary testimonies and field research, to understand the historical process of quilombo formation and the cultural and ecological dynamics that shaped these communities. The research seeks to comprehend how Black, Indigenous, and European populations, through their interactions in the former Lavrinhas land grant (sesmaria), developed specific forms of environmental adaptation, creating an ecological rootedness — a concept adopted from Alexandre Martins de Araújo — that intertwines traditional knowledge, resistance, and cultural continuity. The methodology combines Oral History, discourse analysis, and the interdisciplinary approach of Environmental History, articulating documentary sources, collective memories, and literary records. The study proposes to understand Lavrinhas as a space of multiple frontiers — territorial, cultural, and symbolic — where identities and alterities were shaped by encounters and conflicts among diverse groups. The analysis of testimonies and historical documentation revealed elements of a possible Quilombola Confederation in the Upper Tocantins, as well as evidence of exchanges among descendant communities such as Pombal, Laguna, Tomás Cardoso, and João Borges Vieira. The findings indicate that the quilombola communities of the region embody living expressions of resistance and cultural preservation, whose historicity transcends contemporary affirmative policy frameworks, reinforcing the historical legitimacy of their identity claims. The study concludes that Lavrinhas de São Sebastião functioned as a core center of socio-cultural and environmental relations that gave rise to several quilombos in the region, constituting a territory of shared memories and dynamic interculturalities. This research contributes to the historiographical debate on the settlement processes in Goiás, broadening the understanding of the relationships among memory, environment, and Afro-descendant identity in central Brazil.
Labirinto de tempos perdidos: experimentações estéticas e interpretações históricas no ciclo dramatúrgico Marta, a Árvore e o Relógio, de Jorge Andrade (1951-1969)
(Universidade Federal de Goiás, 2025-12-10) Araújo, Sandra Rodart; Abdala Júnior, Roberto; http://lattes.cnpq.br/7014946989727038; Abdala Júnior, Roberto; http://lattes.cnpq.br/7014946989727038; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Silva, Ademir Luiz da; http://lattes.cnpq.br/7707506683519747; Reinato, Eduardo José; http://lattes.cnpq.br/9142540932437553; Oliveira, Eliézer Cardoso de; http://lattes.cnpq.br/4351929916837359
This dissertation investigates the work of the playwright Jorge Andrade (1922–1984), with an emphasis on the analysis of the cycle Marta, the Tree and the Clock, a dramaturgical set composed of ten plays written between 1951 and 1969. This cycle constitutes the central focus of the research, which seeks to understand how Andrade weaves together, within it, the historical, theoretical, and aesthetic questions that profoundly shaped his production. Drawing on a close examination of the plays, the dissertation analyzes the historical influences that permeate the cycle—especially the formation of São Paulo shaped by agrarian conflicts, the tensions between tradition and modernity, and the crisis of the coffee-growing elites. It also investigates the stylistic choices and narrative strategies employed by the playwright, with particular attention to the ways in which he articulates past, present, and future.
O Anarquismo Misterioso de Max Nettlau: um projeto de Insubordinação e Renovação da Cultura
(Universidade Federal de Goiás, 2026-03-04) Alves, Ricardo Lenard; Silva, Luiz Sérgio Duarte da; http://lattes.cnpq.br/4317054127961589; Guerra, Francesco; Duarte, Ricardo Diogo Mainsel; Pedro, Felipe Corrêa; Penna, Mariana Affonso
The cultural and engaged orientation of the anarchist historian Max Nettlau (1865–1944) is emphasized. In this vein, his notion of a “mysterious anarchism” would designate an open-ended project for the various libertarian epithets (Panarchy), aimed at addressing the unpredictabilities of the post-revolutionary context. The supporting bibliography used comprises all available sources, especially those by Rudolf Rocker, Manfred Burazerovic, and Bert Altena. The work is divided into three main parts: The Limits of Mystery, Insubordination, and Cultural Renewal. The Limits address the intellectual causes and effects of the notion of mystery. Insubordination presents the rational and ethical dimension of the anarchist individual. Cultural Renewal, in turn, relates to the aesthetic-creative, tactical, and operational elements of the project. Finally, it is concluded that Nettlau sought to rationalize anarchist militancy in order to increase the efficiency of its dissemination.
"Eu moro embaixo do meu chapéu": disputas fundiárias, culturais e memoriais na construção de Palmas (1988-2002)
(Universidade Federal de Goiás, 2024-12-18) Lima, Eduardo José Silva; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845; Langaro, Jiani Fernando; Parente, Temis Gomes; Calvo, Célia Rocha; Gomide, Cristina Helou; Oliveira, Eliene Dias de
This dissertation explores the land, cultural, and memorial disputes involved in the construction and consolidation of Palmas, the capital of Tocantins, from 1988 to 2002. Focusing on the occupation of the northern region and the migration of workers, this study investigates the formation of a local identity marked by resistance and the struggle for dignified housing in a planned city shaped by a prosperity ideology favoring specific population sectors. Through oral history methodologies and documentary analysis, the research reveals how migrant workers contributed to the construction of Palmas while facing marginalization, prejudice, and the stigma of occupying areas considered “dangerous” and “irregular.” The narrative highlights the Vila União neighborhood as a symbol of struggle and survival amid urban segregation, where land and urban resources were used as instruments of social exclusion. The study also examines the inequality between the northern and southern regions of the city and how public policies shaped this process of occupation and territorial division. This work contributes to the discussion on the history of Brazilian cities and the importance of migrant voices in constructing urban memories and identities.
O espaço de conflito: casamento e poder nas tragédias de Lúcio Aneu Sêneca (século I d.C.)
(Universidade Federal de Goiás, 2024-12-16) Silva, Jéssica Honório de Oliveira; Omena , Luciane Munhoz de; http://lattes.cnpq.br/0630395552910286; Mota, Thiago Eustáquio Araújo; http://lattes.cnpq.br/6734461367198403; Lessa, Fábio de Souza; http://lattes.cnpq.br/4539778887434465; Silva, Semíramis Corsi; http://lattes.cnpq.br/9330942433476742; Gonçalves, Ana Teresa Marques; http://lattes.cnpq.br/7049736226460820; Omena, Luciane Munhoz de; http://lattes.cnpq.br/0630395552910286
The present doctoral thesis aims to investigate marriage in three of Seneca's tragedies: Medea, Phaedra, and Agamemnon. The research seeks to understand marriage in these tragedies by examining its relationship with power, reason, and passions. To achieve this, the study conducts an analysis of the Latin lexicon to comprehend the philosopher's choices in the poetic genre and how they construct the concept of marriage within Seneca's worldview. Considering the fundamental importance of gender roles in understanding marriage from the Roman philosopher's perspective, the study focuses on the couples from the plays: Medea and Jason; Phaedra and Theseus; and, lastly, Clytemnestra and Agamemnon. Additionally, it is crucial to investigate the historical and philosophical elements that intersect with the research subject, such as Stoic ethics, which emphasize that all human actions should follow nature, as well as the concepts of reason and passion expressed through adultery, marital repudiation, intrafamilial crimes, ancestral repertoire, family legacies, modes of exercising power, desire, passion, moderation, order, and disorder. The research concludes that the portrayal of marriage in Seneca’s works is disordered because the actions of husbands and wives counter the natural order. For instance, the principle that the stronger/better should govern the weaker/lesser (i.e., husbands should lead their wives – duco uxorem) is often overturned. In this context, individual interests should not outweigh the common good, as this, in Seneca’s view, would represent a lack of control over sexual and emotional desires. Finally, the thesis addresses the question of whether there is an ethics of marriage in Seneca's tragedies. The answer is negative, as Seneca does not establish a specific system of guidelines for marriage. Instead, he incorporates it into the broader framework of precepts governing all social relationships.
Patrimônio em disputa: estudo de caso do antigo Grande Hotel em Goiânia-GO
(Universidade Federal de Goiás, 2025-10-01) Souza, Priscila Queiroz de; Campos, Yussef Daibert Salomão de; http://lattes.cnpq.br/7307745252496902; Campos, Yussef Daibert Salomão de; http://lattes.cnpq.br/7307745252496902; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845; Oliveira, Guilherme Talarico de; http://lattes.cnpq.br/5666265974740825
This dissertation investigates the challenges faced by managers and institutions in preserving the former Grande Hotel de Goiânia as a cultural heritage asset, highlighting its significance as a space of memory in the city’s history. Designated as a heritage site at the municipal, state, and federal levels, the building has become a landmark in the official narrative of modernity and progress associated with the construction of Goiânia. However, such recognition did not translate into effective protection, resulting in conflicts among the responsible institutions and in uses that often undermined its historical and symbolic value. The research adopted a case study methodology, articulated through the triangulation of sources, combining documentary survey, bibliographic review, and the analysis of records from the National Institute of Historic and Artistic Heritage (IPHAN), press articles, and academic works. This approach made it possible to examine the Grande Hotel in its uniqueness and in the multiple dimensions of its trajectory, valuing different perspectives on its patrimonialization. The findings reveal that the trajectory of the Grande Hotel exposes tensions inherent in the field of heritage: the gap between legal recognition and material preservation; the dispute over meanings attributed to the cultural asset; and the difficulty of reconciling political, social, and economic interests in the management process. The case of the Grande Hotel exemplifies the contradictions of heritage policies in Brazil while reinforcing the importance of approaches that integrate memory, identity, and social participation in the safeguarding of cultural assets.
“Sacrários da saudade”: arte funerária, memória e sensibilidades nas igrejas e cemitérios do Piauí (1854 -1954)
(Universidade Federal de Goiás, 2025-08-14) Rosa, Mariana Antão de Carvalho; Borges, Maria Elizia; http://lattes.cnpq.br/0672444382021221; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Borges, Maria Elizia; http://lattes.cnpq.br/0672444382021221; Santos , Cícero Joaquim dos; http://lattes.cnpq.br/4970627821671141; Andrade Júnior, Lourival; http://lattes.cnpq.br/2227836576507822; Guimarães, Lêda Maria de Barros; http://lattes.cnpq.br/1491866271915819
His study aimed to identify and catalogue funerary art present in nineteenth-century churches and cemeteries in Piauí, understood as material culture that provides access to the memories and sensibilities of men and women of a past era. For this purpose, visits were made to some of the oldest towns in the state, to their churches and early cemeteries. In each of these places of remembrance, tombstones and graves were photographed, taking into account the chronological framework between 1854 and 1954. The notions of sensibility, iconography, and iconology, as well as the memory of places and spaces, served as guiding concepts for reflections upon the three-dimensional images encountered along this path. As a working hypothesis, the research noted that the prohibition of burials inside churches and the establishment of cemeteries within towns, villages, and settlements of Piauí contributed to changing attitudes and meanings regarding death and finitude, while simultaneously revealing the ongoing process of secularization. Conversely, cemetery art—through the use of angels, crosses, and epitaphs— attests to the persistence of nineteenth-century practices of care for the memory of the deceased and to the affirmation of belief in eternal life.In the centuries-old temples, a total of 56 (fifty six) sepulchral tombstones were recorded, made from a variety of materials such as lioz stone (more commonly found in the church of Parnaíba), Carrara marble, white marble (noted in later tombstones), and other unidentified stones, thus revealing the prevalence of eclecticism in their composition. Regarding cemeteries, at least two typologies were observed among those founded in the nineteenth century: (a) cemeteries constructed in marble or of a predominantly monumental character, and (b) cemeteries built of cement, stone, and lime, or simply masonry.Each artifact encountered constitutes a construction of affection, understood also as a shrine of the most poignant and bitter longing for the departed. For this reason, all the narrative and iconographic elements that compose them must be recognized as belonging to an artistic, architectural, and heritage universe that reveals much about the sensibilities toward the dead and the expectations of the afterlife experienced by the society of Piauí that produced them
Nem recôncavo, nem reconvexo: o movimento Tropicália como prática cultural brasileira e seus pontos de interseção com o samba e com a tradição da música popular brasileira
(Universidade Federal de Goiás, 2025-09-09) Teixeira, Davi Ebenezer Ribeiro da Costa; Nazareno, Elias; http://lattes.cnpq.br/1486334927436240; Nazareno, Elias; Mello, Maria Therezinha Ferraz Negrão de; Clímaco, Magda de Miranda; Rosa, Robervaldo Linhares; Abdala Junior, Roberto
This thesis set out to research the Tropicália or Tropicalismo movement, presenting its points of intersection with the Brazilian Popular Music scene in the late 1960s and early 1970s. It sought to understand the proposal of tropicalist songs with reference to the musical heritage of tropicalists Caetano Veloso, Gilberto Gil, and Tom Zé, as well as their ways of thinking about Brazilian culture and popular music. It was observed that these tropicalists constantly refer to certain musical genres, such as samba and bossa nova, and that these genres represent a tradition or foundation of Brazilian Popular Music. With this consideration, the existence of two traditions in Brazilian culture was conceived: an “ancestral” tradition, less perceived and noticed, and another, more present and evident in the musical scene in which MPB is inserted. Based on musical analyses and listening to some tropicalist songs, such as Tropicália, by Caetano Veloso, and Domingo no parque, by Gilberto Gil, it was found that the diversity presented by this song is related to the proposal to establish dialogues within the Tropicália movement. Thus, the two traditions pointed out in the cultural fabric coexist in the sound structure of tropicalist songs. Given this perception of a non-hierarchical approach to musical genres and styles on the part of the tropicalists, the research demonstrated points of convergence and divergence between the Tropicália movement and Brazilian Popular Music at that period. To investigate the musical scene of the time, a broad methodology was sought, covering bibliographic and documentary research, interviews available in newspapers, magazines, and streaming services, as well as analysis and interpretation of some selected musical productions, always observing the interaction that the chosen musical practices, including tropicalist songs, establish with the Brazilian historical-cultural scene. Among some considerations, from points of intersection between Tropicália and Brazilian Popular Music, it was found that the tropicalists converged with MPB in recognizing samba and bossa nova as genres representing a more notable tradition in the cultural scene. However, in seeking to avoid the hierarchization of musical genres and styles, the tropicalists fought against the elitism of MPB that was established at the time.
Terra garbosa, cercada de morros para se enfeitar: a cidade de Morrinhos imaginada pela história pública local (1968-2023)
(Universidade Federal de Goiás, 2025-02-27) Alves, Wesley Ribeiro; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845; Langaro, Jiani Fernando; Meira, Júlio Cesar; Oliveira, Hamilton Afonso de; Nicolini, Cristiano; Berbert Júnior, Carlos Oiti
This thesis aims to analyze the work of local public historians in the city of Morrinhos and how these authors influenced the social imagination of the municipality between 1968 and 2023. Over this period, various intellectuals produced books and texts about local history. Not all these authors had specific training in history or worked as professional historians. The thesis analyzes these writers from the field of public history, understanding it as a typology that allows for a series of reflections on the relationship between history and the public. This public is understood not only as a consumer of history but also as a producer of this history. The research argues that it is necessary to understand these intellectuals as local public historians and not just as memorialists, to promote greater dialogue between academia and the public. The epithet of memorialists is not sufficient to understand the various dimensions of the work of local writers. In this context, it is recognized that local public historians have their own genre and style, distinct from those adopted in academic historiography, but guided by a method and dialogue with documentary sources. The methodological and narrative choices of local public historians ended up solidifying the representation of a city guided by cultured political leaders concerned with the development of the municipality, oriented towards progress, and standing out as a center of education and culture in the state, to the point of being known as the Athens of Goiás. By crossing the accounts of these local public historians with academic research, it is observed that these representations ended up neglecting the social tensions and conflicts inherent in the city's development. Moreover, the narrative of local public historians does not include all sectors of the population that do not fit into the history of prominent figures. These authors participate in a circulation network, where not only works but also the ideas circulate through the city of Morrinhos. Institutions such as the Dramatic and Literary Society of Morrinhos and the Morrinhense Academy of Letters promote events and publish periodicals based on the ideas and work of local public historians, influencing a project conducted by the state government that reached a significant portion of Morrinhos' inhabitants. Thus, the research path allows revisiting the historiography produced outside university walls from a new perspective.
Nacionalismo e pragmatismo tecnogrático em Roberto Campos: um estudo sobre a sua trajetória intelectual e institucional no período 1951-1959
(Universidade Federal de Goiás, 2025-07-31) Aranha, Francisco Arantes; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Pinto, João Alberto da Costa; Almeida, Rafael Galvão de; Silva, Êça Pereira da; Barbosa, Walmir; Maciel, David
This research analyzes the intellectual and institutional trajectory of Roberto Campos (1917–2001), with particular emphasis on his role as economic advisor to the Brazil– United States Joint Commission (1951–1953), as an executive of the National Bank for Economic Development (1952–1953), managing director (1956–1958), and president of the institution (1958–1959). The period under examination is decisive for understanding both the formulation and the crisis of the “non-nationalist” strand of developmentalism present in his work. It allows us to situate Campos as one of the leading architects of the technical and institutional conditions that enabled the integration of Brazilian capitalism into international capital. The research is grounded in the thesis that Campos should be understood not as a bourgeois figure, but as a managerial actor within the dominant classes of Brazilian capitalism. His objective was to organize and control the technological integration of the national economy through a technocratic and productive management of the general conditions of production—within which the State played a central role. In this process, Campos elaborated significant categorical structures that endowed his intellectual output with coherence and expressed the technocratic worldview of the dominant capitalist class of managers. This perspective diverges from the prevailing literature, which generally portrays Campos as a subordinate technician or functional intellectual aligned with the interests of monopoly capital, without recognizing him as part of the dominant capitalist class. The analysis combines an examination of his institutional roles with the internal logic of his writings, drawing on Lucien Goldmann’s genetic structuralist method. The dissertation is divided into two main parts, dedicated to Campos’s experiences in the Joint Commission and the BNDE, and it sheds light on how he contributed to the consolidation of a technocratic and “nonnationalist” developmental rationality in 1950s Brazil.
O Colégio Pedro Gomes entre projetos de modernidade e práticas educacionais subjetivas: uma perspectiva a partir das memórias de Lígia Rebelo (1956-1966)
(Universidade Federal de Goiás, 2025-02-21) Machado, Vinícius Felipe Leal; Borges, Maria Elízia; http://lattes.cnpq.br/0672444382021221; Souza, Armênia Maria de; Capel, Heloísa Selma Fernandes; Souza, Rildo Bento de; Dias, Ana Raquel Costa; Ribeiro, Míriam Bianca do Amaral
Founded in 1947, “Colégio Estadual Professor Pedro Gomes”, also known as “CEPPG”, was the first public secondary education institution (equivalent to high schools) in the neighborhood, of Campinas, the old city from which Goiânia originated. Lígia Maria Coelho Rebelo was the school principal, in this institution, between 1956 and 1966. The implementation of the then “Ginásio Estadual de Campinas” (an elementary state school, the previous form of CEPPG), in 1950, represented a paradigmatic element of modernization that impacted the region, leading, in the following years, to sociopolitical developments that culminated in the main expansion that occurred in the history of the institution, in 1960. Under the leadership of Lígia Rebelo, “Colégio Pedro Gomes” established a substantial part of its material and symbolic foundations that would lead it to achieve a position of great visibility and prestige within the group of public schools in the State of Goiás. The thesis supported by this work is that Lígia Rebelo's management was responsible for conducting administrative and political-pedagogical processes – subjective educational practices – that reflected, within the school, the external processes of socioeconomic modernization promoted by the government, in Goiás and in the country as a whole. So, we discuss the interrelationship between this processes, that resulted in the expansion of infrastructure and the broadening of the scope of educational activities offered and the conduction of subjective educational practices that contributed to the construction and consolidation of the school culture and the institutional identity of the school. In this sense, this work analyzes the implementation of the project that gave rise to the school's marching band and the political-educational dimensions acquired by the student union. Based on the analysis of institutional documents, publications in periodicals, like newspapers of that time, besides documents from Lígia Rebelo's personal memoir archive, this research investigates the hypothesis that the director was successful in the roles of educator and bureaucrat, thereby managing to benefit from a network of political contacts that guaranteed her a favorable position in society, extending it to the institution under her tutelage. Thus, Lígia Rebelo established the merit of having been the professional who remained the longest in the role of principal of that school, managing to attribute to the period in which she was in charge of CEPPG, a valuable symbolic charge related to the idea of a “golden moment”: what would have been, until then, the greatest qualitative leap towards the modernization of public education offered to the community of Campinas. From this perspective, the memorialist practices established by Lígia Rebelo, in private or public records, serve her personal purpose of perpetuating, in the collective imagination, her link with this “mythical moment” in the History of Colégio Pedro Gomes, while at the same time revealing a latent need for the government to incorporate educational spaces in the support of projects of authority and power.
A apropriação da Região Leste de Goiânia pelo capital
(Universidade Federal de Goiás, 2023-04-19) Mendes, Julianna Fernandes; Maciel, David; http://lattes.cnpq.br/3587511267893434; Maciel, David; http://lattes.cnpq.br/3587511267893434; Pinto, João Alberto da Costa; http://lattes.cnpq.br/4246394797193440; Batista, Anamaria Diniz; http://lattes.cnpq.br/4250663736230236; Moyses, Aristides; http://lattes.cnpq.br/5338712409166113; Moraes, Lúcia Maria; http://lattes.cnpq.br/2460294440897616
This doctoral dissertation is part of the Line of Research: Power, Sertão and Identities of the Graduate Program in History of the Federal University of Goiás, proposing to investigate The appropriation of the eastern region of Goiânia by the capital. The first chapter seeks to understand the control of urban space, with the subsequent release of allotments, as well as the division of social classes in the urban of Goiânia. In addition, it sought to analyze this premise based on data from the SFH, BNH and COHAB, verifying that the housing policies promoted during the military dictatorship period reinforced the segregation of urban space and legal insecurity of tenure. Then, in the second chapter, we try to analyze Real Estate Capital and the expansionist reform towards the east region, reinforcing how the public power together with the private initiative designed and implemented public policies for the urban expansion area of Goiânia. Thus, delimiting the eastern region by demonstrating its specificities was important to analyze the reason for urban expansion to move towards the eastern region in the early 1970s. The study of critical geography and urban history allowed for a discussion between Santos, Moyses, Harvey, Lefebvre, Haesbaert and Raffestin on the transformation of Goiânia from space to territory as power. In the same sense, we demonstrate through legislation how the expansionist compass was projected towards the eastern region. The third chapter called the appropriation of the eastern region of Goiânia by the capital, we seek to understand, not only the territorial appropriation, but also the appropriation of other essential assets for urban and community development. It was up to us to verify who the owners of the eastern region were, we arrived at the Louza family as owners of most of the Gameleira Farm which was acquired in July 1943 and, later, from 1950 onwards, they carried out the subdivision of land for the construction of the Jardim Goiás neighborhood. The discussion was still permeated about the urban voids and the appropriation by financialized capital that evidenced the modus operandi of real estate speculation.
Graciliano Ramos (anti)modernista? Um autor entre a Literatura do Norte e do Sul
(Universidade Federal de Goiás, 2025-01-23) Silva, Fernando Costa e; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Salomon, Raquel Machado Gonçalves Campos; http://lattes.cnpq.br/2245138184521600; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Soares, Ana Lorym; http://lattes.cnpq.br/7819170706503866; Camargo, Maicon da Silva; http://lattes.cnpq.br/5330206712235614; Gonçalves, Roberta Ferreira; http://lattes.cnpq.br/9002351352138509
The man stuck in the past was the other to whom modernists called strange. The universalism of the movement ranged from the fierce critic to the promising talent established in a distant land. Graciliano Ramos (1892-1953) could not be understood as anti-modernist, because his life can’t be dissociated from the time. Incredible the effort to stay up to date with the new developments brought about by modernism. Its integration into the Brazilian literary field can be understood as the result of this effort in conjunction with the modernization process of the contemporary publishing market in the 1930s. Augusto Frederico Schmidt, Gastão Cruls and Agripino Grieco stood out among agents who conceived a multifaceted literary field in the middle in a lot of political transformations and coexistence between ideological extremes. Graciliano Ramos was arrested and wrote about it, but surrendered to Vargas populism in the end. Revolutionary impetus materialized in his books, claimes for space in brazilian’s coletive memory about socialism movement.
Cidades sobrepostas: o processo de modernização e segregação urbana de Teresina (1990-2010)
(Universidade Federal de Goiás, 2021-02-26) Monte, Regianny Lima; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Nascimento, Francisco Alcides do; http://lattes.cnpq.br/8807841778457730; Oliveira, Eliézer Cardoso de; http://lattes.cnpq.br/4351929916837359; Silva, Murilo Borges; http://lattes.cnpq.br/7222474976480477; Gomes, Aguinaldo Rodrigues; http://lattes.cnpq.br/3408519048864585
This paper is an analysis of the process of modernization and urban segregation that occurred in the city of Teresina between 1990 and 2010. This process resulted in interventions implemented with the purpose of bringing Teresina closer to other urban centers, which, due to their proportionality, were responsible for the city's inclusion in the international parameters of global cities and for this reason it began to experience problems generated by this new way of being in the urban space typical of post-modernity. New spatialities were created to meet the demands of the sector, with the opening of shopping malls and gated communities. The government acted to direct the actions, equipping the city with urban equipment that responded to the needs of a new way of living and consuming the city. This new way of being in the city is marked by individuality and the volatility of social relations. Public and civil spaces are replaced by spaces marked by the market issue, in which issues related to citizenship are replaced by a consumer relationship. However, this new way of being in the city is not accessible to everyone. A considerable part of the population does not have access to this market city and is doubly excluded, having lost spaces for community participation and being unable to participate in the capital city. However, the city is not built without conflicts; those excluded from this process or those averse to the way it was implemented will leave their impressions on all these changes that went beyond the city walls and left their reflections on the multiple forms of possible experiences within the urban space. The theoretical framework on which this research was anchored was the studies of Michel de Certeau, regarding the concepts of representation and appropriation of urban spaces, and the writings of Zygmunt Bauman and his reflections on the moment of postmodernity, which he called liquid modernity. The methodological path included a considerable amount of sources, ranging from official documents of state and municipal executives to daily newspapers.
Célia Câmara: um legado a ser desvendado na Educação Básica (1975-1998)
(Universidade Federal de Goiás, 2025-05-21) Casanova, Bianca Cristina Barreto; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Arrais, Cristiano Pereira Alencar; http://lattes.cnpq.br/0048549261262609; Fernandes, Ana Rita Vidica; http://lattes.cnpq.br/9011537191118959; Dias, Ana Raquel Costa; http://lattes.cnpq.br/8902645603057041; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/2424054335258827; Magalhaes, Sônia Maria de; http://lattes.cnpq.br/8841367325340262
This research aims to propose the relevance of studying the mechanisms of consecration of artists in basic education in Goiás, focusing on the figure of art dealer Célia Câmara, among the great names of Goiás’ art scene. Intending at a liberating pedagogy, in the light of Paulo Freire, we will analyze the mechanisms of power inherent to the art system, whose results are transmitted, in an alienated way, in traditional school education. For this analysis, we will reflect on the biography of Célia Câmara, relating her trajectory, family life and social connections with her cultural entrepreneurship, mainly as head of the Casa Grande Galeria de Arte, between 1975 and 1995, in the city of Goiânia. Born in Paraná, Célia married journalist Jaime Câmara in the 1940s and, since that, she began her history in Goiás. The social columns of the newspaper O Popular, owned by her husband, follow Célia's trajectory from housewife to entrepreneur and influential figure in Goiás society. Célia Câmara, in this way, used her social capital to keep the gears of the art system in Goiás turning, which showed great professionalization during the 1970s and 80s, the period in which her gallery operated.
O per-tecer do maternar no stricto sensu: tessituras da invisibilidade materna nas políticas públicas educacionais
(Universidade Federal de Goiás, 2025-03-26) Rezende , Suellen Peixoto de; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/6593268782293837; Soares, Ana Carolina Eiras Coelho; http://lattes.cnpq.br/6593268782293837; Marques, Ana Maria; http://lattes.cnpq.br/3982340840178047; Cardoso, Vanessa Clemente; http://lattes.cnpq.br/6657917763682883; Ribeiro, Maria do Espírito Santo Rosa Cavalcante; http://lattes.cnpq.br/0992325312724959; Langaro, Jiani Fernando; http://lattes.cnpq.br/9918372985460845
This thesis presents an investigation into maternal invisibility in Public Educational Policies in stricto sensu programs. I will problematize the fabric of the construction of subjects based on gender relations, analyzing the discursivities involved in education plans (Louro, 1997), at the federal, state and municipal levels and, subsequently, I will analyze how possible intertwinings of resistance arise from the strength of maternal collectives. I will base myself on the perceptions between virtual spaces on social networks, especially Instagram, through the discourses of stricto sensu student mothers in public reports. As a theoretical-methodological framework, I used discourse analysis (Orlandi, 2003) inferring positions of power (Foucault, 1999) in the construction of public educational policies (Altmann, 2003). I assume that cyberfeminism (Lemos, 2009), as a tool for emancipation and amplification of women's voices, puts pressure on insurgent maternal epistemologies in contemporary times. To this end, I took feminist epistemologies and the theory of gender relations studies as a basis, based on the contributions of Perrot (2005) and Scott (1992, 2012). The research points to gender asymmetries, composing the field of Educational Public Policies, outlining a profound symbolic violence intrinsic in gender inequality for mothers in postgraduate studies, theoretically anchored in the data from Parent in Science (2023).
Da rainha à dama especular: um olhar comparativo entre os espelhos de Durand de Champagne e Francesc Eiximenis (séc. XIV)
(Universidade Federal de Goiás, 2025-03-28) Santos, Lara Fernanda Portilho dos; Souza, Armênia Maria de; http://lattes.cnpq.br/9441339482614419; Souza, Armênia Maria de; Magalhães, Sônia Maria de; Silva, Andréia Cristina Lopes Frazão da; Souza, Guilherme Queiroz de; Perin, Conceição Solange Bution
In this research we strive to make a comparison of the Speculum Dominarum (1304) and the Llibre de les dones (1396), both mirrors of Franciscan authorship dedicated for D. Joana de Navarra, queen consort of France and D. Sancha de Arenós, Countess of Prades in the Aragonese kingdom, respectively. Using the theoretical and methodological scope of the comparative method in History, we seek to observe, safeguarding the particularities of each of the sources, elements of similarity and/or distinction between the specula that, despite being distinct in spatial scope, become historical traces converging on the theme of women. From an investigation that initially seeks to understand the philosophical nature of the specular genre and its targeting of the late-medieval female audience, our analyzes move on to the conformation of the feminine ideals precepted in our sources and, after this, an individualized sociopolitical analysis in light of the historical conditions of each one. The mirrors that have the function of shaping ethical-moral values for society as a whole are rich historical traces, in the understanding of women as a heterogender social group, active and essential to the maintenance of medieval societies. Specifically our characters, to whom our sources are dedicated, it is possible to understand that under the ethical-virtuous discourse the legitimacy of the queen's governance power is consolidated (in the case of the Speculum Dominarum), while with the Llibre de les dones, it is possible to perceive through its social use the validation of the interests of D. Sancha de Arenós, in the light of a troubled marriage.
Pelas veredas dos cristais de rocha: as representações do sertão garimpeiro do antigo norte goiano na literatura regional
(Universidade Federal de Goiás, 2025-03-10) Rodrigues, Brendon Husley Rimualdo; Menezes, Marcos Antonio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antonio de; Souza, Rildo Bento de; Pinto, João Alberto da Costa; Silva, Moisés Pereira da; Ribeiro, Maria Espírito Santo Rosa Cavalcante
Over four decades of the twentieth century, between 1940 and 1980, northern Goiás was the stage of intense rock crystal extraction, a process that (trans)formed the social fabric of this vast geographical region. The sertão of mining camps attracted individuals from various Brazilian states and abroad, who entered the central-northern territory of Brazil driven by the frenzied and unrestrained pursuit of the coveted gemstone. In the novel Dueré: pelos garimpos de cristal de rocha (2020), Juarez Moreira Filho revives the landscapes and representations of the mining sertão through his literary narrative. At the same time, he evokes the socioeconomic and cultural substrata of the subjects and institutions present in the “great northern Goiás.” The author reflects on how his life and the experiences of others were shaped by the sertão and by the crystal mining enterprise. Although the exploitation of rock crystal left a profound mark on the region, little to no documentation about it exists in official records or academic research. In this dissertation, I problematize the lived experiences and customs of the mining sertão through the lens of Dueré, a work that brings together traces of the historicity of socioeconomic and cultural practices related to rock crystal mining in the former northern Goiás—an area that attracted thousands of people, wildly driven by dreams of easy wealth, and where villages, settlements, and cities came to life. To support the development of this dissertation, which emphasizes representations of the mining sertão, I gathered data and testimonies from diverse sources: narratives of people recounting lived experiences and witnessed events, books, dissertations, academic and scientific articles, newspaper reports, and even photographs. I engaged in dialogue with numerous authors whose work addresses the themes explored here, selecting excerpts that enriched and supported the meanings conveyed in my discourse. A multitude of texts and discourses intersected in the construction of this thesis, offering plural perspectives on the world, particularly on mining and its multifaceted dimensions. Through this exercise in interdiscursivity, I draw from, among others, the works of Juarez Moreira Filho (2020, 2013, 2012, 2010, 2009), Júlio Paternostro (1945), José Maria Audrin (1963, 1946), Carmo Bernardes (2005), Eli Brasiliense (1977, 1964, 1960), Luís Sabóia Ribeiro (1959), Sálvio Dino (1981), Bernardo Guimarães (1951), Maria de Lourdes Janotti (1992), Euclides Antunes de Medeiros (2012), and Sandra Jatahy Pesavento (2014, 2001, 1999). This dissertation is configured as a historical study, supported by literary contributions, of the vast sertão of the former northern Goiás (now the state of Tocantins), with an emphasis on the historical, social, political, and economic aspects that intertwine with symbolic systems which give meaning to sertanejo and mining identities. Objectivity and subjectivity coexist in the discourse of this work, sustained by the convergence of historical and literary languages. This blending of history and literature provided me with the analytical tools to explore the multiple elements constituting the systems of the vast sertão of Goiás, and most notably, of the rock crystal mining context. It was within this mining sertão that plural Tocantins identities were constructed
Bolsonarismo e população LGBTIA+: a violência como projeto de estado no Brasil (2013-2022)
(Universidade Federal de Goiás, 2025-03-28) Mariusso, Victor Hugo da Silva Gomes; Menezes, Marcos Antônio de; http://lattes.cnpq.br/5906542748941462; Menezes, Marcos Antônio de; Oliveira, Alcilene Cavalcante de; Silva, Josefina de Fátima Tranquilin; Sousa Neto, Miguel Rodrigues de; Gomes, Aguinaldo Rodrigues
In this thesis, we analyze violence against the LGBTIA+ population in Brazil, based on the understanding that there is a structure that sustains this violence and that it was present — among other places — in the Bolsonaro government (2019-2022), which we consider an antiLGBTIA+ government. We examine the ways in which the State combats subjects/groups distinguished by their sexual and gender experiences that are dissonant from cisheteronormativity, as well as the place of the LGBTIA+ movements in this relationship. We find that violence against the LGBTIA+ population continues in Brazil, receiving support from the State, especially since the candidacy and victory of former President of the Republic, Jair Bolsonaro. We also realize that the printed media has given way to virtual means of communication, including digital social networks, transforming the ways of resistance of the press and social movements in their classical sense. The persistence of violence against the LGBTIA+ population is part of the process of reestablishing democracy and its stabilization/consolidation in the country, thus expressing one of its limits

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